Minggu, 13 September 2015

> Free PDF The Summer Queen (Snow Queen), by Joan D. Vinge

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The Summer Queen (Snow Queen), by Joan D. Vinge

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The Summer Queen (Snow Queen), by Joan D. Vinge

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The Summer Queen (Snow Queen), by Joan D. Vinge

Sequel To The Hugo Award-Winning Bestseller The Snow Queen

The Summer Queen is the extraordinary sequel to one of science fiction's most celebrated novels, The Snow Queen. Set in a fully realized universe of wonders, this spectacular space epic, itself a finalist for the Hugo Award, is one of the most remarkable novels in the field.

A story that spans millennia, from the ruins of an ancient interstellar empire to the planets of the Hegemony that rules human space, The Summer Queen is the multi-layered story of Tiamat, a world where the dolphin-like mers are harvested for the youth-prolonging serum extracted from their blood. But Tiamat is much more, for beneath Carbuncle, its capital, lies the old empire's greatest secret: an enormous forgotten technology which, though decaying, continues to affect the fates of the fallen empire's remnant cultures via the sybil-network--a data bank that binds the past and the future in its web of knowledge, As the Smith, genius mastermind of the hidden interstellar Brotherhood, tries feverishly to unlock its secrets, BZ Gundhalinu desperately strives to save the Hegemony, while the Summer Queen herself dares to create a new future for her people and her planet. And though each is acting alone, their fates will entwine in an astonishing climax that will change the universe forever.

  • Sales Rank: #682774 in Books
  • Brand: Vinge, Joan D.
  • Published on: 2003-05-01
  • Released on: 2003-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.38" w x 6.14" l, 2.09 pounds
  • Binding: Paperback
  • 688 pages
Features
  • ISBN13: 9780765304469
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
Vinge returns to the worlds of her Hugo Award-winning The Snow Queen , blending complex characters and mythic resonances with the sweeping grandeur of an interplanetary saga.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
As the Summer Star ascends in the skies above the planet Tiamat, marking the end of more than a century of exploitation by the technologically advanced Hegemony, Moon Dawntreader--the Summer Queen appointed to lead her people back to their traditional ways--breaks with ancient custom, choosing instead to prepare to meet the Hegemony's inevitable return on equal terms. In this sequel to The Snow Queen (Dell, 1980), Vinge weaves a complex web of tangled love affairs, secret cabals, political intrigue, and high adventure centering around a unique woman and her visionary gift. The breadth and richness of this sf epic invite comparison with Frank Herbert's Dune and Isaac Asimov's "Foundation Trilogy." Although best read in tandem with its predecessor, this masterpiece of creative world-building is a priority purchase.
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
The long-awaited sequel to Vinge's enormous The Snow Queen (1980), an interstellar tug-of-war between the far-from-benevolent Hegemony and the backward-but-indispensable planet Tiamat. It is now Summer on Tiamat; the Hegemony has withdrawn, leaving the planet in the hands of the Snow Queen's clone, Moon. Numerous--too numerous--subplots get underway. Moon's former lover, BZ Gundhalinu, will be sent to World's End, where a wrecked Old Empire ship has spilled semi-sentient stardrive plasma; if Gundhalinu can control the plasma, faster-than-light travel will again be possible, ending Tiamat's periodic isolation. Elsewhere, Reede Kullervo, a researcher with a rebuilt brain, addicted to his own supercharging designer drug, will be ordered by the leader of the supercriminal Brotherhood to seek the immortality elixir whose only source is Tiamat. Meanwhile, Moon struggles to control Tiamat's rebellious factions, knowing that the planet's intelligent sea-dwelling ``mers'' are the source of the elixir, and that the ancient computer that links the galaxy's clairvoyant sibyls in an information network lies buried under Tiamat's chief city, Carbuncle; she dares not permit the Hegemony to control either the sibyl network or the elixir. Overcomplicated, as usual, with too many flabby patches, but much more rigorous and logical than its predecessor. Too, the pretentious allusions have been banished in favor of a welcome infusion of new ideas: all in all, an absorbing and satisfying performance. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

25 of 25 people found the following review helpful.
Joan Loves her Characters
By Brian King
How you will feel about Summer Queen will depend on what you're looking for when you pick it up. I disagree with the last reviewer's doorstop comment. I feel that it's a bit unfair. I certainly agree that Snow Queen was a tighter work from an "action" perspective. However, I was never bored with the sequel. The pace just doesn't remain at breakneck throughout, and I suppose some people are only interested in that kind of pacing. While I was in the middle part, I kept thinking "Ah, the plot thickens." "Ooh, the plot thickens yet again." "Hmm, the plot is becoming molasses!" However, I was very excited for the last few hundred pages.
This book is more solidly about characters and their relationships than the universe in which it's set. People who prefer a "genre fiction" approach like Asimov's Foundation or Tolkien (where the world is the main character) will probably lose interest in Vinge's detailed character development. Science fiction is often disparaged for a lack of character development, so I applaud Vinge for tackling that stereotype. She also ventured into the still-risky topics of homosexuality and transgenderism.
I give Summer Queen a high rating. If you have a low attention span, then perhaps you shouldn't be reading books which are over 900 pages long!

18 of 18 people found the following review helpful.
An intimate epic
By L. McCall
This huge book is an intimate story built around big themes. Action fans, beware! Although there are generous servings of adventure and suspense, this is essentially a character-driven story, even more so than its marvelous predecessor, THE SNOW QUEEN.

At the heart of the story is the ancient, mysterious repository of the human knowledge gleaned from cultures past and present, worlds known and lost. Throughout history and across galaxies, the machine and its revered human conduit, the Sibyl Network, have been relied upon for answers to all manner of questions--trivial and profound, personal and technological. The Sibyl Mind binds humanity together. But it is showing signs of failure. To lose it would be to lose civilization. The task of saving civilization becomes entrusted not to warriors or superheroes, but to a small group of living, breathing people.

The Summer Queen, Moon, has learned that the machinery behind the Sibyl Mind resides on her undeveloped planet, Tiamat. She must find a way to protect and heal the Mind without exposing it. This is no mean feat for a country girl on a repressed world where ignorance and culture clashes have been encouraged by powerful offworlders to their own advantage. Moon grows up in a hurry. Her determination is unwavering, but the burden of her responsibilities puts a strain on her compassionate nature. For her, it isn't much fun being Queen!

Worlds away is BZ Gundhalinu, who, after many personal trials, has become a hero by restoring the means of faster-than-light travel to the empire-building Kharemoughis. Although relatively at peace with himself, he must walk a dangerous, duplicitous path if he is to shield his beloved Moon and her Tiamatans from the very exploitation that he has made possible.

On yet another planet is the third major player, a brilliant biochemist of unknown origin, Reede Kullervo. Kullervo's search for a moral core and sense of purpose is hampered by amnesia, a horrific drug addiction, and his indentured servitude to the lords of organized crime. Vinge effectively conveys the charisma behind his arrogance and dangerous volatility.

THE SUMMER QUEEN lacks THE SNOW QUEEN's tidy structure. Subplots and characters are widely scattered. Sometimes the story lingers in one setting, sometimes it leaps about more rapidly. As time goes on, the pace accelerates as the plots converge.

Most of the narrative takes place within the thoughts of the many characters, some familiar, some new. A couple of them seem to exist primarily to plug holes, and some are unrelentingly hissable, but the vast majority show great depth as they face complex political, social and personal dilemmas. There are no simple, permanent solutions, no actions without consequences. Perspectives and emotions shift during the two decade span of the book.

Much of the conflict arises between rival factions of the ancient, secretive, and manipulative society known as Survey. This device helps limit the conflict to a handful of known individuals. It also ties the story to the long lost past and the origins of the Sibyl Mind. But after a while it seems that everyone is a member, and Survey's pretentious attitude becomes more tiresome than interesting. (Fortunately, Moon agrees!)

Yes, the book is sprawling. But I regretted leaving the characters at the end of the book, and imagined them continuing their lives somewhere beyond my reach. I can't think of a greater compliment to an author's work.

11 of 11 people found the following review helpful.
More complex and haunting than its predecessor
By jessica j
I avoided reading this book because I feared that it, like the sequel to Dune, would not be as engaging as the original. How wrong I was! This book is better than the original, and since the original was a Hugo award winning classic, that is saying an awful lot. Moon's major quest is not just to recapture her lost lover; it is to save an entire race of intelligent sea creatures. And her adversary is not one woman, her genetic equal; it is the entire might of the Hegemony. As in the first, her undeniable pluck and good will help her overcome the most difficult obstacles only to find herself faced with more hardship, so much that your heart cries out to her and everyone around her.

As Moon has grown up, I think Vinge also has grown up. The relationships in this book are much more mature and complicated, and I was constantly reminded of true feelings in my own life as I read this book. I think Vinge also fell in love with BZ, because he becomes so much more dear in this book, so much more complete. There are flaws, of course. The first book was much tighter; Vinge is contantly re-iterating events from the past, particularly concerning BZ, extending the pages with excessive exposition. And it does not have the same "Ah-Ha!" revelation as the first one, as the story is pretty clear to the reader from the beginning. It more than makes up for it, though, in small surprises, in moments of beauty and tragedy that forced me to read the last 300 pages in a single day...

There is something about this book, something so much more than real, that makes it hard for me to stop thinking about it. I think what makes it so wonderful is that even though, in the end, Moon and her cause accomplish so much, they lose so much in the process. It is a bittersweet ending, both happy and sad, and there is nothing better.

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Sabtu, 12 September 2015

! Ebook Aftershock & Others: 19 Oddities, by F. Paul Wilson

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Aftershock & Others: 19 Oddities, by F. Paul Wilson

Aftershock & Others: 19 Oddities, by F. Paul Wilson



Aftershock & Others: 19 Oddities, by F. Paul Wilson

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Aftershock & Others: 19 Oddities, by F. Paul Wilson

Aftershock & Others is the third collection of short fiction by New York Times bestselling author F. Paul Wilson, hailed by the Rocky Mountain News as “among the finest storytellers of our times.”

The title novelette won the Bram Stoker Award and its companions touch on the past, present, and future—from the inflationary insanity of Weimar Germany (“Aryans and Absinthe”) to disco club–era Manhattan (“When He Was Fab”), to the rationing of medical services in a grim near future (“Offshore”). Wilson’s stylistic diversity and versatility are on display in stories that pay tribute to Ray Bradbury (“The November Game”), use a sentient killer virus as a point-of-view character (“Lysing toward Bethlehem”), and pay unabashed homage to pure pulp fiction in two yellow peril stories (“Sex Slaves of the Dragon Tong” and “Part of the Game”). And finally, Wilson treats us to his popular antihero Repairman Jack at his most inventive: trapped in a drugstore with four killers (“Interlude at Duane’s”).

  • Sales Rank: #1147682 in Books
  • Brand: Brand: Forge Books
  • Published on: 2009-03-31
  • Released on: 2009-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.54" h x 1.20" w x 6.44" l, 1.34 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Bestseller Wilson (By the Sword) displays an expert grasp of storytelling mechanics and an impressive breadth of themes and approaches in what he says in an afterword is his last collection. The title tale is a moving meditation on love and loss, built on the unlikely premise of lightning-strike survivors seeing the spirits of their dear departed at their near-death moment of electrocution. Dreams riffs on the Frankenstein theme with its speculation on how the monster might act were its brain to have retained aspects of its predeath personality. In Interlude at Duane's, urban mercenary hero Repairman Jack must foil a four-man holdup with found weapons fashioned from consumer goods on the shelves of the drugstore where it takes place. In all these efforts, Wilson establishes characters with a few deft strokes, quickly sets up a tricky plot, and then masterfully maneuvers the reader to a well-orchestrated (and sometimes surprising) ending. Fans will hope they haven't seen the last of Wilson's short fiction. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Praise for F. Paul Wilson:

“F. Paul Wilson is a great storyteller and a thoughtful one. He speculates about real science to generate real suspense while raising troubling, real issues we may all be dealing with much sooner than we expect.”
--David Morrell, author of First Blood

“F. Paul Wilson is a writer’s writer, and I grab anything he’s written with enthusiasm.”
--Joe R. Lansdale, author of Freezer Burn

“Like the best of Dean Koontz’s work, Wilson’s work combines an action-adventure yarn with a touch of the fantastic.”
--The Denver Post

From the Inside Flap

Praise for author F. Paul Wilson:

"F. Paul Wilson is a great storyteller and a thoughtful one. He speculates about real science to generate real suspense while raising troubling, real issues we may all be dealing with much sooner than we expect."―David Morrell, author of First Blood

"F. Paul Wilson is a writer's writer, and I grab anything he's written with enthusiasm."―Joe R. Lansdale, author of Freezer Burn

"Like the best of Dean Koontz's work, Wilson's work combines an action-adventure yarn with a touch of the fantastic."―The Denver Post

Most helpful customer reviews

12 of 12 people found the following review helpful.
A must for fans, but a great starting point, too.
By Josh Mauthe
Wilson's third - and reportedly, last - collection of short fiction shows off both his talents and his weaknesses, but still makes for a great read. Wilson's talent isn't so much in his prose - it's serviceable, but nothing extraordinary - but in his characters and his plotting, and both are in great evidence here. From the title tale, which spins a ghost story of sorts into a haunting portrait of loss, to "Sex Slaves of the Dragon Tong," a Yellow Peril homage, it's clear that Wilson writes for the love of his tales, and it's hard not to get caught up in his enthusiasm. At worst, he still spins a fun tale; at his best, as in "Aryans and Absinthe," he evokes the mood and atmosphere of a time tastefully but horrifically. And when everything is firing - for instance, in a tale about a magical word (whose title is designed to be impossible to type) - you're in for a hell of a ride. And if that doesn't sell you, what about one of the best short Repairman Jack stories you'll ever get a chance to read? Definitely a must for fans, but a great place to start, too.

4 of 4 people found the following review helpful.
Awesome Anthology
By James Tepper
"Aftershock & Others|19 Oddities" is F. Paul Wilson's third and last (according to the Afterword) collection of short stories. Too bad! The stories are great - almost every one a home run. I am familiar with (and a great fan of) his Repairman Jack novels and the Adversary Cycle, but had not read either of his two previous collections of short stories, something that I intend to remedy quickly.

The stories in "Aftershock & Others|19 Oddities" are collected into "chapters" corresponding to the year in which they were written from 1990 through 2005. Each chapter/year, including several in which no short stories were written begins with a recap by Wilson of his literary activities during that year. These little vignettes are almost as entertaining as the stories themselves, and shed quite a bit of light on the author's personality and prodigious productivity and work ethic.

But the gold here is in the short fiction. There isn't a stinker in the bunch, and so many are so good that I can't pick a favorite. They run the gamut from SF (WHen He Was Fab) through SF- horror (Itsy-Bitsy Spider, Aftershock) to ghost stories (Anna) and many others impossible to genre-alize (e.g., Aryans and Abysinthe -a Nazi Germany tale set in 1923, Foet -a fashionista nightmare and one of my favorites whose title I cannot write. It all ends with a great Repairman Jack shorty in which the action is strictly on Jack sans the Secret History context (Interlude at Duane's).

The writing and plotting are simply outstanding. I was blown away. If you are already a fan of Wilson's novels, this is a no-brainer - buy it, you'll like it. If you have never read anything by F. Paul Wilson (who is far better known for his novels than his short stories) but like fantasy/SF/horror and/or short stories, buy it, you'll like it. And even if you're read some of his novels and are not particularly a fan, there is enough dry humor suffused though some of the stories and the wonderful year by year synopses that I still say, buy it, you'll like it. I sure did.

1 of 1 people found the following review helpful.
Addicting! Make Sure You Know Where Used Book Stores are Located-you'll need to read the entire series!
By pkrplr4116
Read all of the Repairman Jack books in order. Each book is developed from the prior books. F. Paul Wilson is one of my favorite authors. A friend suggested that I read just one Repairman Jack book maybe 5 years ago. I both wanted to thank him for the recommendation and kill him for it. why? Many of the books in the (I think) 27 volume series are out of print, except in e-book form. Once you've read the first book in the series, you won't be able to stop. Line up a few (in ORDER) before you begin; no joke. All of the books in this series are captivating.

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Jumat, 11 September 2015

* Free Ebook Dance with the Dragon (McGarvey), by David Hagberg

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Dance with the Dragon (McGarvey), by David Hagberg

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Dance with the Dragon (McGarvey), by David Hagberg

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Dance with the Dragon (McGarvey), by David Hagberg

The CIA is on edge. All signs indicate that something is coming at the United States. Perhaps another 9/11, maybe bigger. The body of CIA agent Louis Updegraf ends up on the steps of the US Embassy in Mexico. His last operation was to tap into the communications of the Chinese Embassy, but there is no record of why. He appeared to be freelancing and the Agency must scramble to get a clue as to what he was after.
Kirk McGarvey, serving as a visiting professor at the University of Florida, is once again longing for the action of the field. So when his old friend Otto Rencke asks him to help figure out the connection between China and the murdered agent, it takes almost no effort to get McGarvey up and running.
The only informant they can find is an enigmatic Iranian belly dancer--the dark and lovely Shahrzad Shadmand. But her story changes with the wind, and her knowledge of McGarvey's past is uncanny. Kirk McGarvey must unravel her shattered mind to get to something that might resemble the truth.  

  • Sales Rank: #985390 in Books
  • Brand: Forge Books
  • Published on: 2007-09-18
  • Released on: 2007-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x 1.34" w x 6.72" l,
  • Binding: Hardcover
  • 384 pages
Features
  • Great product!

From Publishers Weekly
In Hagberg's solid 10th thriller to feature ex-CIA director Kirk McGarvey (after Allah's Scorpion), McGarvey leaves retirement to look into the shooting death of a CIA operative in Chihuahua, Mexico. At the center of the mystery is Chinese superagent Gen. Liu Hung, who from his embassy compound in Mexico City throws lavish parties replete with underage whores for Mexican and U.S. officials. This is an espionage tale of deep intrigue, puzzles wrapped in enigmas, triple crosses and brutal murders perpetrated by ruthless killers—and those are just the CIA guys. At times, the action slows while traditional tradecraft is meticulously described and various characters sit around tables trying to figure out what's really going on. Hagberg is known for being prescient about terrorist events, and the finale sets up the terrifying challenge McGarvey will face in the next installment. One can only hope America's real-life enemies haven't thought to study this series. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Hagberg once again displays his wide and deep inside knowledge of intelligence and military tradecraft."--Publishers Weekly on Allah's Scorpion "David Hagberg writes the most realistic, prophetic thrillers I have ever read. His books should be required reading in Washington."--Stephen Coonts  
 
"David Hagberg runs in the same fast, high-tech track as Clancy and his gung-ho colleagues, with lots of war games, fancy weapons, and much male bonding."--The New York Daily News

About the Author
DAVID HAGBERG is a former Air Force cryptographer who has traveled extensively in Europe, the Arctic, and the Caribbean and has spoken at CIA functions. He has published more than twenty novels of suspense, including the bestselling Joshua's Hammer, Soldier of God, and Allah's Scorpion. He makes his home in Sarasota, Florida.

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11 of 12 people found the following review helpful.
Beowulf lives in Kirk McGarvey
By Robert C. Olson
An outstanding thriller. I have not read a Hagberg novel since Joshua's Hammer many years ago. It was good but there are so many excellent espionage writers today that I simply lost touch with Mr. Hagberg and his protagonist CIA operative Kirk McGarvey. Well, after reading Dance with the Dragon I am going to go back and read all the previous McGarvey books in the series. In essence, Dance with the Dragon is a tightly written, well thought out espionage story with numerous twists and turns to keep the reader on their mental toes. The plot flows with ease and just when you think you have it figured out it makes a hard turn keeping you guessing. Excellent use of detail and espionage trade craft. Fast paced with plenty of action, but presented in a realistic light so that the reader does not become jaded or fatigued.
Basically, The story revolves around a "rogue"(?) Chinese top espionage agent, General Liu, and his past and present secretive actions and life. He is a devious, sexual deviant, egocentric sociopath that prides himself on his ability to outwit and control everything and everyone in his surroundings. He is extremely successful until he goes too far and has murdered a CIA operative in Mexico. Enter Kirk McGarvey, retired DCI (Director of Central Intelligence), who is asked by the current DCI to investigate the death. Thus commences the "Dance" between McGarvey and Liu. Excellently told, David Hagberg weaves a wonderfully intricate tale of suspense, love, death, and action.
One of the highlights of this book is the superb character development throughout. Mr. Hagberg does a terrific job of fleshing out ALL his characters, warts and all. He goes to great lengths to insure the reader has an understanding of what is motivating the story's diverse cast of characters. His use of descriptive dialog between the characters is both energetic and informative and helps build the story's suspense.
Some EXTREME and graphic sex and violence. Be warned that Mr. Hagberg pulls no punches and some of the narrative could be upsetting to some readers. All germane to the story but explicit. Some strong language but in the real world of espionage this is how people talk.
Highly recommended. Excellent for that long, boring transoceanic flight or wait in the dentist office.

1 of 1 people found the following review helpful.
Major Problems For CIA In Mexico City
By Michael L. Slavin
I've read most,if not all, of the Kirk McGarvey series and enjoyed them all. This was certainly no exception. An interesting plot with a number of well developed characters. Of course McGarvey is his usual superlative self. Then come the others. CIA Mexico City station chief Gilbert Perry--well bred,with high ambitions and financial problems. CIA Deputy Director of Operations Howard McCann,relatively minor role but still an obnoxious bureaucrat. Otto Rencke McGarvey's friend and ally. Computer genius. General Liu Hung, Chinese espionage expert operating in Mexico but for who? He's from a wealthy well connected family and has financial issues of his own. He gets his kicks strangling women during sexual acts. He's looking for a huge payoff from a project he's working on. Then comes a beautiful mysterious Iranian woman Shahrzad Shadmand who had performed as a dancer in exotic men's clubs and had an affair with a murdered CIA operative Louis Updegraf who had his own ambitions and personal agenda. Next up is Gloria Ibenez a beautiful Cuban CIA operative in love with McGarvey but another one with her own agenda. Put all these characters together and it gets quite interesting. Rencke's computer programs show great danger to the U.S. McGarvey is brought back from retirement to get to the bottom of things. He discovers a horrendous Hezbollah scheme to cause much carnage and many deaths in the U.S. I found this to be a riveting enjoyable continuation in the series. Though I'm getting a bit tired of McGarvey's constantly coming out of retirement. Maybe it's time for him to forget about retirement even though he's getting older.

2 of 2 people found the following review helpful.
agood read
By John Shearer
this was a good read, because it kept up the momentum it moved right along with no dead spotsin it

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City of Ice (City Trilogy), by Laurence Yep

Two-time Newbery Honor Award-winning author Laurence Yep returns with the action-packed sequel to the critically-acclaimed City of Fire

From the islands of Hawaii, Scirye and her loyal companions pursue the villainous Mr. Roland and evil dragon Badik all the way to the city of Nova Hafnia in the Arctic Circle. With the help of a trader, Prince Tarkhun, and his daughter Roxanna, the companions chase their enemies into the vast and desolate Wastes. Scirye and her friends are determined to stop Mr. Roland from getting his hands on the second of the Five Lost Treasures of Emperor Yü, which will give him the power to alter the very fabric of the universe. But few who enter the Wastes ever return, and Scirye has no choice but to call on the spirit of the North for help. As wild and unpredictable as the Arctic itself, will the spirit turn out to be friend or foe?

  • Sales Rank: #2435486 in Books
  • Brand: Starscape
  • Published on: 2011-06-07
  • Released on: 2011-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.45" h x 1.28" w x 6.04" l, .76 pounds
  • Binding: Hardcover
  • 384 pages

Review
 

“Sings and crackles with as much detail and action as the first….New readers have enough clues to feel instantly at home. Makes a great read-aloud, too.”—Booklist

“Readers…will be eager to read more about Scirye’s adventures.” —School Library Journal

“Readers who enjoy inner conflicts, barbed dialogue, casts replete with supernatural creatures and fantasy epics that don’t take themselves too seriously will find it a treat.” —Kirkus Reviews

“Another thrilling, fast-paced and imaginative adventure.”—Bookloons.com

“The book really made me connect with Scirye, and I found myself rooting for her the whole way through. I really couldn’t find anything disappointing in this book. It was great.”—YA Galley Project teen reviewer Edward, age 14, rated 5—hard to imagine a better book, with nomination for Teen Top Ten

“I would rate this book a solid 5. It kept me reading, it was interesting and it was an adventure book. This book I would totally recommend to people. I liked this book a lot and I think if anybody else reads it they would have the same opinion as I had. This is one of my favorite books in the world!”—Teen Advisory Panel reviewer Johnson, rated 5—hard to imagine a better book

“This is a great book for adventurers and people.”—Teen Advisory Panel reviewer, Stephanie, rated 4.9--hard to imagine a better book

About the Author

LAURENCE YEP is the critically acclaimed author of more than sixty books for children and young adults, including two Newbery Honor Award winners: Dragonwings and Dragon’s Gate. In 2005, he won the Laura Ingalls Wilder Award for a substantial and lasting contribution literature for children. Yep lives with his wife, author and editor Joanne Ryder, in California.

Excerpt. © Reprinted by permission. All rights reserved.
CITY OF ICE (Chapter 1)

Mid-November 1941, near Nova Hafnia, Cabot Territory (formerly Nu Danmark)

Scirye

Scirye and her companions were thirty miles from the city of Nova Hafnia, located near the Arctic Circle, when they found the battle. Or rather, the battle found them.

They had flown this far north in search of Roland, one of the richest men in the world, and Badik, a malevolent dragon. Roland had ordered Badik to steal an antique archer's ring, a great treasure of Scirye's Kushan people, from a San Francisco museum and killed Scirye's sister, Nishke, during the theft. Leech's good friend and mentor, Primo, had also died during the theft.

Scirye, Leech, and their friends had set out in pursuit, the chase taking them through a Hawaiian volcano where they had fought by the side of the goddess Pele. When Roland had stolen a second treasure from Pele, the goddess had summoned the Cloud Folk to spin a wing out of straw, a triangle about thirty feet at its base and sixty feet long. Small triangles stuck up from its tail and belly like fins to make it more aerodynamic.

They had been flying for a week and, as usual, Naue was singing his own praises: "I am Naue, whose kindness dwarfs even his awesome strength."

Naue was one of the world's great winds, whom Pele had asked to carry the wing to the Arctic. Though he was as powerful as a hurricane, he had the mind, patience, and emotions of a three-year-old. "I outrace the sun and tickle the stars," he sang. There seemed to be no end to Naue's achievements--at least in Naue's mind.

"What's that?" Scirye asked, straining to hear over Naue's roaring.

"What's what, my lady?" Kles yawned. The griffin, only eight inches high, lay curled up on her lap like a napping kitten.

Scriye cradled her friend in the palms of her hands and deposited him on her shoulder. The lap griffin promptly curved around her neck so that his hindquarters remained on one of her shoulders while his head rested on the other as if he were a collar of tawny fur and feathers. Warm. Cozy. And very tickly.

Rising, she stepped carefully, because the matlike surface of the wing gave slightly beneath her feet, and got as close as she dared to the edge of the frame.

The frame was only four slender posts of straw united by crossbeams of the same material, and it sat within the center of the wing. The frame looked flimsy enough, like an unfinished house of straw, or a child's crude sketch of a house. But it shielded them against the winds and freezing cold.

This far north, Elios the Sun only lingered for four hours and even then his beams were weak. Scirye strained her eyes as she scanned the clouds below. They looked like the dirty stuffing of an old mattress that had been strewn about below from horizon to horizon. "It sounds like a motor."

Koko the tanuki was busy grooming his pepper-colored fur. The fastidious Japanese badger did that at least once a day. "All I can hear is that..." He mouthed the word "airbag" and waved his paw in an all-encompassing gesture to indicate Naue.

The wing lurched violently and then began to buck as Naue roared, "What did you say, Noisy Lumpling?" All ground dwellers were lumplings to Naue.

Scirye gripped the frame for support. For a creature without ears, Naue had very good hearing. "Oh, mighty Naue"--the wind ate up praise the way a child ate candy--"my friend is so full of admiration that he can think of nothing else but your magnificence."

The wing settled back into a smooth flight. "Well, of course," Naue said. "Am I not Naue, greatest of winds?"

Since Scirye's mother, Lady Sudarshane, was a diplomat, Scirye had heard more than her share of boring speeches at embassy functions. Out of sheer survival, Scirye had learned how to pretend polite interest in anything. "Yes, please, tell us more about your exploits."

As the wind started a booming, roisterous song about some race between himself and some Greek zephyrs, Scirye wondered how her father would have handled Naue. He was the imperial Griffin Master of her homeland, the Kushan Empire, which had grown rich and powerful controlling the trade between Asia and Europe for two thousand years. Scirye was sure her father, more at home in the sky than on the land and more comfortable with the creatures of the air than humans, would have Naue as eager to please him as a puppy.

Kles pointedly set a claw against his beak. "Don't hurt his feelings," the griffin cautioned the badger softly, "unless you can sprout a pair of wings."

"Heads-up!" a boy cried.

Koko barely rolled onto his back in time as Koko's partner, the human boy Leech, buzzed low over the badger, the flying disks at the boy's ankles humming. They were metal circles that, when expanded to about a foot and a half in diameter, he was able to stand and fly about on--but he was still learning and practiced every chance he got.

In a second, though, he came up short against the frame and, crossing his legs, turned himself around in a neat maneuver.

Koko fluttered a paw at him as if Leech were an oversize mosquito. "Shoo! Go buzz that overgrown lizard."

An orphan, Leech had run away and joined forces with Koko, and they had survived in the mean streets of San Francisco with their wits. He had grown up thinking that he was gutter trash until he had met the man named Primo, who had begun educating him. He'd been devastated by Primo's death until he'd discovered how magical the disks were. Now they made him feel special and let him do what he loved the most: flying.

"What's up?" he asked Scirye.

"There's a kind of buzzing?" she asked.

Leech bobbed up and down a few inches while he listened intently. After a moment, he nodded. "I bet it's an airplane."

"I hear it too," Bayang the dragon said. She was sitting at the apex of the wing, holding on to the reinlike straw rope that guided their woven craft along. Though she could have flown them on her back, she would have been too worn-out for the battle that no doubt awaited them at the end of their journey. Not only could Roland hire an army of human and magical mercenaries, but Badik the dragon would also be there.

Bayang craned her long neck now and squinted, trying to glimpse the source of the noise that Scirye had heard. At the same time, Scirye leaned against the frame, which was as strong as steel despite how flimsy it appeared. Leech flew over to the opposite side to check there.

Leech slapped the frame. "There's the airplane."

Scirye followed his pointing finger. She saw light wink off something flat and silvery below. "But is it Roland's?"

Scirye tensed, hoping that they were nearing the end of the chase. "I hope so."

"I'll go check it out," Leech said eagerly, and started to rise out of the frame.

CITY OF ICE Copyright © 2011 by Laurence Yep

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1 of 1 people found the following review helpful.
fun alternate history fantasy
By Harriet Klausner
In 1941 after their dangerous encounter on the Hawaiian Islands (see City of Fire) Scirye and her friends (Leech the orphan. Koko the badger and Bayang the dragon) chase after their deadly adversaries, evil sorcerer Mr. Roland and Badik the dragon. They know if Mr. Roland obtains the Emperor Yu's lost magical treasure, he will be nearly invincible; he already is very powerful as he seeks the second artifact.

In the Waste of the Arctic Circle where none leave, Prince Tarkhun and his daughter Roxanna join the companions on their quest. As their situation turns dire, Scirye asks for the spirit of the North to help them. When a giant polar bear arrives from nowhere, the companions hope the beast is on their side.

The second Scirye alternate history fantasy continues the non-stop adventures of the heroine and her friends as they go from the heat of Hawaii to frozen Waste of the Arctic. The story line is fast-paced from the onset and never slows down as the team with additional volunteers tries to prevent Mr. Roland from obtaining the second relic. Although adults will wish their were less of the teasing banter that seems to be a sub-genre requirement of a young adult fantasy, middle school children will want to join Scirye and her team as they traverse the iced tundra on their save the world quest.

Harriet Klausner

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Kamis, 10 September 2015

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The Currents of Space, by Isaac Asimov

Classic science fiction adventure in the Foundation universe by grandmaster Isaac Asimov. Only one man can warn the planet Florinia that it is doomed by an astronomical catastrophe -- but he has amnesia and is a slave.

High above planet Florinia, the Squires of Sark live in unimaginable wealth and comfort. Down in the eternal spring of the planet, however, the native Florinians labor ceaselessly to produce the precious kyrt that brings prosperity to their Sarkite masters.

Rebellion is unthinkable and impossible. Not only do the Florinians no longer have a concept of freedom, any disruption of the vital kyrt trade would cause other planets to rise in protest, resulting in a galactic war. So the Trantorian Empire, whose grand plan is to unite all humanity in peace, prosperity, and freedom, has allowed the oppression to continue.

Living among the workers of Florinia, Rik is a man without a memory or a past. He has been abducted and brainwashed. Barely able to speak or care for himself when he was found, Rik is widely regarded as a simpleton by the worker community where he lives. As his memories begin to return, however, Rik finds himself driven by a cryptic message he is determined to deliver: Everyone on Florinia is doomed…the Currents of Space are bringing destruction. But if the planet is evacuated, the power of Sark will end-so there are those who would kill the messenger. The fate of the Galaxy hangs in the balance.

  • Sales Rank: #162115 in Books
  • Published on: 2010-09-28
  • Released on: 2010-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.17" h x .70" w x 5.51" l, .49 pounds
  • Binding: Paperback
  • 240 pages

Review

“One of the world's premier science fiction writers.” ―Newsday

“Isaac Asimov is the greatest explainer of the age.” ―Carl Sagan

“For fifty years it was Isaac Asimov's tone of address that all the other voices of SF obeyed.… For five decades his was the voice to which sf came down in the end. His was the default voice of SF.” ―The Encyclopedia of Science Fiction
“Obviously, Isaac Asimov had a lot of fun concocting this merry tangle of interplanetary power politics. . . . If it isn't often science-fiction, it is always beautifully contrived melodrama. The reader will have just as much fun as Mr. Asimov.” ―The New York Times on The Currents of Space

“Science fiction on the larger scale is Isaac Asimov's specialty. . . . Clear writing and excellent suspense make this book a welcome addition to the science fiction lists.” ―The New York Times on The Stars, Like Dust


“How do you explain Isaac Asimov to Earth men? How do you even begin to describe that glorious union of all-American optimism, bleeding-heart Yiddishkeit, and cutting-edge science speculation? You can't. He's one of a kind. . . . Psycho-history buffs will love this book for its through-the-looking-glass view of the Foundation series. Everyone else will love it because it's fun, fun, fun.” ―Fantasy & Science Fiction on Pebble in the Sky

About the Author

Isaac Asimov, author of the Foundation trilogy and many other novels, was one of the great SF writers of the twentieth century.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

The Foundling

Rik put down his feeder and jumped to his feet. He was trembling so hard he had to lean against the bare milk- white wall.

He shouted, “I remember!”

They looked at him and the gritty mumble of men at lunch died somewhat. Eyes met his out of faces indifferently clean and indifferently shaven, glistening and white in the imperfect wall illumination. The eyes reflected no great interest, merely the reflex attention enforced by any sudden and unexpected cry.

Rik cried again, “I remember my job. I had a job!”

Someone called, “Shoddop!”and someone else yelled, “Siddown!”

The faces turned away, the mumble rose again. Rik stared blankly along the table. He heard the remark, “Crazy Rik,“and a shrug of shoulders. He saw a finger spiral at a man’s temple. It all meant nothing to him. None of it reached his mind.

Slowly he sat down. Again he clutched his feeder, a spoon-like affair, with sharp edges and little tines projecting from the front curve of the bowl, which could therefore with equal clumsiness cut, scoop and impale. It was enough for a mill-worker. He turned it over and stared without seeing at his number on the back of the handle. He didn’t have to see it. He knew it by heart. All the others had registration numbers, just as he had, but the others had names also. He didn’t. They called him Rik because it meant something like “moron”in the slang of the kyrt mills. And often enough they called him “Crazy Rik.”

But perhaps he would be remembering more and more now. This was the first time since he had come to the mill that he had remembered anything at all from before the beginning. If he thought hard! If he thought with all his mind!

All at once he wasn’t hungry; he wasn’t the least hungry. With a sudden gesture, he thrust his feeder into the jellied briquet of meat and vegetables before him, pushed the food away, and buried his eyes in the heels of his palms. His fingers thrust and clutched at his hair and painstakingly he tried to follow his mind into the pitch from which it had extracted a single item—one muddy, undecipherable item.

Then he burst into tears, just as the clanging bell announced the end of his lunch shift.

Valona March fell in beside him when he left the mill that evening. He was scarcely conscious of her at first, at least as an individual. It was only that he heard his footsteps matched. He stopped and looked at her. Her hair was something between blonde and brown. She wore it in two thick plaits that she clamped together with little magnetized green- stoned pins. They were very cheap pins and had a faded look about them. She wore the simple cotton dress which was all that was needed in that mild climate, just as Rik himself needed only an open, sleeveless shirt and cotton slacks.

She said, “I heard something went wrong lunchtime.”

She spoke in the sharp, peasant accents one would expect. Rik’s own language was full of flat vowels and had a nasal touch. They laughed at him because of it and imitated his way of speaking, but Valona would tell him that that was only their own ignorance.

Rik mumbled, “Nothing’s wrong, Lona.”

She persisted. “I heard you said you remembered something. Is that right, Rik?”

She called him Rik too. There wasn’t anything else to call him. He couldn’t remember his real name. He had tried desperately enough. Valona had tried with him. One day she had obtained a torn city directory somehow and had read all the first names to him. None had seemed more familiar than any other.

He looked her full in the face and said, “I’ll have to quit the mill.”

Valona frowned. Her round, broad face with its flat, high cheekbones was troubled. “I don’t think you can. It wouldn’t be right.”

“I’ve got to find out more about myself.”

Valona licked her lips. “I don’t think you should.”

Rik turned away. He knew her concern to be sincere. She had obtained the mill job for him in the first place. He had had no experience with mill machinery. Or perhaps he had, but just didn’t remember. In any case, Lona had insisted that he was too small for manual labor and they had agreed to give him technical training without charge. Before that, in the nightmarish days when he could scarcely make sounds and when he didn’t know what food was for, she had watched him and fed him. She had kept him alive.

He said, “I’ve got to.”

“Is it the headaches again, Rik?”

“No. I really remember something. I remember what my job was before——Before!”

He wasn’t sure he wanted to tell her. He looked away. The warm, pleasant sun was at least two hours above the horizon. The monotonous rows of workers’ cubicles that stretched out and round the mills were tiresome to look at, but Rik knew that as soon as they topped the rise the field would lie before them in all the beauty of crimson and gold.

He liked to look at the fields. From the very first the sight had soothed and pleased him. Even before he knew that the colors were crimson and gold, before he knew that there were such things as colors, before he could express his plea sure in anything more than a soft gurgle, the headaches would flicker away faster in the fields. In those days Valona would borrow a diamagnetic scooter and take him out of the village every idle-day. They would skim along, a foot above the road, gliding on the cushioned smoothness of the counter- gravity field, until they were miles and miles away from any human habitation and there would be left only the wind against his face, fragrant with the kyrt blossoms.

They would sit beside the road then, surrounded by color and scent, and between them share a food briquet, while the sun glowed down upon them until it was time to return again.

Rik was stirred by the memory. He said, “Let’s go to the fields, Lona.”

“It’s late.”

“Please. Just outside town.”

She fumbled at the thin money pouch she kept between herself and the soft blue leather belt she wore, the only luxury of dress she allowed herself.

Rik caught her arm. “Let’s walk.”

They left the highway for the winding, dustless, packed- sand roads half an hour later. There was a heavy silence between them and Valona felt a familiar fear clutching at her. She had no words to express her feelings for him, so she had never tried.

What if he should leave her? He was a little fellow, no taller than herself and weighing somewhat less, in fact. He was still like a helpless child in many ways. But before they had turned his mind off he must have been an educated man. A very important educated man.

Valona had never had any education besides reading and writing and enough trade- school technology to be able to handle mill machinery, but she knew enough to know that all people were not so limited. There was the Townman, of course, whose great knowledge was so helpful to all of them. Occasionally Squires came on inspection tours. She had never seen them close up but once, on a holiday, she had visited the City and seen a group of incredibly gorgeous creatures at a distance. Occasionally the mill-workers were allowed to listen to what educated people sounded like. They spoke differently, more fluently, with longer words and softer tones. Rik talked like that more and more as his memory improved.

She had been frightened at his first words. They came so suddenly after long whimpering over a headache. They were pronounced queerly. When she tried to correct him he wouldn’t change.

Even then she had been afraid that he might remember too much and then leave her. She was only Valona March. They called her Big Lona. She had never married. She never would. A large, big- footed girl with work- reddened hands like herself could never marry. She had never been able to do more than look at the boys with dumb resentment when they ignored her at the idle- day dinner festivals. She was too big to giggle and smirk at them.

She would never have a baby to cuddle and hold. The other girls did, one after the other, and she could only crowd about for a quick glimpse of something red and hairless with screwed-up eyes, fists impotently clenched, gummy mouth——

“It’s your turn next, Lona.”

“When will you have a baby, Lona?”

She could only turn away.

But when Rik had come, he was like a baby. He had to be fed and taken care of, brought out into the sun, soothed to sleep when the headaches racked him.

The children would run after her, laughing. They would yell, “Lona’s got a boy friend. Big Lona’s got a crazy boy friend. Lona’s boy friend is a rik.”

Later on, when Rik could walk by himself (she had been as proud the day he took his first step as though he were really only one year old, instead of more like thirty- one) and stepped out, unescorted, into the village streets, they had run about him in rings, yelling their laughter and foolish ridicule in order to see a grown man cover his eyes in fear, and cringe, with nothing but whimpers to answer them. Dozens of times she had come charging out of the house, shouting at them, waving her large fists.

Even grown men feared those fists. She had felled her section head with a single wild blow the first day she had brought Rik to work at the mill because of a sniggering indecency concerning them which she overheard. The mill council fined her a week’s pay for that incident, and might have sent her to the City for further trial at the Squire’s court, but for the Townman’s intervention and the plea that there had been p...

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0 of 0 people found the following review helpful.
Four Stars
By Torben Støvhase Nielsen
Good clasic sci-fi on several levels.

13 of 14 people found the following review helpful.
The Best Of The Galactic Empire Novels
By Dave_42
After finishing "The Stars, Like Dust", Asimov started working on a third novel which would be called "The Currents of Space", which he was intending to publish in "Astounding". After discussing the idea with Walter Bradbury of Doubleday & Co., Bradbury expressed interest in publishing the third novel as he had the first two. The novel was published in October - December of 1952 in "Astounding", and by Doubleday in December.

"The Currents of Space" is easily the best of the three precursor novels to the Foundation series which have become known as the Galactic Empire Series; however that is not all that difficult. This story takes place in Asimov's universe chronologically between the other two books, at a time when Trantor had become an empire, but not the Galactic Empire that it would become later.

The story is centered on the planet Florina and on a man named Rik, who initially appears to be mentally challenged, but who is in fact a spatio-analyst from Earth who has had much of his mind erased by a Psychic Probe after he tried to warn of the impending destruction of the planet. When Rik's memory starts to return, people from Trantor and Sark (the world which rules Florina), and perhaps others as well become aware of his existence and try to find and control him.

As with the first two Galactic Empire novels, Asimov wrote an afterword where he explains the scientific errors in the story. In this story the error is rather significant to the plot; however, the other elements of this story do not suffer as badly as they did in "Pebble in The Sky" or "The Stars, Like Dust". Regardless, this is only a fairly average novel, and not the best place to start if you are unfamiliar with Isaac Asimov.

5 of 5 people found the following review helpful.
The end of the world will come when it darn well feels like it, thank you very much
By Michael Battaglia
It's actually nice to finally be able to read this novel. I bought the darn thing probably around fifteen years ago when I was a teenager and on an Asimov kick. What I didn't realize at the time was that it was the only novel in the Empire series in print. Being slightly picky about such things (and probably not totally realizing that the novels aren't all that related) I tried to order the other two, failed, and then put this volume aside for quite some time. Eventually due to the magic of the Internet, I was able to find used copies of the other two and I was able to satisfy my strange urge to read them all in a row.

Was it worth it? Actually, it was. I'm glad that I read it after the first two volumes because there's such an uptick in . . . I won't say "quality" because all three are decent but however you want to quantify the elusive factor known as "knowing what you're doing." Inspiration, maybe? That could be it. This one feels more inspired.

After a beginning where a scientist predicts that a planet will be destroyed to someone who not only openly scoffs but then proceeds to drug and mindwipe the poor guy, we're shifted to the world of Florina, ruled by Sark. Upon arriving we discover worker Rik, who was mysteriously found in a field a year ago knowing little more than a baby did and slowly putting himself back together and learning basic skills. Until more than basic science skills come back to him, kicking off a search that threatens to drag every conceivable faction into the mess.

Of all the Empire novels, this one shows off Asimov's sometimes underrated skill at building intensity, something that we only really saw in the early Robot novels. Far from being bound to acting like a SF novel, at times it seems more like a political thriller with SF trappings as everyone seeks to gain the upper hand by finding out who knows what and when, and more importantly, what they don't know. Meanwhile Rik is caught in events without having much idea how he even got involved in this stuff in the first place. A vast stretch of the novel doesn't even involve him, as the faction on Sark and the agents from Trantor all vie to intimidate each other and figure out who the mole might be, almost like Asimov had gotten bored with good ol' Rik (who isn't much of a character beyond the amnesiac scientist type). In fact, when the novel isn't ignoring Rik, it's looking at the Townsman as he goes on a minor killing spree as he tries to evade the authorities, coming as close as Asimov ever did to that slippery beast he called "action." His quirk of staking anything that might quicken your pulse in the periphery is already in full force, with killings being described after the fact, or in such clinical brushed off detail that a friend of a friend of a friend might as well be telling you about it. It becomes maddening after a while, especially when you're waiting for a fight scene to break up all the people talking at each other and the book decides to give you more people talking about the fight scene you just missed. Gah.

But his footing is surer here than the other Empire novels and you finally get a sense that he's figuring this stuff out. The relationship between Sark and Florina is fairly well thought out in its totalitarian complexity and the tangled politics between Sark and Trantor ground the settings with a new urgency, so that it feels like the events that are happening here matter. All the political maneuvering between the Squires and Trantor doesn't quite reach the sophisticated heights of CJ Cherryh but comes close to stuff that Poul Anderson would be doing in his own series of novels. You can see a lot of instances here where other SF writers would take and refine these concepts further (the whole Spatio-analytics concept seems like something Van Vogt would have had fun with). I don't know who did it first, or if this book was influential at all but it's always neat to see the roots.

Still, it's got flaws. As I mentioned, its talky in that Asimov way, where pages and pages go by of people debating things. This would be less of a problem when the central conceptual hook was good enough to justify all that chatter (the Robot novels, mostly, as most of the Foundation stories are shorter) but here it's not quite enough. Rik isn't a very strong character, we're supposed to feel bad that he's being buffeted by events out of his control and thus feel sorry for him but it's hard to get too worked up when his initial warnings are ignored by even the novel. It also seems like Asimov treated romance much the same way as action, handled off screen, which means that anyone who is a woman gets a bit of the shaft in terms of their narrative potential, mostly being around to add some local color. But what's worse is that the idea that is supposed to get us into the novel, the imminent destruction of the world, almost becomes a MacGuffin of sorts, in the background until the plot requires it to be and handled with any sort of sense of urgency or worry.

Which means you stick around for the scenery and the political action. In this case it's strong enough to save the novel. Not enough to make it one of his all time classics but such a cut above the other two that you can definitely see the well from which the actual classics would eventually spring.

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Rabu, 09 September 2015

## Ebook SPELLING WORKOUT LEVEL D PUPIL EDITION, by MODERN CURRICULUM PRESS

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SPELLING WORKOUT LEVEL D PUPIL EDITION, by MODERN CURRICULUM PRESS

Learning to spell is a complex process, but the curriculum you choose can help. The Modern Curriculum Press (MCP) Spelling Workout: Grade 4 homeschool program is designed to make Spelling education easier on both you and your child. The curriculum features a step-by-step process that takes the guesswork out of education, an element you're sure to love.

MCP Spelling Workout: Grade 4 takes a dynamic and hands-on approach to Spelling, giving your child plenty of puzzles and riddles to tackle. Each of these activities are designed to improve your child's understanding of how the English language is constructed, so he or she will become a skilled speller. This process begins with Grade 1 and moves through Grade 8. The Grade 4 content solidifies basic spelling knowledge, helping your child recognize symbols and their meaning.

MCP Spelling Workout was designed to function independently or alongside MCP Plaid Phonics. This second curriculum for homeschooling focuses on the phonics side of Spelling education, making it the perfect companion for MCP Spelling Workout. Of course, even without it, your child will gain a solid understanding of Spelling.

You'll love MCP Spelling Workout: Grade 4's adaptable format and your child will enjoy learning using hands-on activities. With cross-curricular reading selections and interesting writing assignments, your child will easily integrate Spelling into his or her knowledge base.

These engaging assignments come complete with the Student Edition. You'll also have access to the Teacher Edition and Parent Guide. For more information on the specific materials included in MCP Spelling Workout: Grade 4, visit the Features and Benefits page.

  • Sales Rank: #45116 in Books
  • Brand: MODERN CURRICULUM PRESS
  • Published on: 2001-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.85" h x .35" w x 8.20" l, .70 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

30 of 30 people found the following review helpful.
Amazing Spelling Program
By M. Massey
I homeschool and have been through many spelling programs that don't give much practice. This program is a wonderful find that incorporates a reading section with spelling words, practice activities, a written passage to correct (with proofreading marks taught along the way), and a writing prompt. I currently use this for my 3rd grader who is a bit advanced in spelling. She never complains about spelling lessons, and gets 100% on all 20 words each week. I can't praise this series enough!

0 of 0 people found the following review helpful.
Five Stars
By shawn arend
Kids love doing it, fun book, great educational and fun spelling!!!

18 of 19 people found the following review helpful.
Love it - a welcome change from Sequential Spelling for our family
By FloridaMum
We've been using Sequential Spelling with a (mildly) dyslexic child for about a year now. While I *do* think that's a good program, it is very repetitive (in a tiresome way) for both the parent and child, and my own experience is that it didn't foster any independent learning. Additionally, SS required a full 30 minutes for each lesson and with four children that would clearly be a prohibitive program.

I read recommendations for this on the Well-Trained Mind forums, and absolutely love it. There are a range of activities to complete each week, and those vary so that the work doesn't become boring. My two children who will be using this program next year were excited upon reviewing the pages as there are crossword puzzles and other things that are appealing to a child. I did also purchase the Instructor's Guides and found them worthwhile, particularly with the scheduling and philosophy behind the program.

See all 24 customer reviews...

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Senin, 07 September 2015

>> Free Ebook The Boat of A Million Years, by Poul Anderson

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The Boat of A Million Years, by Poul Anderson

Others have written SF on the theme of immortality, but in The Boat of a Million Years, Poul Anderson made it his own. Early in human history, certain individuals were born who live on, unaging, undying, through the centuries and millenia. We follow them through over 2000 years, up to our time and beyond-to the promise of utopia, and to the challenge of the stars.

A milestone in modern science fiction, a New York Times Notable Book on its first publication in 1989, this is one of a great writer's finest works.

  • Sales Rank: #985990 in Books
  • Brand: Anderson, Poul
  • Published on: 2004-05-01
  • Released on: 2004-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.07" w x 5.50" l, 1.34 pounds
  • Binding: Paperback
  • 480 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Less a novel than a series of short stories and novelettes tied together by their subjects, this volume tells of 11 "immortals": individuals who will not die of old age but who can, however, be killed. Anderson ( The Avatar ) brings proven storytelling abilities and research skills to chronicles that range from 310 B.C. to a centuries-distant future. Many of the stories describe an immortal's first awareness of his or her difference, and flight from accusations of witchcraft; other tales relate chance encounters between immortals; a few simply tell a good yarn. The penultimate chapter tells of the eight survivors coming together in present times; the last portrays a future where science has extended everyone's life, creating a world vastly different from what the immortals had expected. BOMC and QPB selection.
Copyright 1989 Reed Business Information, Inc.

From Library Journal
Hanno the navigator, Tu Shan the mystic, and Aliyat the courtesan share a common bond--immortality. Their search for others like themselves covers thousands of years of human history, from the earliest explorations of the world to the ultimate journey into the stars. Against an everchanging backdrop that includes medieval Japan, the court of Richelieu, and 19th-century America, Anderson draws together a group of very special heroes. Ambitious in scope, meticulous in detail, polished in style, the author's first novel in ten years is highly recommended. Previewed in Prepub Alert, LJ 7/89.
Copyright 1989 Reed Business Information, Inc.

Review
"Succeeds admirably!" -- The New York Times

"Here at last, the big Anderson book we've all been waiting for! An unforgettable novel, with a cast as big as mankind and an adventure that charts the course of time. Read it, enjoy it, savor it...this may well be the best book of the year, hell, decade."---Jerry Pournelle

"This is the book we've all been waiting for!"--Joe Haldeman
-- Review

Most helpful customer reviews

21 of 22 people found the following review helpful.
Voyaging from Phoenicia to the Stars.
By Maximiliano F Yofre
"The Boat of a Million Years " is one of the best novels written by Poul Anderson.

It is constructed as a series of short stories telling about immortal people (or almost immortal). The different characters crisscross their ways along centuries and millennia. The outcomes of these encounters are sometimes friendly, sometimes antagonistic; never innocuous.

Poul Anderson show his talent to mix action, drama and humor with deep meditations about meaning of life, ethics, gender conflict, ethnic discrimination and many subjects more. He includes accurate different historical backgrounds for each episode ranging from ancient Greece thru far future.

The story is great; it mainly follows Phoenician seaman Hanno in his eternal quest to find more people like him. He is very special. He never get sick or old, his teeth grows up again when he loose one, he recover very quickly from injuries.

He soon discover that his bless is also his curse. He remains unchanged yet consorts and descents grow old, die and vanish. Neighbors usually react violently to his "witchery" blaming him to practice strange deals with demons.

To evade these circumstances Hanno becomes a master in changing personalities and evading suspicion.

The narrative starts to catch momentum and conclude with a very interesting piece situated in a far future full of new possibilities.

Take a joyful romp thru it, you won't be disappointed!

Reviewed by Max Yofre.

15 of 15 people found the following review helpful.
A solid, enjoyable read
By Elisabeth Carey
This is solid, if rambling, Anderson fun: scenes from the lives of a small group of immortals as they learn to hide their nature and cope with the natural suspicions of their short-lived compatriots. The oldest is Hanno, a Phoenician sailor, and the youngest is an African-American slave who eventually uses the name Corinne Macandal. The others who make it to the end of book are Aliyat (Syrian), Svoboda (Ukrainian), Tu Shan (Chinese), Yukiko (Japanese), John Wanderer (Native American), and Patulcius (Roman). Agelessness is not enough to ensure long lives, and we meet other immortals along the way, who from carelessness, bad luck, or deliberate choice, don't survive to share the ultimate fate of the eight survivors. Or rather, as they come to be known, Survivors.

Most of the book consists of the adventures the individual immortals in various well-devoloped ancient settings. Hanno joins a Greek expedition to Britain and Scandinavia. Aliyat lives too long in Palmyra while it is changing from a Christian to a Muslim city, and escapes the harem to become a prostitute--in Constantinople for a while, where she briefly meets Hanno, who has become a Rus trader. (Well, Welsh, really, for certain values of "really," but the Byzantines regard him as Rus.) Svoboda, already a great-grandmother, leaves her village before she can be killed for witchcraft, to become a merchant's wife in Kiev (and briefly meets Hanno), and later a nun, and still later a Cossack and then a soldier for Mother Russia during the Second World War. (Not for the USSR; the Soviets are better than the Nazis for Svoboda's people, but not much.) Hanno meets Richelieu; John Wanderer, under the earlier name of Deathless, survives the great cultural change brought by the arrival of the horse, and later survives the conquest of the Native American tribes by the expanding United States of America (and meets Hanno. Hanno is the unifying theme in this book.)

It's in these visits to different times and cultures that the book is strongest; it's always been one of Anderson's great strengths. Where the book drags a bit is in the late 20th century, where Hanno becomes a remarkably predictable libertarian. Only a particularly petty and unhealthy puritanism, for instance, can possibly explain laws banning smoking in elevators. Hanno's nemesis, Edmund Moriarty, a.k.a. "Neddy," U.S. Senator from some unidentified New England state, is a cartoon, about as subtle as a ton of bricks. Even John Wanderer's mild reminders that there are some real problems that are most usefully addressed at a level beyond rugged individualism carry little weight beside the fact that Moriarty's own aide has complete contempt for Moriarty's hypocrisy, evidenced in such telling signs as the fact that he has quit smoking, and the senator is too smugly oblivious to notice. Despite the fact that this is the section in which all the surviving immortals make contact, and the one in which hiding successfully becomes a serious challenge, this is a dull, draggy interlude. There is no explanation, not even hand-waving, for how clever Hanno hides them all from the nefarious forces of modern civilization for the remaining decades before aging becomes a solved problem for everyone. We then have another not very interesting section, set in the same AI-controlled world as The Stars Are Also Fire and other later Anderson works, before the real story resumes. The immortals leave this boring non-story for a far more entertaining encounter with two alien species.

Not Anderson's best work, by any means, but very enjoyable even with its weaknesses.

12 of 12 people found the following review helpful.
Balanced Optimism
By George Baxter
Poul Anderson is not (was.. he died just recently) the most optimistic of writers. He did not believe in the predestined success of humanity.. at least as a whole. (This is as opposed to David Brin.. who is hugely optimistic.)
In this book he presents a set of characters that, by accident of genetics, find themselves immortal. We follow them from pre- or barely- historical times well into the future. Through their eyes we watch humankind as a whole struggle, achieve, fail, die and live. We watch these immortals as they set themselves apart
for survival reasons.. twice.
The grand sweep of the book through humankind's history is wonderful. The book gets a bit lost at the end.. we wander too far from humanity, though it is a natural conclusion. In the end, perhaps... it is not the book that wandered too far, but humanity itself.
Wonderful story, wonderful storytelling...

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