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In the endless war between East and West, oil has become the ultimate prize. Nuclear-powered subtugs brave enemy waters to tap into hidden oil reserves beneath the East's continental shelf. But the last twenty missions have never returned. Have sleeper agents infiltrated the elite submarine service, or are the crews simply cracking under the pressure?

Psychologist John Ramsay has gone undercover aboard a Hell Diver subtug. His mission is to covertly observe the remainder of the four-man crew―and find the traitor among them. Sabotage and suspicion soon plague the mission, as Ramsay discovers that the stress of fighting a war a mile and a half under the ocean exposes every weakness in a man. Hunted relentlessly by the enemy, the four men find themselves isolated in a claustrophobic undersea prison, struggling for survival against the elements . . . and themselves.

A gripping novel by the legendary author of Dune.

• Sales Rank: #1522901 in Books
• Brand: Herbert, Frank
• Published on: 2008-04-01
• Released on: 2008-04-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .61" w x 5.50" l, .75 pounds
• Binding: Paperback
• 272 pages

Features

• Used Book in Good Condition

Review

“This is the science fiction thriller at its best. An intelligent and insidiously intriguing story.” ―The Daily Mail on The Dragon in the Sea

“A speculative intellect with few rivals in modern SF.” ―The Encyclopedia of Science Fiction

About the Author

Frank Herbert is the author of the 1965 science fiction classic, Dune. He passed away in 1986.

Excerpt. © Reprinted by permission. All rights reserved.

Excerpt
The blonde WAVE secretary at the reception desk took the speaker cup of a sono-typer away from her mouth, bent over an intercom box.
“Ensign Ramsey is here, sir,” she said.
She leaned back, stared up at the redheaded officer beside her desk. His collar bore the zigzag of electronics specialist over the initials BP—Bureau of Psychology. He was a tall man, round-faced, with the soft appearance of overweight. Freckles spotted his pinkish face, giving him the look of a grown-up Tom Sawyer.
“The admiral’s usually a little slow answering,” said the receptionist.
Ramsey nodded, looked at the door beyond her. Gold lettering on a heavy oak panel: CONFERENCE ROOM—Sec. I. Security One. Above the clatter of office sounds, he could hear the tooth-tingling hum of a detection scrambler.
Through his mind passed the self-questionings he could never avoid, the doubts that had made him a psychologist: If they have a rough job for me, can I do it? What would happen if I turned it down?
“You can rest that here on the desk,” said the receptionist. She pointed to a black wooden box, about a foot on a side, which Ramsey carried under his left arm.
“It’s not heavy,” he said. “Maybe the admiral didn’t hear you the first time. Could you try again?”
“He heard me,” she said. “He’s busy with a haggle of braid.” She nodded toward the box. “Is that what they’re waiting for?”
Ramsey grinned. “Why couldn’t they be waiting for me?”
She sniffed. “Enough braid in there to founder a subtug. They should be waiting for an ensign. There’s a war on, mister. You’re just the errand boy.”
A wave of resentment swept over Ramsey. You insolent bitch, he thought. I’ll bet you don’t date anything less than a full commander. He wanted to say something biting, but the words wouldn’t come.
The receptionist returned the sono-typer cup to her mouth, went back to her typing.
I’ve been an ensign so long I’ll even take lip from a WAVE yeoman, he thought. He turned his back on her, fell to musing. What do they want with me? Could it be that trick on the Dolphin? No. Obe would have said. This might be important, though. It could be my big chance.
He heard the receptionist behind him take a sheet of paper from her machine, replace it.
If I got a big assignment and came back a hero, she’d be the kind who’d try to beat Janet’s time with me. The world’s full of ’em.
Why do they want me in Sec. I?
Obe had just said to bring the telemetering equipment for the remote-control vampire gauge and show up on the Sec. I doorstep at 1400. Nothing more. Ramsey glanced at his wrist watch. A minute to go.
“Ensign Ramsey?” A masculine voice sounded behind him. Ramsey whirled. The conference-room door stood open. A gray-haired line captain leaned out, hand on door. Beyond the captain, Ramsey glimpsed a long table strewn with papers, maps, pencils, overflowing ash trays. Around the table sat uniformed men in heavy chairs, almost like fixtures. A cloud of blue tobacco smoke hung over the scene.
“I’m Ensign Ramsey.”
The captain glanced at the box under Ramsey’s arm, stepped aside. “Will you come in, please?”
Ramsey skirted the reception desk, entered the room. The captain closed the door, indicated a chair at the foot of the table. “Sit there, please.”
Where’s the boss? Ramsey wondered. His gaze darted over the room; then he saw Obe: a hollow-cheeked little civilian, straggly goatee, thin bird features, seated between two burly commodores like a prisoner under guard. The little civilian’s radiation-blinded eyes stared straight ahead. The mound of a radar bat-eye box atop one shoulder gave him a curious unbalanced appearance.
Ramsey sat down in the chair indicated, allowed himself an inward chuckle at the thought of the two commodores guarding Dr. Richmond Oberhausen, director of BuPsych. Obe could reduce them to quivering jelly with ten words.
The captain who had admitted Ramsey took a chair well down the table. Ramsey moved his black box to his lap, noted eyes following the movement.
Obe has briefed them on my little invention, he thought.
The hum of the detection scrambler was strong in the room. It made Ramsey’s teeth ache. He closed his eyes momentarily, blanked off the pain, opened his eyes, stared back at the men examining him. He recognized several of the faces.
Very high braid.
Directly opposite at the other end of the table sat Admiral Belland, ComSec, the high mogul of Security, a steely-eyed giant with hook nose, thin slit of a mouth.
He looks like a pirate, thought Ramsey.
Admiral Belland cleared his throat in a hoarse rumble, said, “This is the ensign we’ve been discussing, gentlemen.”
Ramsey’s eyebrows went up a notch. He looked to Dr. Oberhausen’s impassive face. The BuPsych chief appeared to be waiting.
“You know this ensign’s Security rating,” said Belland. “It’s presumed we can talk freely in front of him. Would any of you care to ask him—”
“Excuse me, please,” Dr. Oberhausen arose from between the two commodores with a slow, self-assured movement. “I have not acquainted Mr. Ramsey with any of the particulars of this meeting. In view of the assignment we have in mind, it would appear more humane if we did not treat him like a piece of dry goods.” The sightless eyes turned toward Belland. “Eh, Admiral?”
Belland leaned forward. “Certainly, Doctor. I was just coming to that.”
The admiral’s voice carried a tone somewhere between fear and deference.
Ramsey thought: Obe is running this meeting pretty much as he wants, and without these birds being certain they’re outmaneuvered. Now, he probably wants me to pick up a cue and help him apply the clincher.
Dr. Oberhausen sank back into his chair with a stiff, stick-like gesture. A punctuation.
Belland’s chair rasped on the floor. He got to his feet, went to the side wall at his left, indicated a north-polar projection map. “Ensign Ramsey, we’ve lost twenty subtugs in these waters over the past twenty weeks,” he said. He turned to Ramsey altogether like a schoolteacher about to propound a problem. “You’re familiar with our pressing need for oil?”
Familiar? Ramsey restrained a wry smile. Through his mind sped the almost interminable list of regulations on oil conservation: inspections, issuance forms, special classes, awards for innovations. He nodded.
The admiral’s bass rumble continued: “For almost two years now we’ve been getting extra oil from reservoirs under the marginal seas of the Eastern Powers’ continental shelf.” His left hand made a vague gesture over the map.
Ramsey’s eyes widened. Then the rumors were true: the sub services were pirating enemy oil!
“We developed an underwater drilling technique working from converted subtugs,” said Belland. “A high-speed, low-friction pump and a new type of plastic barge complete the general picture.”
The admiral’s mouth spread into what he probably imagined as a disarming grin. It succeeded only in making him appear even more piratical. “The boys call the barge a slug, and the pump is a mosquito.”
Dutiful chuckles sounded through the room. Ramsey smiled at the forced response, noted that Dr. Oberhausen maintained his reputation as Old Stone Face.
Admiral Belland said, “A slug will carry almost one hundred million barrels of oil. The EPs know they’re losing oil. They know how, but they can’t always be sure of where or when. We’re outfoxing them.” The admiral’s voice grew louder. “Our detection system is superior. Our silencer planes—”
Dr. Oberhausen’s brittle voice interrupted him. “Everything we have is superior except our ability to keep them from sinking us.”
The admiral scowled.
Ramsey picked up his cue, entered the breach. “What was the casualty percentage on those twenty subtugs we lost, sir?”
An owl-faced captain near Belland said dryly, “Of the last twenty missions, we lost all twenty.”
Copyright © 1956 by Herbert Properties, LLC. All rights reserved.

Most helpful customer reviews

14 of 16 people found the following review helpful.
Typical microcosm under pressure, well done
By Rick
If you've read any of Herbert's works (Dune, etc.), you might realize that his endless but intriguing theme is what how people, economies, belief systems, ecosystems, etc. respond to potential extinction. His answer in each of his books with this theme reminds me of that line from Jurassic Park: "Life always finds a way." Having said that, *Under Pressure* is perhaps the smallest level at which he plays this game -- a small submarine whose mission it is to steal oil from an enemy country in a cold war several levels above what the U.S. experienced during the 1950s and 1960s. This might sound like a recycled sub movie plot, but don't be fooled by the premise. *Under Pressure* is more about how men bond...well, under pressure, and become something greater than they could singly. I read it first when I was in junior high, and I read it again earlier this year. It's amazing how quickly the book ends. The only thing that keeps it from earning five stars is what I've always considered Herbert's weakness -- characterization. He takes a whole book (sometimes more than a single book) to flesh characters out fully. Still, I heartily recommend this book because it deals with large themes and is better plotted than some of his more famous works.

8 of 9 people found the following review helpful.
5 men in a submarine :-)
By caolan.mcnamara@ul.ie
This is a fairly simple and short novel. Unlike some of Frank's other work, this isnt really a sci-fi book, more of a psychological study of the paranoia that overtakes 5 men on a submarine mission to destroy an enemy installation. Its a very good read though, and id definitely reccomend it. Like the best of Franks work, it disorients the reader and fiddles with your perceptions.

7 of 8 people found the following review helpful.
Unknown but worthwhile Herbert work
By magellan
This is probably Herbert's least well known novel, but it's a remarkable tale of a futuristic submarine war and what sub technology and tactics might be like in the future. As in his most famous novel, Dune, people and technology are often mere chess pieces in a greater political game. In Dune, despite their advanced knowledge of cognitive psychology, human abilities, and psychophysiology, the characters are controlled by the Machiavellian vicissitudes of their everyday lives. This book shows Herbert already thinking about the implications of the philosophy he was to develop more fully there.

In his short story, Cease Fire, published ten years before Dune, we see Herbert's fascination with Machiavelli and with political intrigue and psychological warfare. This interest was to combine with his interests in ecology, psychology, and technology to produce his famous masterpiece, Dune. Overall this is another fine Herbert novel and one that deserves to be better known and that presages much of his later important work.

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^^ Download Aztec Autumn, by Gary Jennings

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The magnificent Aztec empire has fallen beneath the brutal heal of the Spaniards. But one proud Aztec, Tenamaxtli, refuses to bow to his despised conquerors. He dreams of restoring the lost glory of the Aztec empire, and recruits an army of rebels to mount an insurrection against the seemingly invincible power of mighty Spain.
Tenamaxtli's courageous quest takes us through high adventure, passionate women, unlikely allies, bright hope, bitter tragedy, and the essence of 16th century Mexico. This incredible rebellion has been little remembered, perhaps because it shed no glory on the men who would write the history book, but on its outcome depended the future of all North America. Aztec Autumn recreates this forgotten chapter of history in all its splendor and unforgettable passion.

• Sales Rank: #283346 in Books
• Published on: 2006-05-16
• Released on: 2007-03-20
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .85" w x 6.00" l, 1.30 pounds
• Binding: Paperback
• 384 pages

Amazon.com Review
Historical novelist Gary Jennings returns to the time and place of his international bestseller Aztec one generation after the conquistadors have all but destroyed the culture. The once-shining capital city of Tenochtitlan has been renamed Mexico City. Eighteen-year-old Tenamaxtli, the novel's hero, has traveled with his mother from the northern region, where they have been kept abreast of the progress of the malignant, marauding, disease-bearing Spanish. In the course of witnessing the execution of an old Aztec, Tenamaxtli's mother reveals that the victim is, in fact, her son's father. Everything is in place for vengeance, and over the novel's next several years, Tenamaxtli organizes an ill-fated insurrection, enjoying many sexual adventures along the way.

Told plainly and at some remove, Jennings has reserved the fancier footwork for an excursion into Aztec culture, creating a detailed tapestry of a struggling, vanquished race. Readers familiar with Mexican history will welcome the rich details of this vengeance drama; those new to it will be impressed by Jennings's exhaustive research.

The narrative reads like a journal, its language meant to evoke some generic past. Perhaps this is a distancing device, allowing readers to focus on the rich weave of cultural and historic elements rather than the carnage, cruelty, and genocide that characterize this unhappy piece of Mexican history.

From Booklist
The sequel to the author's internationally best-selling Aztec (1982) returns to the Mexico of the conquistadors. The previous novel enveloped the reader in the traditions and customs of Aztec society before and during the bloody Spanish conquest. The story as it now unfolds finds us in postconquest Mexico, events now narrated by a young Aztec man whose uncle is an esteemed nobleman. The Spanish conquerors have settled in to run a tightly controlled enterprise, and the novel springs into action when the young hero decides no other course is available to him than to seek revenge for the foul murder of his father by the conquerors. What the reader is witness to in these compelling pages, then, is the avenger's careful gathering together of an insurrectionary movement. Jennings' ability to marshal the results of considerable research into a smoothly flowing, never sluggish narrative is remarkable; here he gives appreciators of historical fiction something to relish. Brad Hooper

From Kirkus Reviews
Uneven, comparatively brief sequel to Jennings's epic historical tale Aztec (1980). Having watched the gruesome auto-da-f‚ of Dark Cloud, the doomed, conflicted hero of Aztec, Tenam xtli, Dark Cloud's son, vows revenge on the Spaniards who have conquered and destroyed the Aztec empire. He befriends a Spanish notary who understands the Aztec language and begins to learn Spanish in a mission in the former imperial capital of Tenochtitlan (the ``The Heart of the One World,'' contemporary Mexico City). Jennings uses Tenam xtli's Candide-like innocence to poke fun at the bearded, brutal Europeans with their booming arquebuses, their appetite for cruelty and gold, and their odd religion, which compels them to ``eat their god'' during communion. Daunted by the contradictions of Christianity, Tenam xtli puzzles out the recipe for gunpowder, procures a copy of a Spanish arquebus, and makes a decisive terrorist strike against a Spanish garrison before returning to his native Aztlan. Along the way, he finds a utopian settlement ruled by a kindly Spanish priest, tarries lustfully in a village of women whose men have been slaughtered, befriends a fierce, bald-headed female warrior named Tiptoe, tangles with a seemingly immortal sorceress named G'nda Ke', and mounts the throne of his ancestral homestead as the ultimate ruler. Jennings's relentlessly talky narrative doesn't achieve the momentum of his earlier masterpiece, and, despite numerous references to divine coincidences, his twisted plot depends on too many trite devices. Characters thought to be lost, dead, incompetent, or merely far away are forever popping up to either save the day or ruin it for Tenam xtli, whose rigid concept of honor compels him to lead a rebellion that even he realizes he can't win. A bumpy, meandering, wryly tragic tale, graced with delightful moments of passion and insight into the ancient culture that still haunts (and influences) modern Mexico. (First printing of 250,000) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

23 of 24 people found the following review helpful.
Not as good as "Aztec"; but not bad as they say, either
By J R Zullo
Gary Jennings was an author known for his great historical novels, based on enormous and thorough research, very sexually active characters, developed in a level that few writers can master, and unusual situations brought to light by an uncommon and skillful style of writing. I think "Aztec" is his masterpiece, but "The journeyer" and "Raptor" are not that far behind.

While reading "Aztec", I was totally transported to the "one world", back in the fifteenth and sixteenth centuries of the christian era. Mixtli was a great character. His life was a great life. Jennings's readers were so appaled by his tale that they were left wanting more. Almost two decades later, their wish was granted. Of course, to be better than "Aztec" was a nearly impossible task, and not even Jennings was able to do it.

In "Aztec autumn", a sequel of sorts, Mixtli briefly appears, but the main character this time is Tenamaxtli, one of Aztlán heirs, who have to cope with his land being invaded and ruled by the spaniards. Tenamaxtli has revenge boiling in his heart, and he will conceive many plans to make the white smelly devils go back to where they came from.

The book starts well enough, and for a time I thought "Aztec autumn" would be as great as "Aztec". But this book lacks the presence of many of the great secondary characters that peopled its predecessor. Tenamaxtli is interesting enough, but he's surrounded by cardboard characters. Many of them appear only briefly. The subplots are also not very great. Many reviewers complain that some of those subplots are sorry excuses for overrated sexual experiences; I don't entirely agree with them, because I understand that sexual scenes were a very strong part of Jennings' writing style, but this time those scenes were not as greatly written as the ones existent in his three masterpieces. Also, the ending in "Aztec autumn" seems very rushed, as if the author himself got tired of his book and just wanted it to be over.

But when we're dealing with historical fiction, there are not many authors that can deliver a fantastic book like Jennings does - Noah Gordon and Ken Follett come immediately to mind. To go back to the One World / New Spain in the 1600s one more time was worth the reading. That's why this book deserves a 4-star rating.

Grade 7.2/10

15 of 16 people found the following review helpful.
A very inferior sequel to Aztec
By A Customer
Aztec Autumn suffers, like many sequels, by comparison to its predecessor, Aztec. One has the strong impression that the author knocked off this tome for one and only one reason: money. While the previous novel was impressive for the obviously immense research done to complete it, Aztec Autumn relies on implausible plot twists, magic, and the author's obvious prejudices for its effect. A fatal flaw is the author's choice of a mass murderer as a hero; any reader with a sense of justice begins rooting against the "hero" soon into the novel. Still, there is a certain amount of history interspersed with the author's prejudices, and fans of Aztec may want to read this mercifully short book just to get it out of their system.

11 of 11 people found the following review helpful.
Better than Most
By A Customer
If I could pick 3 1/2 stars I would have.
I enjoyed Aztec Autumn. It is not one of my favorite books and I don't think it is quite as good as Aztec. Reflecting on the that statment, how many sequels can claim to be as good as the original? There was something about Aztec that I find unplaceable. A sort of je ne sais quoi that Aztec Autumn unfortunately lacks, and while it does not make up for it, the book tries its hardest to by filling up every instant with action. With both this book and its predecessor, the endings left me thrilled yet high and dry at the same time. My only complaint of this book as an independant book is that, like Aztec, it is somewhat unbelievable, not so much in its greatness but in the characters' greatness. It is a good book, but not Mr. Jenning's best by far. If you haven't read Aztec read it and if you haven't read Raptor, then well, read that!

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• Sales Rank: #4978544 in Books
• Published on: 2009
• Binding: Stationery

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> Download Ebook In the Garden of Iden (The Company), by Kage Baker

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This is the first novel in what has become one of the most popular series in contemporary SF, now back in print from Tor. In the 24th century, the Company preserves works of art and extinct forms of life (for profit of course). It recruits orphans from the past, renders them all but immortal, and trains them to serve the Company, Dr. Zeus. One of these is Mendoza the botanist. She is sent to Elizabethan England to collect samples from the garden of Sir Walter Iden.
But while there, she meets Nicholas Harpole, with whom she falls in love. And that love sounds great bells of change that will echo down the centuries, and through the succeeding novels of The Company.

• Sales Rank: #963304 in Books
• Brand: Baker, Kage
• Published on: 2005-12-27
• Released on: 2005-12-27
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .75" w x 5.50" l, .65 pounds
• Binding: Paperback
• 336 pages

Amazon.com Review
In 16th-century Spain, everybody expects the Spanish Inquisition, as they have a well-known tendency to cart people off to their dungeons on trumped-up charges. What 5-year-old Mendoza, on the brink of being tortured as a Jew, is totally unprepared for is to be rescued by the Company--the ultimate bureaucracy of the 24th century--and made immortal. In return, all she has to do is travel through time on a series of assignments for the Company and collect endangered botanical specimens. The wisecracking, mildly misanthropic Mendoza wants nothing to do with historical humans, but her first assignment is to travel to England in 1553--uncomfortably close to those damn Inquisitors--with Joseph and Nefer, two other Company operatives. Their intent is to gather herb samples from the garden of Sir Walter Iden, a foolish though generous country squire. (Kage Baker knows her Shakespeare: Sir Walter is the descendant of Alexander Iden, loyal subject of Henry IV, who slew the hungry rebel Jack Cade in that very garden in Kent.)

The cyborg trio poses as Doctor Ruy Lopez, his daughter Rosa (the irrepressible Mendoza, now grown), and her duenna, Doña Marguerita; Sir Walter's hospitality and discretion are bought for the promise of restored youth. (There are hilarious moments that call to mind the Coneheads, who claimed to be from France when caught doing anything peculiar.) Sir Walter's secretary, Nicholas Harpole, is immediately suspicious of and hostile towards the strange "Spanish" visitors, which prompts Mendoza to fall in love with him. Nicholas has his own badly kept secret: he's proudly Protestant at a time when Queen Mary and Philip of Spain are on a Catholicizing rampage. Mendoza knows Nicholas is probably doomed, and that as a Company operative she cannot meddle with his fate, but love makes people do desperate things. Baker surpasses even Connie Willis in humor and precision of period detail in this fresh, ingenious first novel.--Barrie Trinkle

From Library Journal
Baker's witty debut novel is a pip. Full of exquisite descriptions of 16th-century England and the Spanish Inquisition (Baker was an actor and director at the Living History Centre and has taught Elizabethan English as a second language), this is a bittersweet tale of a young woman's first love. The initial assignment for 18-year-old Mendoza, transformed into an immortal cyborg by the 24th-century Company, is to retrieve from Renaissance England an endangered plant that cures cancer. Posing as a Spanish lady accompanying her doctor father, she falls in love with the mortal Nicholas Harpole, secretary to the owner of Iden Hall and its exotic gardens. Amidst the raging Catholic/Protestant powerplays revolving around the English throne and the fervent religious bloodlust of common folk, Mendoza is torn between her task and her love. Baker's story comments powerfully on religious hypocrisy and xenophobia. Highly recommended for most collections.
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
The ubiquitous Company is Dr. Zeus, Incorporated; by the year 2335, it owns nearly everything. How? Well, it invented time travel (you can't go forward from your own time, but you can travel into the past and return) and a flawed type of immortality. So Dr. Z sent operatives back into prehistoric times to gather up some promising children, make them immortal, and form them into a secret network that will make all the right investments--and preserve species that, according to history, will become extinct. In 16th- century Galicia, a little girl, Mendoza, is threatened by the Inquisition--until she's rescued and recruited by Company operatives Joseph and Nefer and trained as a botanist. Then, in 1554, Joseph, Nefer, and Mendoza, posing as Spanish grandees, travel to England as part of the entourage of Philip of Spain, soon to be the husband of Mary Tudor, the fervent Catholic queen dedicated to returning Protestant England to the Vatican. Mendoza's mission is to study and preserve the rare plants growing in the gardens of Sir Walker Iden of Kent. But young Mendoza soon falls in love with Nicholas Harpole, Sir Walter's (mortal) secretary. Worse, as Mary's brutal and repressive grip on England tightens, freethinkers like Nicholas are being condemned and burned at the stake. Can--should--Mendoza save Nicholas? What of her mission, her immortality--and the Company? Baker's time-travel rationale genuinely hangs together. Add on the authentic 16th-century setting. Set it forth in a narrative that sparkles with wit: The upshot is a highly impressive and thoroughly engrossing debut. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

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42 of 46 people found the following review helpful.
What An Interesting - If Flawed - Premise...
By Carl Malmstrom
Time travel is nothing new to science fiction. Even the idea of people travelling through time to preserve (or to try to alter) the timeline of the world is not new to science fiction. The idea of hiding in the shadows of history to preserve that which would otherwise be lost, though...
I was really impressed with the premise of "In the Garden of Iden". I thought the idea of a company that could make employees of 'indigenous' people and send them along ('along' mind you, not 'through') history to preserve plants, animals, art works, etc. only as long as they did not change history in the process to be a neat, if not revolutionary idea. Baker pulls off the idea quite well to in this book. She gives us a good feel of history unfolding while the characters of the book go about their mission in a country that's teetering on the verge of a new dark age just before it's greatest era begins.
The science in the book is well-researched. The history in the book is very well researched. Even the romance manages to push the reader into an interesting parallax between love and practicality. Surprisingly enough, the one thing that bothered me about the novel was the stipulation in the premise that people sent back couldn't change "recorded history". I found myself wondering what constitutes 'recorded history'. We as a race have so much difficulty sorting the fact from the lie and the myth in our 'recorded' history - even in the past century - that I wondered how valid an argument this could be. Perhaps it's an idea that she'll pursue in a later "Company" novel. I'd be interested to see what she could do with it...
All in all, I really enjoyed this novel. I blew through it like I haven't blown through a science fiction novel in a long time. While some of the topics it deals with are quite heavy, the overall read is really light. If you're looking for a fun, light book with a genuinely interesting premise, I recommend picking "In the Garden of Iden" up. Personally, I'm looking forward to getting on to the rest of the series...

16 of 16 people found the following review helpful.
Blood Mary and the romantic problems she causes
By David Roy
In the Garden of Iden is Kage Baker's debut novel of "The Company." It's a science fiction novel set in the 1550s, during the reign in Britain of Queen Mary. Baker's fluid style is a joy to read and her transformation from "modern" English to Renaissance and back to modern is wonderful. This is a marvelous debut and I can't wait to read more in the series.
I've loved Kage Baker's work ever since I read her stories in the various Year's Best Fantasy books, and I was eager to dive into a novel written by her. It was definitely worth the wait. Her prose style is wonderful and she seamlessly changes dialogue depending on who's talking, thus giving us the dialect of the time alongside the modern phrasings of a group of cyborgs honed by time travelers. I'm not expert enough to tell whether or not she gets the Renaissance dialogue right, but she certainly makes it feel right. It really makes you feel like you are there listening.
Another thing Baker avoids, for the most part, is making the romance cloying. While there were a few times where Mendoza and Nicholas became annoyingly written, most of the time this was turned on its head by a choice comment from Joseph (the leader of the expedition and Mendoza's recruiter) or something else happening. She doesn't overwrite the romance scenes and she deftly "fades to black" when the sex scenes are about to start. Thus, while the novel definitely has some adult themes, there are no actual scenes that should keep kids away from the book. Instead, she writes two adults who love each other deeply but know that there are some serious potential problems that might get in the way of that love.
The concept of the Company is very interesting. Time travel and cyborg technology have been invented, so what they do is send operatives back in time to recruit local people, train them in secret facilities (bringing them up to modern standards), turn them into immortal cyborgs, and allow them to do the job of preserving things. They take samples of various things that will become extinct, hide them away for a thousand years, and then "discover" them again in the present. One of Baker's most inspired creations is a radio that broadcasts at a frequency that humans can't hear, and which operatives can listen to and find out what is going on locally. Thus, there is a news story about the reintroduction of Papal law in the British parliament, along with commentary similar to a CNN broadcast. It was very innovative.
Baker also does a credible job with the characters. All of the operatives (there are four) in the house are interestingly written and have some sort of way to keep them straight. Nefer is stuck in limbo while she's waiting for an assignment in northern England, and she's also the resident animal expert. Thus, she has an affinity for them and takes umbrage at what she sees as the torturing of a goat (the owner tried to graft a horn on its forehead and called it a unicorn). Joseph has the worn feel of a man who's been around for hundreds of years and has seen it all, but yet he knows exactly how it feels to be a first-time operative. He's incredibly understanding with Mendoza, forgiving her the jitters and mistakes that any rookie will have. He is a wonderful mentor to her as well. I didn't feel like I knew Flavius very well, but he's not in the book much so there isn't a reason to flesh him out further than he already is. The local characters have their character hooks and are recognizably different, but aren't anything special.
The romance would not work if Nicholas is badly done, so it's a good thing that Baker saved her best for him. He is well-rounded with intelligence and wit, and the verbal sparring between Mendoza and him is great. His beliefs are very strong, and he sticks to them through everything. Watching Mendoza try desperately to convince him to run away from the inquisition that is coming to England is almost heartbreaking. With the exception of a few times, the book sparkles when the two of them are on the page, and he is a worthy companion for Mendoza. When things start to go sour, it's on an understandable basis and Nicholas reacts as he should.
The plot is a bit slow-moving, but it is interestingly told. There are a few places it drags as Baker takes a detour to do a little philosophizing. The trigger event for the climax also feels a bit artificial as Joseph makes a mistake that I didn't really think he would make with his experience in the field. Then again, these people are human so mistakes do happen to the best of them. It just felt a little bit too much like it was there just so that the plot could start moving.
Baker has created a wonderful little sci-fi story and if she can continue to write this strongly, she will continue for a very long time. The fact that there are already 3 other books, along with a short story collection, bodes well for the success of the series. If you want something new to try, this would be a good one to start with. Even if you don't like science fiction, you might find something in here to enjoy.
David Roy

16 of 16 people found the following review helpful.
A TIME OF PRIDE AND PREJUDICE
By Sesho
Before I picked up this book I had pretty much been down on my luck when it came to reading a decent sci-fi novel. Like any genre, most of the books are not written well and it's sometimes hard to find the few authors that are good. I finally hit the jackpot with Kage Baker and boy, was I relieved.
In the 24th century a company known as Dr. Zeus has discovered not only the means to time travel but also the secret of immortality. Whether it was right to do so or no, it used its time travel capibility to effect events in the past so that in the 24th century, the company rules the world. There were some scientists that had signed on to the venture with the understanding that time travel would be used to help mankind. In an effort to do this the business types at Dr. Zeus go back to different time periods and create immortal agents from humans of the time. The mission of these agents is to save valuable cultural artifacts that would otherwise be lost forever.
Flash backward to 1500's Spain in the height of the Spanish Inquisition. A nameless child of an impoverished mother is imprisoned wrongfully and is set to be tortured. An agent shows up offering her freedom. She takes it. She becomes known as Mendoza and enters the process of becoming immortal. The agents are in actuality cyborgs who are stronger and faster than a human. I thought it was really cool that while the world goes about its business there is a secret society of immortals carrying on their business in underground facilities, or in remote areas. Their business being to preserve some of man's and nature's lost treasures.
Mendoza is sent to England and the Garden of Sir Walter Iden who is famous for having the most extensive samples of flora in the world. Her mission: to catalog and preserve extinct plant forms for the Company. She also falls in love with a mortal and thus begins the real meat of the novel.
To me, reading the synopsis on the back of the book, I thought it would be boring. But as I began to read it reminded me of another writer whose plots sound boring but when read are real treasures. I was reminded of Jane Austen. This book is really well written, especially the historical detail and feel. Baker was a teacher of Elizabethan English so I don't think it was much of a stretch to write about this time. Which is ok. An author's first work is usually written in a comfort zone. Not a lot really happened in this book. It is more a character driven story in which the interest is kept by the interaction of different personalities. The only complaint I have is that the love story sometimes, but not often, gets fluffy. The rules for effecting the past seem a little sketchy too. Overall, though, the idea of the book is fascinating and the prose style is interesting. It was nice to see a sci-fi novel with living breathing characters and an author who is well on the way to mastering her voice. I look forward to the second book in the series, Sky Coyote.

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^ Download Ebook Running with the Dead (Chris Sinclair Thriller), by Jay Brandon

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Sexual politics, corruption in high-school athletics, revenge, and a mysterious stalker combine for an explosive new legal thriller by lawyer/author Jay Brandon. Four years ago, San Antonio District Attorney Chris Sinclair faced his first and biggest case as a defense attorney. His friend, teacher Henry Claremont had been accused of rape. Chris won the case, but had to reveal a love affair Henry had with another teacher. Then Henry's body was found, beaten to death.

Fast-forward to the present, when Chris Sinclair receives word that Henry's murder has been solved. The man accused, Hike Grimason, is a high ranking school administrator and high school basketball coach who, Chris discovers, took bribes from parents of his basketball players. During this trial, Chris and his daughter Clarissa are threatened by a man identical to the convicted multiple-murder Malachi Reese.

As events rush to a furious climax, Chris must succeed in the most high-pressure courtroom performance of his career, if he is to save Clarissa and to feel he’s brought justice to his unfairly accused friend Henry, whose death can be avenged only through Grimason’s conviction.

• Sales Rank: #3902889 in Books
• Published on: 2005-10-01
• Released on: 2005-09-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.22" w x 5.68" l,
• Binding: Hardcover
• 368 pages

From Publishers Weekly
Edgar finalist Brandon's compelling novel may be low on humor, but it's high on legal twists and turns. Soon after starting his career, San Antonio lawyer Chris Sinclair defended his longtime friend, high school teacher Henry Claremont, against a charge of rape brought by a student—though in doing so, he had to expose an affair Claremont was having with a fellow teacher. When Claremont was acquitted, someone in town disagreed and beat him to death one night at a local park. Four years later, new clues uncovered by the Texas Rangers point to school administrator and basketball coach Hike Grimason as Claremont's killer. After Grimason is indicted, however, Sinclair is unable to focus as directly as he'd like on the coach's upcoming trial, since someone is now stalking him, possibly a convicted multiple murderer he sent to prison or possibly the man's twin. Brandon (Fade the Heat) provides intelligent entertainment for lovers of courtroom drama. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Four years ago, in a brief incarnation as a defense attorney, Chris Sinclair, now the San Antonio district attorney, successfully represented Henry Claremont, a teacher accused of raping a student. But it was as hollow a victory as Sinclair would ever experience. Claremont had to reveal the identity of his married lover, and two careers were ruined. In short order, Henry was murdered, the victim of a brutal beating. Now the Texas Rangers say they have Claremont's killer, Hike Grimason, the basketball coach and a candidate for state office. Chris decides to prosecute the politically charged case personally, primarily because of the friendship he developed with Claremont. While he is preparing his case, Sinclair finds his relationship with his longtime lover unraveling, in part because of the attractive special prosecutor with whom he is working. Additionally, there are threats against his daughter's life from a Svengali-like serial killer who seems to be in prison and at large at the same time. The Sinclair series is an outstanding mix of courtroom maneuverings, evolving characters, and razor-sharp plots. Brandon, a former district attorney and Edgar Award finalist for Fade the Heat (1990), has the courtroom down pat, but so do a lot of writers. Brandon gets the people right, too, from Sinclair's too-cool, way-bright daughter to his soon-to-be-former lover, Anne, whose inner conflict pits freedom against love and commitment. A brilliant entry in a series that just keeps getting better. Wes Lukowsky
Copyright © American Library Association. All rights reserved

Review
"Jay Brandon knows how to put together a tight, believable courtroom melodrama."
--Entertainment Weekly on Defiance Country

"An undersung hero of courtroom drama returns with an admirably complex novel about bitter betrayal and sweet revenge. Laboring long under the shadows of Grisham and Turow, Brandon has yet to earn the recognition he deserves. But his 13th case--featuring multifaceted characters caught in page-turning dilemmas, his best since his 1990 debut, Fade the Heat--just might be lucky."
--Kirkus Reviews on Grudge Match

"Brandon is among the best in the legal thriller business at catching the real atmosphere of a trial--that combination of tedium and terror that makes the courtroom such a popular literary arena. His latest book about San Antonio district attorney Chris Sinclair (after 2003's Sliver Moon) has an absolute aura of authenticity. Brandon makes his story move along smoothly by creating an involving portrait of a criminal justice system staffed (mostly) by people trying to do the right thing."
--Publisher's Weekly on Grudge Match

"The result is a culminating courthouse drama that grips the reader tight, right up to the final page."
--San Antonio Express-News on Sliver Moon

Most helpful customer reviews

2 of 2 people found the following review helpful.
One plotline too many.
By SDRTX
Henry Claremont was a dedicated and well-liked high school history teacher. Four years ago former defense attorney and now San Antonio District Attorney Chris Sinclair won an acquittal for defendant Henry Claremont from sexual abuse charges. Unfortunately, Henry was brutally killed just a week after his acquittal. Chris has always been haunted by the death of the sensitive high school teacher. Now Horace "Hike" Grimason is on trial for Henry's murder. Hike, the high school varsity basketball coach at the time is now a deputy superintendent of schools. Fours years ago Henry was trying to prove along with his lover, Vice-Principal Charlotte Moore, that Hike was taking bribes from the parents of basketball players. In a concurrent story, Malachi Reese a murderer that Chris put on death row is petitioning the court for a new trial. He is claiming a lookalike is responsible for the deaths of which he has been convicted. The lookalike is terrorizing Clarissa, Chris's college student daughter. Luckily Clarissa does not scare easily, and helps her father in his quest to keep a murderer behind bars.

I really enjoyed the storyline that involved the Grimason case. I felt engaged in the outcome of the case. Henry was a sympathetic and wronged character. You want justice for him. There is even romance brewing between Chris and his co-counsel. The Reese storyline was less successful because it was a backburner story. It really wasn't well-developed. Every time the plot veered toward Reese it just felt like filler material. The story involving Reese did not feel compelling though I did like Clarissa and her part in it. I'd give the Claremont storyline 5 stars and the Reese storyline 3 stars.

0 of 0 people found the following review helpful.
LONG chapters, when you're a sporadic reader
By R. Gawlitta
I enjoy reading a lot, though I have few opportunities to enjoy a novel, except maybe a chapter at a time before I go to bed. I'm not a fast reader, either, so I might've been a bit challenged with Jay Brandon's book, with unusually long chapters. He's a good writer, and I actually stuck it out, and generally enjoyed what I absorbed. Chris Sinclair is a good central character, with good intentions and a somewhat insecure assessment of himself. There are 2 distinct plotlines, and a few sub-plots which aren't given much resolution. One of the more interesting sub-plots involves Chris' ex- who is a psychologist, and sustains a subliminal character of interest. One of the main plots, involving a vicious killer named Reese, could've been more developed regarding background and motivation. The other main plot basically involved bringing a smart-ass bully to justice. This was much more interesting to me, and the entire case was well-examined, with a satisfying outcome. I refuse to blab away the whole story, since there may be some who may read this review before reading the book. (I do that often.) I enjoyed "Running with the Dead", and intend to check out more by Jay Brandon.

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"Let me tell you who I am, on the chance that these scribblings do survive. . .

"I am Murgen, Standardbearer of the Black Company, though I bear the shame of having lost that standard in battle. I am keeping these Annals because Croaker is dead, One-Eye won't, and hardly anyone else can read or write. I will be your guide for however long it takes the Shadowlanders to force our present predicament to its inevitable end. . ."

The Return of the Black Company comprises the novels Bleak Seasons and She is the Darkness―the third omnibus volume of Glen Cook's fantasy epic Chronicles of the Black Company.

• Sales Rank: #263359 in Books
• Brand: Brand: Tor Books
• Published on: 2009-09-15
• Released on: 2009-09-15
• Original language: English
• Number of items: 1
• Dimensions: 9.13" h x 1.17" w x 6.13" l, 1.40 pounds
• Binding: Paperback
• 672 pages

Features

• Used Book in Good Condition

About the Author

GLEN COOK lives in St. Louis, Missouri.

Excerpt. © Reprinted by permission. All rights reserved.

Incessant wind sweeps the plain. It mutters across grey pavements that sweepfrom horizon to horizon. It sings around scattered black pillars, a chorus ofghosts. It tumbles leaves and scatters dust come from afar. It teases the hair of acorpse that has lain undisturbed for a generation, mummifying. Impishly, thegale tosses a leaf into the cadaver’s silently screaming mouth, tugs it away again. The wind carries the breath of winter.

Lightning leaps from pillar to ebon pillar like a child skittering from base tobase in a game of tag. For a moment there is color on that spectral plain.

The pillars might be mistaken for relics of a fallen city. They are not. They aretoo few and too randomly placed. Nor has a one ever fallen, though many havebeen gnawed deeply by the teeth of the hungry wind.

1

... fragments...

... just blackened fragments, crumbling between my fingers.

Browned page corners that reveal half a dozen words in a crabbed hand, their context no longer known.

All that remains of two volumes of the Annals. A thousand hours of labor. Four years of history. Gone forever.

Or are they?

I do not want to go back. I do not want to relive the horror. I do not want to reclaim the pain. There is pain too deep to withstand right here, right now. There is no way to recapture the totality of that awfulness, anyway. The mind and heart, safely over to the farther shore, simply refuse to encompass the enormity of the voyage.

And there is no time. There is a war on.

Always there is a war on.

Uncle Doj wants something. Just as well to stop now. Teardrops make the ink run.

He is going to make me drink some strange philtre.

Fragments...

... all around, fragments of my work, my life, my love and my pain, scattered in this bleak season....

And in the darkness, shards of time.

2

Hey, there! Welcome to the city of the dead. Don’t mind those guys staring. Ghosts don’t see a lot of strangers—at least of a friendly persuasion. You’re right. They do look hungry. That happens during these siege things.

Try not to look too much like a lamb roast.

Think that’s a joke? Stay away from the Nar.

Welcome to Dejagore, what the Taglians call this deathtrap. The teeny brown Shadowlanders the Black Company grabbed it from call it Stormgard. People who actually live here always called it Jaicur—even when that was a crime. And who knows what the Nyueng Bao call it. And who cares, eh? They aren’t talking and they aren’t part of the equation anyway.

That’s one of them. That rascal there, no meat on him and a skull face. Everybody around here is some shade of brown but theirs is different. It has a grey cast to it. Almost deathly. You won’t mistake a Nyueng Bao for anything else.

Their eyes are like polished coal no fire will ever warm.

That noise?

Sounds like Mogaba, the Nar and the First Legion rooting out Shadowlanders again. Some get inside almost every night. They are like field mice. You just can’t get rid of them all.

Found some the other day that had been in hiding since the Company took the city.

How about that smell out there? It was worse before the Shadowlanders started burying the bodies. Maybe a shovel was a little too complicated a machine.

Those long mounds that radiate from the city like spokes have corpses stacked like cordwood inside. Sometimes they didn’t pile the dirt on deep enough and the gasses of corruption burst the mounds open. That’s when you hope the wind is blowing their way.

You see how positively they are thinking, all the not-yet-filled-trenches they are digging. A lot of the dirt goes into the ramps.

The elephants are the worst. They take forever to rot. They tried burning them once, but all that did was irritate the buzzards. So where they could they just dragged the bodies over and incorporated them into their ramps.

Who? The ugly little guy with the uglier hat? That is One-Eye. You must have been warned about him.

How come One-Eye? On account of the eye patch. Clever, huh?

The other runt is Goblin. You should have been warned about him, too. No? Well, stay out of their way. All the time is best, but especially if they are arguing, and most particularly if they have been drinking. As wizards go they are no earthshakers but they are more than you will be able to handle.

Puny as they are, they are the main reason the Shadowlanders have stayed out there in the country roughing it, leaving the wallowable luxuries of the city to the Taglian troops and Black Company.

No, now pay attention. Goblin is the white one. All right, you’re right, he is overdue for his annual bath. Goblin is the one who looks like a toad. One-Eye is the one with the hat and the patch.

The guys in the once-upon-a-time-they-were-white tunics are Taglian soldiers. Every day now every one of them asks himself what damned fool notion made him enroll in the legions.

The folks wearing the colored sheets and unhappy expressions are locals. Jaicuri.

Fancy this. When the Company and the legions swooped down from the north and surprised Stormshadow they hailed the newcomers as liberators. They strew the streets with rose petals and favorite daughters.

Now the only reason they don’t stab their liberators in the back is that the alternative is worse. Now they are alive enough to starve and be abused.

Shadowspinner is not famous for kindness and kissing babies.

The kids all over? Those almost happy and fat urchins? Nyueng Bao. All Nyueng Bao.

The Jaicuri nearly stopped making babies after the Shadowmasters came. Most of the few that were born failed to survive the hard times since. The handful still breathing are protected more fiercely than any treasure. You won’t find them running naked through the streets, squealing and totally ignoring strangers.

Who are the Nyueng Bao? You never heard of them?

It is a good question. And a hard one to answer.

The Nyueng Bao don’t talk to outsiders except through their Speaker but the word is that they are religious pilgrims who were on the homeward leg of a once-in-a-generation hadj who got trapped by circumstance. The Taglian soldiers say they hail from vast river delta swamps west of Taglios. They are a primitive, minuscule minority abhorred by the majority Gunni, Vehdna, and Shadar religions.

The whole Nyueng Bao people makes the pilgrimage. And the whole people got caught right in the deep shit here in Dejagore.

They need to work on their timing. Or they should sharpen their skills at appeasing their gods.

The Black Company cut a deal with the Nyueng Bao. Goblin and their Speaker gobbled for half an hour and it was settled. The Nyueng Bao would ignore the Black Company and Taglians for whom the Company is responsible. The Nyueng Bao would be ignored in turn.

It works. Mostly.

Their men are a sort you don’t want to upset. They don’t take shit from anybody.

They never start anything—except, according to the Taglians, by being too damned stubborn to do what they are told.

Sounds like One-Eye style reasoning at work there.

Just kick those crows. They’re getting too goddamn bold! Think they own the place.... Hey! You got one. Grab it! They aren’t good eating but they are a sight better than no eating at all.

Shit. Got away. Hell, that happens. Head for the citadel. You get your best look at the layout from up there.

3

Those guys? They are Company. Never guess, huh? White guys down here? The one with the wild hair is Big Bucket. He turned into a pretty fair sergeant. He is just crazy enough. With him are Otto and Hagop. They have been around longer than anybody but Goblin and One-Eye. Those two have been Old Crew for generations. One-Eye ought to be sneaking up on two hundred.

That bunch is Company, too. Shirking work. The antique lunger is Wheezer. Not much good for anything. How he got through the big brawl no one knows. They say he busted heads with the best of them.

The other two black guys are the Geek and the Freak. No telling why. Nothing wrong with them. Look like a couple of rubbed ebony statues, don’t they?

You think these names just come out of a hat? They earn them the hard way. Usually they come out from under One-Eye’s hat, really. Yeah, they probably have real names. But they have been called by nicknames so long even they have trouble remembering.

Goblin and One-Eye are the main ones not to forget. And to remember not to put behind you. They do not deal well with temptation.

This is Glimmers Like Dewdrops Street. Nobody knows why. A real mouthful, right? You ought to hear it in Jaicuri. A jawbreaker. This is the route the Company took coming in to snatch the tower. Maybe they will rename it Runs With Blood Street.

Yeah, the Company charged through here in the heart of the night, killing anything that moved, and jammed in there before they had any idea what was happening. With Shape shifter’s help they roared on up the tower where they let him help finish off Stormshadow before they tagged him.

It was an old Company grudge. They owed Shifter from another generation, when Shifter, helping Soulcatcher break the city’s resistance, murdered One-Eye’s brother Tom-Tom when the Company was in service to the Syndic of Beryl. Croaker, One-Eye and Goblin, Otto and Hagop are the only guys left from those days. Hell, Croaker is gone now. Isn’t he? History-worshipping slob is buried out there in one of those mounds. Fertilizing the plain. Mogaba is the Old Man now. Sort of, in his own mind.

Those who form it come and go but the Company is forever. Every brother, great or small, is a snack just not yet snapped up by the devouring maw of time.

Those big black monster men watching the gate are the Nar. They are descendants of the Black Company of centuries ago. Scary beasts, aren’t they? Mogaba and a whole her...

Most helpful customer reviews

18 of 21 people found the following review helpful.
Reprint of an imaginative, lyric author - a true genre classic
By SB Frank
This is a reprint of the first half of the Glittering Stone saga. If you have not read the original Black Company series, the characters and plot may prove overwhelming. I'd recommend you start with the first novel, the Black Company. You won't be disappointed. The Black Company (Chronicles of The Black Company #1)

Glenn Cook is one of the great fantasy writers. His style is as rich in imagery as any modern author I can think of - in a good way. His novels are chock full of humor and drama. And the world of the Black company is as imaginative as it is disturbing. One of my favorite settings.

Great world. Memorable characters. Outstanding plot. And writing so inventive that it trumps all the other aspects of Cook's novels. I highly recommend it.

16 of 19 people found the following review helpful.
I Want the Black Company Series on KINDLE
By William G. Hess
I read the Black Company Series pretty much as fast as the books came out and I could find them. Sense this predated Amazon and my living overseas this wasn't always easy. Before starting on the Black Company Series I never read much fantasy and I still don't, but The Black Company was so different from the few fantasy books that I had read from authors like Piers Anthony. I just had to know what was happening to the Company! I would start searching for the next book in the series till the next book was published and I got it. Now, I wish I kept those hardbacks but being in the military and moving around I ended up selling them or giving them away. After reading most of the reviews I find myself moved emotionally and really wanting to reread the series.

This year I received a Kindle from my wife for Christmas. I had high hopes of rereading The Black Company Series only to find it isn't really available as a series yet with the Kindle. So PLEASE FORGIVE this indulgence when I ask everyone who reads this review to let Amazon know you want the books of the series to be formatted to the Kindle. It is easy and only takes a second.

Is this a good review? I don't know. The Black Company Series is not your typical Fantasy, so much so a person who does not normally care that much for the Fantasy genre fell in love with it years ago and wants to reread it all over again.

10 of 13 people found the following review helpful.
enjoyable military fantasy thrillers
By A Customer
"Bleak Seasons". The Black Company is under siege inside Dejagore with their leader Croaker probably dead. Murgen takes charge at a time when the Shadowlander horde assaults them and treachery from inside the company and from other trapped groups insidiously attack them from within the city. Their situations is perilous and their trust in Murgen as their leader is shaky as he has been their chronicler annalist; an expert on their history but not ever in charge.

"She Is the Darkness". Croaker, the sorceress Lady, and the Black Company are in trouble as they are diverted from their enemy to battle other evil entities. This leaves them vulnerable to the malevolent Shadowmaster Soulcatcher, Howler and the Stranglers as they set a diabolical trap to eradicate the Black Company and their sorcery practitioner allies.

These are reprints of the first half of the Glittering Stone saga. Each tale is entertaining for fans who have read previous entries (see the omnibus CHRONICLES OF THE BLACK COMPANY and BOOKS OF THE SOUTH); newcomers will find it a bit difficult to understand what is going on. Still these are enjoyable military fantasy thrillers as the Black Company tries to simply survive against overwhelming odds.

Harriet Klausner

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* Ebook Free The Well of Shades (Bridei Chronicles), by Juliet Marillier

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Juliet Marillier continues the epic fantasy begun with The Dark Mirror, which Interzone called: "A fascinating evocation of life in Pictish England and an emotional roller coaster of a story." King Bridei is a man with a mission. His wish to unite his kingdom seems almost within his grasp but there are forces working to undo his dream. He sends Faolan, his most trusted advisor (who is also a master assassin and spymaster) out into the world to ferret out the truth of who is friend and who is foe. Along the way Faolan will uncover many truths. Some may hold the key to Bridei's future. But more important, they may unlock the secrets that Faolan has held deep within his soul for decades. And offer him the chance of redemption. 

• Sales Rank: #1064582 in Books
• Brand: Brand: Tor Books
• Published on: 2007-05-15
• Released on: 2007-05-15
• Original language: English
• Number of items: 1
• Dimensions: 9.79" h x 1.43" w x 6.22" l, 1.70 pounds
• Binding: Hardcover
• 496 pages

Features

• Great product!

From Publishers Weekly
In this captivating third installment in Marillier's historical fantasy series (after 2006's Blade of Fortriu) set in the sixth-century Scottish Highlands and Ireland, Faolan of the Uí Néill clan—bard, assassin, spy and adviser to the Pictish King Bridei of Fortriu—must complete three difficult missions. For Bridei, he must track down a cleric named Colmcille. For his own peace of mind, he must return home to Erin and confront his past. (Ten years earlier Faolan faced an impossible choice that shattered his family and left his eldest brother dead.) For his deceased comrade Deord, he must bring news of the warrior's death to the man's family in Cloud Hill, a task that lands Deord's impoverished 16-year-old daughter, Eile, and her toddler in Faolan's care. Faolan brings Eile back to the court of King Bridei, where they find themselves enmeshed in a plot against the king's half-fey son, Derelei. Despite some anachronistic instances of liberated female behavior and a few discordant modern colloquialisms, this episode will appeal to series fans and new readers alike. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Marillier excels at breathing life into the past. Possessing the charm and sweetness of the very young, Bridei and Tuala keep their golden glow to the last page."--Booklist on The Dark Mirror

"Fans of historical fantasy will devour this one and wait eagerly for its sequels."--VOYA on The Dark Mirror
 "Marillier blends old legends with original storytelling to produce an epic fantasy."--Library Journal on Son of the Shadows

About the Author
Juliet Marillier is the author of the first two books in the Bridei Chronicles, The Dark Mirror and Blade of Fortriu. In addition to these titles, Marillier is the author of the Sevenwaters trilogy as well as a fantasy duet, Wolfskin and Foxmask. She holds advanced degrees in music and languages, and has had a lifelong passion for both Celtic music and Irish folklore. She resides with her family in Perth, Western Australia.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I recomment the whole Bridei Chronicles trilogy. This book is a great finale to that series.
By Jill V. Svoboda
I have read almost all of Marillier's books. They keep getting better and better. This, the final book in the Bridei Chronicles, is exceptional even for Marillier..

19 of 20 people found the following review helpful.
Best Juliet Marillier book yet
By Terri Sajecki
Juliet Marillier's The Well of Shades combines poetic writing with strong character development in this third installment of the Bridei Chronicles. The two main characters, Faolan and Eile, are among the most realistic characters Juliet has ever portrayed. Both of these characters share tragic pasts, but with the help of each other, work to overcome them. Juliet Marillier did an excellent job at interweaving multiple storylines in this novel without neglecting any characters or plots. As always, the historic setting of Marillier's work draws readers in to a new world, filled with love, war, earthly spirits, magic and transformation- in both body and soul. Readers of the previous two books will be amazed at the heart warming development of Faolan and Broichan.

This is by far Juliet Marillier's best book yet (And all of her books are worth 5 stars), but new readers should be advised to at least read Blade of Fortriu first.

2 of 2 people found the following review helpful.
Exciting conclusion to Faolan's story; sloppy Kindle editing
By Patricia Brogan
Fans of the series are likely to be well pleased with _The Well of Shades_. The most recent installment in Marillier's Bridei Chronicles is satisfying and uplifting. It's a story of growth and renewal; in it winter turns to spring, intolerance into tolerance, rejection into acceptance . . . and love conquers all. The ending is, perhaps, the happiest of any of her previous novels--things resolve not only for Faolan but for many other beloved characters too.

The new characters are well drawn, including the villains. Interestingly, three of the most important new faces are womens', and all three have endured isolation and abuse. Two dedicate themselves to the acquisition of power; one is quite sociopathic, while the other seems more like a Machiavellian prince--amoral, but practical. The third, Eile, overcomes her circumstances in ways that will have the reader cheering.

Overall this is an enjoyable read, but the book did have its flaws. The first half of the story was rushed. Faolan's homecoming happens offstage, which is maddening after so much foreshadowing. Eile's rescue of Faolan, which is a turning point in their relationship, is barely sketched out--told rather than shown. It ought to have been a scene to savor; instead it's over before it begins. In other places she has Faolan using whole paragraphs to describe, quite rationally, his psychological growth. It wouldn't sound convincing coming from anyone, really, but especially not the damaged assassin who has only begun to accept that he has feelings in the first place.

Fortunately, these problems resolve by the middle of the novel. The latter half is well-paced and engrossing, and though we see the resolution coming miles away, there are enough twists and dangers to keep the journey enjoyable. By the end, you won't care a jot about the mishandled scenes at the beginning. And Marillier is so good at character and plot that it almost doesn't matter. If I were commenting on the hardback edition, I'd give this a solid four stars.

However, the Kindle edition leaves a lot to be desired. It looks like a pdf of the original book, which is fine insofar as we get a nice typeface and what was, originally, a professional layout. I miss those things when I read Kindle books. THIS edition, though, was inexcusably sloppy: ink blots, slanting lines, misplaced lines, in other words, a mess. It's obvious no one proofed this. Unless desperate for reading material on your long foreign trip, I'd buy a paper copy instead.

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