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The Price of Spring (Long Price Quartet), by Daniel Abraham
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Fifteen years have passed since the devastating war between the Galt Empire and the cities of the Khaiem in which the Khaiem’s poets and their magical power known as “andat” were destroyed, leaving the women of the Khaiem and the men of Galt infertile.
The emperor of the Khaiem tries to form a marriage alliance between his son and the daughter of a Galtic lord, hoping the Khaiem men and Galtic women will produce a new generation to help create a peaceful future.
But Maati, a poet who has been in hiding for years, driven by guilt over his part in the disastrous end of the war, defies tradition and begins training female poets. With Eiah, the emperor’s daughter, helping him, he intends to create andat, to restore the world as it was before the war.
Vanjit, a woman haunted by her family’s death in the war, creates a new andat. But hope turns to ashes as her creation unleashes a power that cripples all she touches.
As the prospect of peace dims under the lash of Vanjit’s creation, Maati and Eiah try to end her reign of terror. But time is running out for both the Galts and the Khaiem.
- Sales Rank: #474341 in Books
- Brand: Brand: Tor Books
- Published on: 2009-07-21
- Released on: 2009-07-21
- Original language: English
- Number of items: 1
- Dimensions: 9.58" h x 1.22" w x 6.49" l, 1.14 pounds
- Binding: Hardcover
- 352 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. Nothing ever goes the way I plan, laments Otah, long-suffering emperor of the Khaiem, concisely summarizing Abraham's melancholy and near-perfect conclusion to the Long Price Quartet. Fifteen years after the disaster that led to the sterilization of all Khaiem women and Galtish men in 2008's An Autumn War, Otah seeks an alliance between the two long-warring nations in hopes of there being a next generation, while former poet Maati tries to teach young women to summon andat, beings that embody and control concepts. Maati's student Vanjit harnesses the andat Clarity-of-Sight, but war trauma transforms her from possible savior into deranged dictator. Abraham shies away from the blood and swashbuckling of the previous novels, instead telling a tale of forgiveness and catharsis that concludes this complex saga with mixed notes of sadness and hope. (July)
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From Bookmarks Magazine
Reviewers of science fiction and fantasy novels tend to respect authors who wrap up a series neatly rather than spinning out endless sequels. But they also demand good endings, which may be why expectations for Abraham's The Price of Spring were so high. The book generally met them; critics were pleased to see that Abraham could settle all the questions raised in the earlier novels without losing any of his innovative edge. Several reviewers felt that The Price of Spring was the best book in the series; Jo Walton (in an independent review on Tor.com, a Web site run by the book's publisher) wrote that it is "the fastest moving and most exciting of all the volumes."
Review
"Abraham shies away from the blood and swashbuckling of the previous novels, instead telling a tale of forgiveness and catharsis that concludes this complex saga with mixed notes of sadness and hope." ---Publishers Weekly Starred Review
Most helpful customer reviews
18 of 18 people found the following review helpful.
Bone-Deep Characterization, Great World-Building & Plot!
By Karen S. Coyle
I just finished the last of the books in Daniel Abraham's "Long Price Quartet" series, and I'm so sincerely impressed and excited about the series, I just wanted to give it a shout out here. The first book started a little slow but gradually pulled me in, and it just kept getting better until this last one; which is absolutely outstanding.
The last reviewer covered some of the plot details; and I don't want to inadvertantly slip in any spoilers, so let me just say this: I love it when sci-fi and fantasy writers go the extra mile with the depth and believability of their characters (sometimes the world-building or the magic system or the spaceship engines are meticulously detailed, and the actual people are cardboard cut-outs, you know what I mean?) and this guy went absolute extra light years! His people are such thoroughly real and unique individuals you feel like you've known them for years, and everything they think and feel and do is exactly what you would think and feel and do in their place.
I didn't realize how much that aspect of good story-telling was missing from some of the things I've read lately until I saw it done so well again here. All those tell-tale little details of characterization and world-building are present here in spades - too many to go into, but you get the idea.
And the guy has such a lyrical writing style! You know that first page of Patrick Rothfuss's book "The Name of the Wind", where all the author is doing is describing for paragraphs the exact nature of the silence around the inn that night, and you could just weep for the beauty of the language? Well, in Abraham's "The Price of Spring", practically the whole BOOK is written that gorgeously, and still the action never lets up.
OK. Enough fan-girl gushing! Thanks for listening; I think I'm done raving now! Just buy this series if you love a really good, really absorbing novel, fantasy genre or not. If I was as good a writer as Abraham, I could explain better why you'll thank me later - but just trust me, you will.
13 of 14 people found the following review helpful.
A very nice series
By A Customer
This review covers all four books. The first thing I noticed was the stakes increased from each book to the next. Book one essentially evolved around a plot to remove a single poet from a single city. Book two focuses on a central characters rise to ruling a city. Book 3 involves a fight to save an entire country or collection of cities. Book 4 involves a plot to save 2 nations from complete anihilation. The books are character driven but increase in plot intensity from one book to the next. The plot holes in book one seem to not appear in books 2-4 as the writer's skill increases.
The series is aplty named: The Long Price. The focus is on the price poets pay to control andants (essentially the only magic or fantasy element in these stories). There is a price of power and it is always related to the poet themselves. Essentially they cannot create this power with also creating their own price they must pay. But the price of decisions is carried on as a theme for all characters and all decisions. The decision to love someone and betray a friend has a price carried through all the novels. The decision to love someone and not take other wives has a price. The deicision to abandon being a husband and father has a price. The decision to strive for peace has a cost as does the decision to forgoe peace and seek unilateral victory. Over and over characters make decisions and the novels chronicle the cost of their decisions. In this, the novel is deep, character driven, and realistic.
The other thing I noted is that this is minimally fantasy. In other words, there is very little magic (limited to the andants), no non-human characters, no strange worlds. I dont say this as a critique. The author focus on a real world of politics, intrigue, and mercantilism. Armies cant feed themselves without farmers. Rulers cant have wealth without merchants being successful. The books recognize this and are very realistic in their writing.
The author also avoids fantasy tropes of good and evil characters. In the veins of GRR Martin, Glen Cook, Joe Ambercrombie, ect, ect... the characters here are not good and not bad. They are human and as such motivated to protect and advance themselves. The difference here is that most of these characters fall closer on the scale to good. If Martins characters are grey to black, Abrahams are grey to white. I actually found this refreshing, to see characters closer to the world I live in.
The last point, for a man, Mr Abraham writes women well. They are intuitive, strong, vulnerable, loving, intelligent, beautiful. So many fantasy writers seem to write women into boxes. The women who exist only for sex. The women who are so bitter and trying to fight males, they become strong but hard and callous. Mr Abraham wrote the women as well as the men in my opinion and a huge downside for me was the absence of the two main female characters in book 4.
In all, book 1 was 3.5 stars, books 2 and 3 are 4.0 stars, and book 4 is 4.5 stars for me. The nice thing about buying this series is you know it is done and complete. No waiting for 5 years for the next novel. That alone is worth something.
5 of 5 people found the following review helpful.
Bittersweet, and I wouldn't have it any other way
By MSB
The setup of this book is fairly simple: Maati is after one thing, Otah another. They have very clear reasons that are easy to understand and hard to disagree with. Of course, they're heading in opposite directions and they can not both succeed. To stir things up even more, a new and very sympathetic villain is introduced. You understand her reasons and motivations as well, and I at least kept hoping that the character would come around somehow. That was impossible as the character had made far too many bad decisions and on far too large a scale to ever go back, but I hoped all the same.
It makes for a very good read that is predictably unpredictable.
A few other tidbits of info for potential buyers:
- With the exception of the prologue/epilogue, the book is told from the POV of either Maati or Otah.
- The POVs switch off every chapter. One Maati, one Otah, one Maati...
- The book takes place around 15 years after the last one.
- Several characters from earlier books make appearances: Idaan, Balasar, Sinja, Eiah, Cehmai and Danat, off the top of my head. Seedless makes a one-line cameo in a dream (doesn't say anything) that I found amusing. Liat and Kiyan are absent, though.
Just buy the darn thing. I'm a tough reviewer, but I really enjoyed it. It's not perfect, and is decidedly bittersweet, but that's the charm of this series. The characters screw up, what we want doesn't always happen - if it happens at all, and we end up liking it anyway.
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