Kamis, 27 Februari 2014

^ Get Free Ebook A Princess of Roumania, by Paul Park

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A Princess of Roumania, by Paul Park

A Princess of Roumania, by Paul Park



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A Princess of Roumania, by Paul Park

This is a truly magical tale, full of strangeness, terrors and wonders. Many girls daydream that they are really a princess adopted by commoners. In the case of teenager Miranda Popescu, this is literally true. Because she is at the fulcrum of a deadly political battle between conjurers in an alternate world where "Roumania" is a leading European power, Miranda was hidden by her aunt in our world, where she was adopted and raised in a quiet Massachusetts college town.
The narrative is split between our world and the people in Roumania working to protect or to capture Miranda: her Aunt Aegypta Schenck versus the mad Baroness Ceaucescu in Bucharest, and the sinister alchemist, the Elector of Ratisbon, who holds her true mother prisoner in Germany. This is the story of how Miranda -- with her two best friends, Peter and Andromeda -- is brought back to her home reality. Each of them is changed in the process and all will have much to learn about their true identities and the strange world they find themselves in.
This story is a triumph of contemporary fantasy.

  • Sales Rank: #3533107 in Books
  • Published on: 2005-08-01
  • Released on: 2005-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.04" w x 6.34" l,
  • Binding: Hardcover
  • 368 pages

From Publishers Weekly
Sharp characterization and an unusual historical backdrop distinguish Park's charming leadoff to an intricate new fantasy series. In an alternate 18th-century world where England's been swamped by a tidal wave, America teems with blond savages and "Roumania" and Germany battle for European domination, a magic book concocted by conjuress Aegypta Schenck sends young Miranda Popescu, the "white tyger" descendant of ancient royalty and Roumania's hope of freedom from "black tyranny," to Massachusetts to escape the fiendish Baroness Nicola Ceausescu and the heinous elector of Ratisbon. With her best friend, Andromeda (turned magically into first a yellow dog and later a charismatic male Roumanian courtier), and her loyal teenage admirer, Peter ("really" the son of Roumania's bravest warrior), Miranda makes hard choices to start fulfilling her destiny. Park (Celestis, etc.) leaves some tantalizing loose ends, while the wily baroness and the necromancing elector promise dashing adventure and delicious heartbreak ahead. Blurbs from Ursula K. Le Guin and John Crowley testify to the novel's high quality.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
"The world is in two places," says Miranda’s The Essential History. "One false and one real." You guessed it: we’re in the fake one. In his first of a planned series, Park borrows the idea of alternate worlds from J. K. Rowling, Philip Pullman, and even L. Frank Baum—a trick tried and true. Not surprisingly, certain complications thwart Miranda’s attempt to claim her rightful place in the "real" world. Despite Park’s generic theme, he draws complex characters (even as Miranda’s friends transform into new roles) and convincing political ploys. The tale stalls a bit when Park ventures deep into 18th-century life, but fans will anxiously await the sequel, The Tourmaline, due out next year.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
Vaguely resembling contemporary Romania, Roumania is the alternate universe version of that eastern European nation. It commands a vast empire ruled by royal families, a special member of whom, Princess Miranda Popescu, spends her childhood in a castle by the sea. Fearing the political machinations of the mad baroness Ceaucescu, Miranda's aunt, Aegypt, uses arcane alchemy to spirit three-year-old Miranda into our universe and a seemingly secure life with adoptive middle-class parents in a quiet corner of Massachusetts. When grown to a willowy adolescence, and still haunted by memories of her distant homeland, Miranda is suddenly catapulted, along with her two best friends, into an alternate eighteenth-century New England after Baroness Ceaucescu finally unlocks the secrets of Aegypt's magic. The baroness then struggles to capture Miranda outright, and Miranda and her friends embark on a venture to cross the Atlantic; free Miranda's real mother, who is imprisoned in Germany; and return to their genuinely familiar surroundings. Park's enchanting and riveting tale deserves to win its way with fans of modern fantasy. Carl Hays
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

32 of 33 people found the following review helpful.
A strange, imaginative and haunting novel
By A. Case
This novel opens in a real place in the present (the quiet, rural college town of Williamstown, Massachusetts), but its main characters, three high school students, soon find themselves transported to an alternate world, in which Roumania is the heir to the Roman Empire, Christianity is an obscure fringe cult, and magic is a force of nature--not fully understood by those who wield it, and rife with unexpected consequences. The three teenagers begin to discover that they themselves have histories and identities in this world, ones very different from the selves they believe themselves to be. Miranda, the central character, who was adopted as an infant from a (this worldly) Romanian orphanage, turns out to be the heir to the throne in this other Roumania. The center of a passionate and violent power struggle, she had been sent by her powerful aunt to a magical refuge that is our world. Her companions, born and raised in Williamstown, carry the spirits of two faithful and resourceful military officers sent along to guard the princess. This is not Harry-Potter- style cookbook magic: its transformations produce errors and slippages no one expects, and its effects can be altered, but never quite undone,. The central characters find themselves between identities, or elsewhere altogether-- Miranda's best friend Andromeda, a popular high school Queen Bee at home, was originally a handsome young officer named Sasha Prochenko, but on her return, to everyone's puzzlement, takes the form of a yellow dog. Paul Park has conjured a vivid and strange world full of complex power struggles and larger-than-life personalities, but also one with the messiness, ambivalence and uncertainties of real life. By the way, the book has next to nothing to do with the real Romania. "Roumanian" characters in the novel run the full gamut from faithful heros to sinister plotters, as they would in any adventure story. Readers anxious about Eastern European stereotypes should read the novel before judging it!

11 of 12 people found the following review helpful.
A sparking and vivid fantasy
By David Lomax
Paul Park's new novel, the first in a trilogy, is an astounding work. When I turned the last page, I was stunned by the thought of how far the story had taken me in just 368 pages.

What is particularly remarkable is how Park takes some very familiar tropes (an adopted child from a magical world, tokens that are clues to her identity, warring conjurers) and shines them to such lustre that they seem not just fresh but entirely new.

The author's greatest feat is the way in which all of the characters appear as rich and interesting people -- even those who occupy the positions of villians. Baroness Ceausescu is identified by the narrative early on as "evil" yet the story itself resists such easy definitions. She has emerged, by the end, as a complex and vital character.

Much of the latter half of this wonderful novel takes place in a sort of alternate Europe and concerns a conflict between Roumania and Germany. In this conflict, a mess of betrayals, plots and diplomacy, there are also no stock villains.

All this, and I haven't even talked about about the three protaginists of the story. Many writers who do not normally write for young audiences fail to get the voices and emotions of teenage characters correct, but not Paul Park. As the lives of Miranda, Peter and Andromeda get more and more complicated by their translation into the magical world of the story, their personalities stay grounded and believable. Even when Peter and Andromeda begin to manifest new (perhaps "true") personalities as the Chevalier Pieter de Graz and war hero Sacha Prochenko, they still ring true as real teens in unreal situations.

However, I don't mean to suggest that this is solely a teen novel. It's dark and the politics are complex. I'd recommend this for those (of any age) who are ready for more meat than Harry Potter. It ought also to appeal to those who appreciate Neil Gaiman's _American Gods_ or Jonathan Carroll's _The Bones of the Moon_. It's complex, beautiful, magical and cool.

Too bad we're going to have to wait for the sequel.

5 of 5 people found the following review helpful.
It's familiar and different at the same time - overall, I'd recommend it
By Karrigan Ambrian
I was extremely excited to sink into this book after spotting its striking cover at the bookstore, opening it up, and seeing all the praise the critics heaped on it.

After reading it, I can see what the critics loved about it, I suppose. It does exude a "different" sort of atmosphere - nothing is ever exactly as you'd expect. And yet...it is. There were many moments and aspects of the story that reminded me of other books I'd read, but it still had an atmosphere all its own. Here's a quick description, and really illustrates what I mean:

A teenager is brought to another fantasy world...based upon on our world, where England was overcome by a tidal wave and other countries - Germany - are dominant. She discovers she's the princess of an enslaved country...a POLITICALLY enslaved country - there's no true "villains" here, no smoke and chains, and only the girl and her family are truly in danger. Two friends from her own world came to this new world with her - a boy whose presence leads to many Tense Kiss-Me-Or-Not moments...but most often "not" because of a surprising...THING about one of his hands. Her other friend is a girl...who also goes through a surprising change that I won't spoil. Her allies in this new world are loyal to her aunt and family...and of the two, one doesn't last past one chapter, and the other is a coward, plain and simple. The main "villain" in the story is a woman who does some truly evil things...and cries about them afterward, and feeds herself anger to overwhelm any compassion she feels for her "victims."

Narration-wise, it was refreshingly adult for a teenage fantasy book. Just before you get tired of the whiny teenage characters, something happens and/or they do something surprisingly adult, and you're reminded once again that this book is truly a thing of its own.

I could go on for a while, but I think you get the basic point - overall, the story is pretty predictable, but still enjoyable to read because things are just "different." In the end, this is still the basic teenage fantasy dish, but the ingredients inside it are so different it's probably worth taking a bite anyway.

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Selasa, 25 Februari 2014

## Get Free Ebook An Irish Country Doctor (Irish Country Books), by Patrick Taylor

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An Irish Country Doctor (Irish Country Books), by Patrick Taylor

An Irish Country Doctor (Irish Country Books), by Patrick Taylor



An Irish Country Doctor (Irish Country Books), by Patrick Taylor

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An Irish Country Doctor (Irish Country Books), by Patrick Taylor

Barry Laverty, M.B., can barely find the village of Ballybucklebo on a map when he first sets out to seek gainful employment there, but already he knows that there is nowhere he would rather live than in the emerald hills and dales of Northern Ireland. The proud owner of a spanking-new medical degree and little else in the way of worldly possessions, Barry jumps at the chance to secure a position as an assistant in a small rural practice.

At least until he meets Dr. Fingal Flahertie O'Reilly.

The older physician, whose motto is to never let the patients get the upper hand, has his own way of doing things. At first, Barry can't decide if the pugnacious O'Reilly is the biggest charlatan he has ever met, or the best teacher he could ever hope for. Through O'Reilly Barry soon gets to know all of the village's colorful and endearing residents, including:

A malingering Major and his equally hypochondriacal wife;

An unwed servant girl, who refuses to divulge the father of her upcoming baby;

A slightly daft old couple unable to marry for lack of a roof;

And a host of other eccentric characters who make every day an education for the inexperienced young doctor.

Ballybucklebo is long way from Belfast, and Barry is quick to discover that he still has a lot to learn about the quirks and traditions of country life. But with pluck and compassion and only the slightest touch of blarney, he will find out more about life--and love--than he ever imagined back in medical school.

An Irish Country Doctor is a charming and engrossing tale that will captivate readers from the very first page--and leave them yearning to visit the Irish countryside of days gone by.

  • Sales Rank: #607047 in Books
  • Brand: Brand: Forge Books
  • Published on: 2007-02-06
  • Released on: 2007-02-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.55" h x 1.23" w x 6.40" l,
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
A straitlaced novice doctor gets initiated into the unorthodox world of a crafty rural sawbones in Taylor's American debut. Barry Laverty is fresh out of school and uncertain about what type of medicine he should practice when he answers an ad for a physician's assistant in Ballybucklebo, a small Northern Ireland town populated, it seems, entirely by eccentrics. Laverty is initially taken aback by his new boss, Fingal Flahertie O'Reilly, whom he meets as O'Reilly is literally throwing a patient out of his office. Laverty spends most of the novel swaying between understanding O'Reilly's methods and second-guessing the boxer turned doctor who dishes out plenty of placebos and isn't above telling a white lie or a crude joke to worried patients. Though Laverty often comes across as painfully uptight, he also has an endearing-for-its-awkwardness streak that only surfaces around Patricia Spence, though she'd rather focus on her civil engineering studies than make time for a boyfriend. Serving as a foil to all the innocent fun is the lecherous, greedy Councillor Bishop, who, thanks to a scheming O'Reilly and a reluctant Laverty, gets his comeuppance. Despite the occasional whimsy overload, Taylor's novel makes for escapist, delightful fun. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Patrick Taylor, MD, is a man of words and he is a healing physician, too. Do not be deceived by the title on the cover as the book is only incidentally an Irish location - it deals with eccentric, funny humans, dogs, cats and cattle. This book is written with compassion and hilarity about a community whose inhabitants are as wonderful and loony as any on earth. The doctor's patients are not simply out-of-order machines, they are living human beings who need love and reassurance, which the good doctor freely dispenses. A grand read from a grand man (Malachy McCourt, New York Times bestselling author of A Monk Swimming)

At last! Here is an authentic Northern Ireland voice telling down-to-earth stories that could happened anywhere on the island. A full cupboard of delightful characters, both human and animal, enrich every page. Quirky, funny, and deeply moving by turns, Taylor's writing perfectly captures the language and character of Ulster in times gone by. I promise you will enjoy this book immensely; I did. (Morgan Llywelyn, New York Times bestselling author of The Last Prince of Ireland)

In a style joyously reminiscent of James Herriot, Dr. Taylor conjures up the rural Irish town of Ballybucklebo that is a pleasure to visit and very difficult to leave. I had a hoot following the humorous and at time poignant exploits of the irascible family doctor, Fingal O'Reilly, and his young, wide-eyed (and very urban) apprentice, Barry Laverty, as they confront all manner of man and beast in the eccentric but lovable town. I can hardly wait for more. (Daniel Kalla, international bestselling author of Rage Therapy)

Wraps you in the sensations of a vanished time and place. Like Barry Laverty [the hero of the novel] you join the household. You meet his eccentric housekeeper, Kinky (short for 'Mrs. Kinkaid'), who tends to come bustling in with a tray, saying things like: 'Tea, and bit of toasted, buttered barmbrack.' (Vancouver Sun)

With an unerring eye for detail, the talents of a natural storyteller and the ability to pepper his anecdotes with large doses of wit and humor, Patrick Taylor has written a delightful novel…the lives of the engaging and eccentric townspeople, whose hilarious mishaps provide a perfect foil for the endeavors of the town's medical men. (Calgary Herald)

About the Author

Patrick Taylor, M.D., is the author of the Irish Country books, including An Irish Country Village, An Irish Country Christmas, An Irish Country Girl, and An Irish Country Courtship. Taylor was born and raised in Bangor County Down in Northern Ireland. After qualifying as a specialist in 1969, he worked in Canada for thirty-one years. He now lives on Saltspring Island, British Columbia.

Most helpful customer reviews

86 of 89 people found the following review helpful.
Literacy is important so you can read books like this
By Marilyn Dalrymple
The novel An Irish Country Doctortakes place in the 1960s, and although medical miracles are beginning to appear, the good Dr. O'Reilly practices his own medicine, his own way of treating this town full of eccentric patients. And he treats them very successfully, thank you.

Dr. Laverty, on the other hand, insistsmodern medicine and going strictly by the rulesare the only ways of properly healing patients.

It doesn't take long for Laverty to find a love interest, the beautiful Patricia Spence, a young lady determined to become an engineer.She soon becomes one of the many stumbling blocks Laverty must overcome to be the person and the doctor he wants to be.

As Laverty works as O'Reilly's assistant, he learns about love, loss of love and the hard knocks life can dish out in general and that he is not immune to experiencing some of life's more difficult situations himself.

Author Patrick Taylor has produced a beautiful story, intelligently written and filled with interesting characters. Richly illustrated with word pictures, the reader easily sees the beautiful Irish landscape, the rag-tag populace - O'Reilly's patients - that joyfully fill this novel's pages. Animals play an important role in the story. Laverty soon learns that everything has the ability to teach him something. I truly became involved in the lives of the doctors and their supporting cast of characters. The novel doesn't hold many surprises, but it is so lyricallywritten that it held my attention from the first page until the last.

The back of the book has a glossary which translates the "Ulster-Scots dialect," which is generously used throughout the book and lends much color and interest to the story, but does indeed, look like a foreign language to the uninitiated.

There is also an Afterword by Mrs. "Kinky" Kincaid, O'Reilly's faithful and wise housekeeper and cook. This portion of the novel offers a few of Mrs. Kincaid's recipes.

I found An Irish Country Doctor to be a refreshing change from the novels that line the shelves of today's book stores. If I had to put the book down while reading, I couldn't wait to get back to it, and for me, that's the sign of a good book.

The author was born and raised in Bangor County Down in Northern Ireland and did indeed work at one time as a doctor in rural Ireland. That's why his novel rings with such authenticity.

26 of 26 people found the following review helpful.
The book, 'An Irish Country Doctor'
By Judy H.
This book is just a wonderful read. It is set in the 1960's era, and is about a young med-school graduate who takes his first job in a little northern Irish village, joining an elderly doctor in family practice. It is very heart-warming, and holds your interest to the very last page. The author, Patrick Taylor, is a medical doctor himself. I am anxious to read any future books he writes.

24 of 24 people found the following review helpful.
Irish Doctor
By Carolann Toomey
This is an interesting book on Irish Life. If you like Irish ways and have an interest in medicine, this is your book. The interplay between the older General Practioner and his new, young assistant MD is very fascinating. They have adventure after adventure with their patients - both those who come to the "surgery" in the morning and the ones they visit on house calls in the afternoon. Kinky, the housekeeper, is an excellently drawn character who offers a great sample of the Irish brogue and Irish ways. I enjoyed this book.

James Toomey

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Senin, 24 Februari 2014

## PDF Ebook Modern Curriculum Press Phonics: Level A, by MODERN CURRICULUM PRESS

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Modern Curriculum Press Phonics: Level A, by MODERN CURRICULUM PRESS

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Modern Curriculum Press Phonics: Level A, by MODERN CURRICULUM PRESS

MCP "Plaid" Phonics Level A helps students become fluent readers. Activities help students develop spelling (encoding), recognize words in context, and use phonics in word-building and personal writing. It provides teachers with a direct model for integrating phonics and reading through reading activities.

  • Sales Rank: #134603 in Books
  • Brand: MODERN CURRICULUM PRESS
  • Published on: 2003
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.89" h x .61" w x 8.44" l, 1.19 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

60 of 61 people found the following review helpful.
First grade phonics
By Annette Taulbee
I am a retired school teacher, who taught in the elementary grades for over 30 years. I never found any other Phonics book that was better than this one. It uses 5-6 standard formats that students get used to for a single page so they become independent workers once they know them (i.e. Circle all the words that start with the "s" sound, Find all the rhyming words, Spell the word or write the beginning consonant (i.e, Ss)for each picture, etc.). It also has a good sequence of phonetic concepts (covers beginning consonants, short vowels, long vowels, consonant blends, consonant digraphs, etc.), has a good number of practice idems per page, and includes an excellent review of the concepts coverered as you go (i.e. short vowel a for several pages, then s.v. i, and then a review of s.v. a and i, etc.). For either beginning teachers or experienced ones, using this book page by page with your first grade students will ensure that they get a good solid background of phonics for the year. Use the Level B for second grade, or higher achieving students.

27 of 27 people found the following review helpful.
The Best!
By D. Rogers
I have home-schooled for 12 years and have used almost every phonics program out there. This is by far my favorite beginning phonics book. I teamed it up with MCP Spelling and it was incredible. It gave my children the confidence to excel. It has beautiful colored pages. There are small pullout reading books that they enjoyed reading. This made teaching my children to read simple and fun. They called this book the plaid pig book and loved to use it. We teamed it with the MCP spelling book with the frogs and they worked great together. We are using MCP from now on!

38 of 40 people found the following review helpful.
Good, but the Plaid version is better
By A Customer
I have used both this copy and the original plaid version for homeschooling my children. The kids have done better with the plaid version for several reasons: 1) There are no errors in the plaid version. This edition has pages where I had to either correct the text for my child to use it, or skip the page entirely. 2) It introduces full sentences, word scrambles, and high-frequency words too quickly. Before my child was even comfortable with sounding out simple words, she had to keep an eye out for sight words, and the sentences and scrambles just added to her frustration. I feel that it is important to have a solid foundation before trying to challenge the child. 3) While not important to some children, my child felt cheated out of the opportunity to color the pictures. The plaid version has many more pages to color while learning.

This series has been great for our homeschool, however the plaid version MCP PLAID PHONICS LEVEL A FULL COLOR 1995 COPYRIGHT (MCP "PLAID" PHONICS) is much better.

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Minggu, 23 Februari 2014

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2017 Norman Rockwell: The Saturday Evening Post Wall Calendar, by Norman Rockwell

Norman Rockwell sold his first illustration to The Saturday Evening Post in 1916. Over the next half century he produced more than three hundred classic covers for that magazine, a body of work that helped shape twentieth-century American identity and that elevated Rockwell (18941978) to the status of cultural icon. With unconcealed sentiment and wry humor, his paintings speak volumes about the human condition and the country he loved.

  • Sales Rank: #30432 in Books
  • Brand: Pomegranate
  • Published on: 2016-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 13.00" h x 12.00" w x .10" l, .66 pounds
  • Binding: Calendar
  • 12 pages
Features
  • Norman Rockwell
  • Height: 13.000 inches. Width: 12.250 inches.
  • Manufactured by: Pomegranate

Most helpful customer reviews

0 of 0 people found the following review helpful.
2017 CALENDAR
By ANDREA
LOVE MY CALENDAR.

0 of 0 people found the following review helpful.
Five Stars
By Woody
It's a very nice calendar. I'm a Norman fan, have several books on him and his art.

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Sabtu, 22 Februari 2014

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Witches: A Book of Magic and Wisdom, by Lori Eisenkraft-Palazzola

WITCHES is a spellbinding volume of mystical, magical beauty, with eye-catching illustrations and enchanting tales presented in a stunning design. WITCHES focuses on enthralling tales of the mystical witches whose legends are told in many lands. The stories tell of magical powers that can be benign or evil, manipulative or guiding. Captivating tales and poems on these fascinating figures weave their spells in five gorgeously illustrated chapters.

Lori Eisenkraft-Palazzola has a degree in ancient history from St. John's University. An editor, writer, and researcher, she has edited books on subjects such as ancient civilizations, prehistoric societies, nature, history, castles, and the Vikings.

  • Sales Rank: #1152849 in Books
  • Published on: 1999-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 11.00" w x .75" l,
  • Binding: Hardcover
  • 8 pages

Amazon.com Review
Mention the word witch, and most people conjure up an image of an evil hag shrouded in black, wearing a pointy hat and casting nasty spells on innocent bystanders. Witches have been feared and loathed for centuries--burned in the Middle Ages, damned by the Puritans, crushed in The Wizard of Oz. But Witches: A Book of Magic and Wisdom goes some way in dispelling the myth that witches are a force to be feared. Instead, the book focuses on mythology that exemplifies witches as strong, spiritual females. For example, Hecate (also known as Diana, Roman goddess of the underworld), was, according to Greek legend, patron and overseer of magic and witchcraft. She had the ability to grant great power and wealth to those who worshipped her--and was revered, not feared. And if we perceive a witch to be a woman who brews lethal potions for malevolent purposes, the chapter entitled "A Witch's Herb Garden" shows how witches cultivated herbs and flowers into healing medicines. Wild tansy to ease fever and anxiety; yarrow to promote well-being.

Laced with paintings, drawings, and anecdotes, this value-priced brew is easy to swallow. --Naomi Gesinger

From the Inside Flap
Contrary to what many people may believe, witches are strong, sensual, exotic figures from both history and myth, who revere and respect the natural world. The common belief that witches manipulate Nature to do their malevolent bidding stems from a fear of witches, and women, in general, crated in the Middle Ages.

"Witches: A Book of Magic and Wisdom" welcomes you to a new and exciting world where an obsession with the supernatural and pagan realms has inspired a fresh look at witches as formidable warriors, beautiful companions, and experts in the higher arts of feminine intuition and spiritual wisdom.

Open this book and journey to the legendary island of Avalon, the witch's sacred Otherworld, to explore the ancient, esoteric mysteries of magic, healing, and desire. Amidst a landscape of castles, dragons, and legendary queens that still echoes with the eerie baying of hounds, you will discover the story of the awe-inspiring Morrigan and the wise Merlin-the renowned Celtic seer-and learn about the prophetic philosophy of Goddess-Witches like Rhiannon, Cerridwen, and Epona.

In addition to the numerous anecdotes and legends from folkstory, the exotic tale of the witch resonates with images drawn from an eclectic blend of mid-eighteenth century art and modern graphic design. In impressive detail and thought-provoking prose, author Lori Eisenkraft-Palazzola delves deep into the mystical waters to show us how the witch has risen triumphantly from her buried past to rock the foundation of accepted belief. An extensive bibliography and resources section are also included to allow readers to further explore the history, legends, and lore of the witch-one of the most controversial and misunderstood figures of all time.

Excerpt. © Reprinted by permission. All rights reserved.
Page 10

Warriors and Knights fell in love with them. Gods, heroes, and Kings consorted with them. They were powerful queens, warrior goddesses, glamorous enchantresses, and sorceresses extraordinaire. They were witches. And their world was a realm of beauty, eroticism, nature, and enchantment.

Witches have existed for thousands of years. In fact, the practice of witchcraft stretches far beyond recorded history. Archaeologists have found cave paintings in various places, such as Lacaux in the south of France, rock paintings in the Sahara, and have come upon a number of Paleolithic drawings, all of which scholars believe had magical meaning for prehistoric people. But no one is quite sure who any of those prehistoric people were. The painting in Lacaux, for example, dates back some 25,000 years. Known as the Dead Man, it seems to depict a dead warrior, or a shaman in a meditative trance. Its location is hard to find and difficult to reach, because one must descend a shaft to see it. General belief is that, since the ancient Celtic tribes buried their people in shafts or pits, and their Druid priests tossed offerings and sacrificial items down shafts, it seems likely the painting has Celtic ties. And the excavated grave of a Bronze Age woman in Hallstatt, near Salzburg, Austria, has yielded objects that are considered even today to be magical or shamanistic. Again, evidence leads scholars and archaeologists to the ancient Celts, a might warrior people whose heyday occurred throughout a great deal of the Bronze Age and on into the Iron Age. And it is the Celtic people from whom we've inherited a great deal of our history, legends, and myths about witches.

Little ancient Celtic history exists in written form, because the Celts taught their children by example, and passed on history and their experiences by means of storytelling. Led by a Druid bard (poet, storyteller, and magician), with family members and elders adding to the tale, the Celts were quite fond of storytelling, embellishing and exaggerating along the way, creating lively and colorful accounts of their history, entwined with myth and legend. What is their "real" truth?

We do know that magic and communing with nature were the Celts' way of life. Many of them, but not all, possessed a different degree of magical power, and the Druids were the most powerful of all. Often, an individual was identified with the aspect of nature she or he was able to work with best. For example, the element of fire could be summoned by one person to light the hearth, without having to use flint, while another person had a grasp on the element of Earth, from which she could glean healing properties. These people drew out and pulled within themselves the energies of nature.

Epona's element was Earth. A beautiful young Celt from Gaul, she was the goddess of horses, and the word "pony" is derived from her name. Epona possessed much knowledge and magic and was said to be the daughter of a Druid and a mare. Horses being of utmost importance to the equestrian Celts, she was regarded as a very powerful deity who was able to meld with and heal horses, and shape-shift into a mare. Epona's popularity surged in ancient Rome, where it grew to cult proportions. The Roman army had brought word of her to the Empire, and awe of the mare goddess spread like wildfire. The only Celtic goddess ever worshipped in Rome, legions celebrated her as the goddess who watched over their horses, while other worshippers carved mares in chalky hills, and dressed as horses at feasts in her honor.

Most helpful customer reviews

8 of 8 people found the following review helpful.
LIKE A STORYBOOK FOR ADULTS
By A Customer
Am so pleased with this book. It's a refreshing read, full of history and fantasy, too. A real surprise among the other witch books out there. This one's unique!

7 of 7 people found the following review helpful.
A Halloween Gift I'll Be Giving to My Friends
By A Customer
Not only for that spooky time of year, which is almost upon us, WITCHES presents a colorful mythological, historical, folkloric, and fantasy-based picture of worldwide lore, fact and fantasy accompanied by lots of wonderful paintings and illustrations. Concise, well written; it's a pleasure to have in my varied book collection and impressive enough to give to my favorite friends as gifts.

5 of 5 people found the following review helpful.
Eisenkraft-Palazzola Charms Us with a Different Viewpoint!
By A Customer
A totally different take on the majority of information available today. Refreshing in that Eisenkraft-Palazzola does not fancy herself a witch, and takes a totally impartial and optimistic, enthusiastic and happy look at a subject ordinarily dry and repetitious. No blackened cauldrons here; sunny, well-written account of the true story of goddesses, witches, and magic of the past. If you're a Wiccan, don't stop here; this volume is a delight, but offers no guidance or eerie suggestions for those who may fancy themselves modern-day witches. Instead, buy it for the delicious writings and elegant, lovely art!

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!! Get Free Ebook Operation Iraqi Freedom: What Went Right, What Went Wrong, and Why, by Walter J. Boyne

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Operation Iraqi Freedom: What Went Right, What Went Wrong, and Why, by Walter J. Boyne

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Operation Iraqi Freedom: What Went Right, What Went Wrong, and Why, by Walter J. Boyne

No war has ever had the intensive media coverage of the 2003 war in Iraq, and none has ever had such monumental second-guessing. Months before the war began, domestic and international pundits painted a gloomy picture of a new Vietnam or of a nuclear Armageddon that would see Israel reduced to ruins.

The war started with a brilliant series of pre-emptive bangs that shattered Iraqi leadership and seized the most valuable areas of Iraq. How did the US military machine, assumed to have insufficient air power, too few troops, and little momentum take a country the size of California within three weeks?

In the 1991 victory in the Gulf War, the United States lead a much larger coalition force into a heavy air campaign followed by a lightening quick ground campaign. In the years that followed, the United States military experienced a continuing series of reductions in the national defense budget.

What was left unrecorded was the incredible degree of competence with which the US military leadership managed the reduction in resources, balancing force structures against personnel requirements against procurement needs and logistic realities.

Any one considering the great military victory achieved in Iraq must ask the following questions: Who was bright enough to plan to have the weapons systems in the right place at the right time? Who orchestrated this vast complex array of sophisticated military machinery-ships, submarines, missiles, armor, and soldiers-all needing fuel, ammunition and water?

The answer is the much-maligned civil and military leaders of the American defense establishment, working in concert with the most advanced defense-based corporations in the world. While there were those anxious to parade the iniquities of a two-billion dollar bomber, most often failed to appreciated the genius required to conceive of, much less create a system which can use a satellite to send signals to a B-1B to program a precision guided missile to take out a Soviet T-72 tank parked in a mosque-without damaging the mosque! Admittedly, there were lapses in the Iraqi war, such as the looting of museums by members of the Ba'ath party just a day after many had declared Baghdad liberated and the raids on hospitals, another problem that could have easily been remedied by a show of U.S. presence and force. And there were technological complications as well, including the aching misfortune of death by friendly fire. The author deals with these shortcomings in a straightforward manner.

Operation Iraqi Freedom: What Went Right and Why; What Went Wrong and Why gives intimate insight into the way in which the armed services, particularly the United States Air Force, managed to overcome genuine budgetary, political, and military difficulties to create the finest military force in the world, one that operated with the most extreme care to avoid collateral damage and to prevent loss of life.

  • Sales Rank: #2786075 in Books
  • Brand: Brand: Forge Books
  • Published on: 2003-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.14" w x 6.38" l,
  • Binding: Hardcover
  • 304 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
This hastily assembled after-action report illustrates the pitfalls of writing military history before the dust has settled. A big one is that, lacking the necessary time to discern the forest from the trees, the author's narrative remains a clutter of disconnected events, organized into somewhat arbitrary three or four day increments covering mostly the period up to the fall of Baghdad. Boyne (Weapons of Desert Storm; On Clash of Titans)is a retired Air Force colonel, and his bird's-eye-view account sometimes relegates the Army to the task of flushing the Iraqi defenders into the open to be detected and annihilated by "Olympian" air power. The resulting turkey-shoot, he feels, vindicates the American military's futuristic "Revolution in Military Affairs" doctrine, combining omniscient satellite and aerial surveillance systems, precision-guided bombs and missiles, and elite special forces, the whole organized by all-encompassing computer and communications networks. In Boyne's estimate, what went right was the high-tech, computerized hardware; what went wrong was mostly the occasional shortage of it (especially modernized helicopters, tankers and transport planes); and the war's unsung heroes are Pentagon procurement officials, whose decades-long struggle to defend big-ticket weapons systems like the B-1 bomber and the AWACS radar plane against media nay-sayers and Congressional cost-cutters he recounts at length. Embedded in the jumble of acronyms and military jargon is a wealth of data, including a 65-page appendix listing the technical specifications of every plane, ship and tank in the war. But Boyne's starry-eyed vision of what gold-plated weaponry can achieve seems a premature lesson to draw from a conflict that's far from over.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Retired air force pilot and best-selling author Boyne tackles the war in Iraq with gusto. Undeterred by critics who think it premature to document a military victory that has not stood the test of time, he provides a comprehensive "analysis of the military actions taken by the armed forces of the United States and its coalition allies against the regime of Saddam Hussein." The narrative is refreshingly free of political slant, concentrating instead on the efficacy of the military intervention itself. Lavishing praise on the underestimated U.S. military, Boyne credits much of the operational success to the fact that the civil and military leadership of the American defense establishment and the individual service branches worked in close concert with one another, producing a string of stunning strategic and technological feats. Of course, as in all campaigns, plenty of things went wrong, and Boyne does acknowledge a number of failures caused by oversights in planning and execution. Military history buffs will devour this timely examination of contemporary warfare. Margaret Flanagan
Copyright © American Library Association. All rights reserved

Review
"A valuable compendium of information, especially on organizational matters, and the performance details of aircraft and missiles."
--The New York Times on Beyond The Wild Blue

Most helpful customer reviews

6 of 6 people found the following review helpful.
Operation Iraqi Freedom
By Big Reader
Operation Iraqi Freedom: What Went Right and Why; What Went Wrong and Why, by Walter J. Boyne is not a history written in academic isolation, or with a predetermined point of view. It is a definitive and accurate work written literally as the smoke of warfare was clearing from the battlefield. It was written at a time when the truth had not had the chance to undergo distortion by time, and distance.
This book offers a first look at one of the most successful military campaigns ever waged. Sudden, swift and successful, the results of Operation Iraqi Freedom (OIF) discussed in this book stands in sharp contrast to the nightly reports of doom and gloom by the "taking heads" of Cable television. Author Boyne enumerates the successes that Cable TV failed to cover. With the exception of the embedded reporters, the failure of Cable television in general, to accurately access the ongoing conflict was based principally on the fact that many of the talking heads were retired officers from the first Persian Gulf War (PGW). For nearly a decade that followed the first PGW, budget cuts, and force reductions resulted in military planners, out of necessity, rewriting the book on how warfare should be conducted. OIF put this new book to the test. Here the author skillfully describes the innovative blending of huge procurement and logistical needs with a reduced military force using an arsenal of old, and new weapons systems, vastly improved intelligence, surveillance, and reconnaissance with a high caliber, highly motivated, all-volunteer force to achieve a victory unparallel in warfare.

The author acknowledges that he is covering a short and specific time, from March 19 to April 9, 2003. Because he did not have a crystal ball, and much to his credit, he does not speculate on the problems of the dangerous peacekeeping that follows any combat.
This book is also a study of the basic issue of good versus evil. The contrasts in ethics, rules of engagement, and humanity of purpose of the "coalition of the willing" against a truly evil régime are striking. The evil is personified in the form of Saddam Hussein, who for more than three decades tortured, and murdered hundreds of thousands of his own people.
The swift "shock and awe" campaign in the air, and on the ground, left the Iraqi forces on a seriously less than equal basis early in the war. This greatly reduced the likelihood of a great many things going wrong. However, in war, things go wrong, like the looting of museums, and estates of the ruling class, and virtually anything of value by both the Ba'ath party, and ordinary Iraqi citizens, less than 24 hours after Baghdad was declared liberated. One diplomatic failure after another, many purposefully created to thwart the United States and its gathering coalition did not help gather support, or new coalition members. Another was the loss of valuable time and a "Northern Front" when Turkey forbad transit of the Army's Fourth Infantry (mechanized) Division. Boyne holds a critical eye to these, and other issues, but he also describes the many things that went right. The precision capabilities of the modern weapons systems, light years in improvements since the first PGW. The entire United States armed forces working truly in concert, thus insuring minimum collateral damage, and loss of life. With a single-minded purpose, the armed forces, perhaps for the first time in our history, combined with the true delegation of authority, and responsibility, from the President all the way down to the platoon leaders, and non-coms, allowed the ground forces to beome a blitzkrieg juggernaut, as the author calls them reaching Baghdad in three weeks.
Operation Iraqi Freedom will be debated, and studied for years to come. The author has laid the groundwork for future researchers by going to the true sources of information, from the current Chief of Staff of the United States Air Force, General John P. Jumper, four former Chiefs of Staff, to other military service leaders, and informed civilians, and scholars. The list alone is impressive with more that four dozen listed. In addition each chapter has a generous supply of endnotes. The serious researcher, and the armchair enthusiast, will find a wealth of information in the appendices. Every major weapons system, and munition used in OIF is listed, with its corresponding specifications.
Operation Iraqi Freedom: What Went Right and Why; What Went Wrong and Why belongs on the bookshelf of every military historian, military history buff, and anyone interested in great story of American determination.

6 of 6 people found the following review helpful.
Interesting and informative historical work
By Darrel Whitcomb
Walter Boyne has given us a superb initial look at Operation Iraqi Freedom. Using his deep understanding of war in general and airpower in particular, he has taken what has so far appeared in the open press and has packaged it into a clear and concise narrative of this short but intense conflict.
Perhaps more importantly, he has detailed for us how the improvements that we made in our military forces post Desert Storm have given us the ability to dominate any military force. Precision guidance, information dominance, C4ISR, the close integration of SOF and conventional forces, the linking of ground forces to "on call" fighters, bombers, and massive AC-130 gunships are all highlighted by Boyne as he weaves their development and use into a larger narrative of the daily events of the conflict. It is a powerful story. And he looks at failure too, delving into incidents of fratricide and losses due to the terrible sand storms.
Many details are, of course, missing. Only time can correct that. But Walter Boyne has produced a useful work which helps to understand how we fought the second Gulf War. It is a bench mark for subsequent books.

7 of 8 people found the following review helpful.
An interesting and worthwhile account
By Jan Tegler - Eric Tegler
Walter Boyne's work in Operation Iraqi Freedom: What Went Right, What Went Wrong, and Why is on target. As some other reviewers here have detailed Boyne's qualifications (and they are extensive and appropriate), we'll simply agree that he is the right author to synthesize the information thus far available on the conflict.
Concerns expressed about writing such a history so soon after the dust has settled are valid but in this case, should be put into proper perspective. Boyne's book is a history of operations. It examines what went right and wrong between March 19 and May 1, a period commonly acknowledged as the conventional phase of the conflict. Boyne details the US military's new "unconventional" approach to conventional warfare during this phase. It does not attempt to deal with the subsequent insurgency campaign which continues.
The book is best viewed as a "first-look" overview of the operations leading to the dissolution of uniformed Iraqi armed forces. It is also a primer on the doctrinal and technological changes developed since the first Iraqi conflict which allowed the campaign to be prosecuted in a new way.
Boyne is to be commended for presenting a complex subject in an interesting, readable way. One of the book's advantages is that it reflects the contemporary wisdom of the many credible sources Boyne taps to tell the story. These include those who helped design the military that went into the conflict. In this respect, it is invaluable to future historians.
It is certain that military planners worldwide are energetically analyzing what the US miltary accomplished in the major combat operations Boyne's book covers. It is also likely that many will turn to Operation Iraqi Freedom: What Went Right, What Went Wrong, as an informed introduction to the subject.

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Jumat, 21 Februari 2014

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Tooth and Claw, by Jo Walton

A tale of contention over love and money―among dragons

Jo Walton burst onto the fantasy scene with The King's Peace, acclaimed by writers as diverse as Poul Anderson, Robin Hobb, and Ken MacLeod. In 2002, she was voted the John W. Campbell Award for Best New Writer.

Now Walton returns with Tooth and Claw, a very different kind of fantasy story: the tale of a family dealing with the death of their father, of a son who goes to law for his inheritance, a son who agonizes over his father's deathbed confession, a daughter who falls in love, a daughter who becomes involved in the abolition movement, and a daughter sacrificing herself for her husband.

Except that everyone in the story is a dragon, red in tooth and claw.

Here is a world of politics and train stations, of churchmen and family retainers, of courtship and country houses...in which, on the death of an elder, family members gather to eat the body of the deceased. In which society's high-and-mighty members avail themselves of the privilege of killing and eating the weaker children, which they do with ceremony and relish, growing stronger thereby.

You have never read a novel like Tooth and Claw.

  • Sales Rank: #224263 in Books
  • Brand: Walton, Jo
  • Published on: 2009-01-06
  • Released on: 2009-01-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.23" h x .89" w x 5.51" l, .65 pounds
  • Binding: Paperback
  • 336 pages

From Publishers Weekly
Dragons ritually eat dragons in order to gain strength and power in Walton's enthralling new fantasy (after 2002's The Prize in the Game), set amid a hierarchical society that includes a noble ruling class, an established church, servants and retainers. On the death of the dragon Bon Agornin, his parson son Penn, one of five siblings (two male and three female), declares, "We must now partake of his remains, that we might grow strong with his strength, remembering him always." But Bon's greedy son-in-law, Illustrious Daverak, consumes more than his fair share of the departed dragon, setting off a chain of unexpected and, at times, calamitous events for each sibling. Avan, the younger son, decides to litigate for compensation. One unmarried daughter, on moving in with the married sister and Daverak, discovers a house filled with injustice, while the other unmarried daughter goes off with Penn and falls in love. Full of political intrigue and romance, this provocative read sets the stage for further adventures in a world that, as the author admits in her prefatory note, "owes a lot to Anthony Trollope's Framley Parsonage." FYI: In 2002, Walton received a John W. Campbell Award for Best New Writer.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Walton says this book is "the result of wondering what a world would be like if the axioms of the sentimental Victorian novel were inescapable laws of biology." It is also something truly different in the line of the novel. After a father dies, his children must deal with the circumstances of his death. One son, a parson, agonizes over his sire's deathbed confession. Another starts a court case to gain the inheritance. One daughter must choose between her family of origin and her husband. Another falls in love, but her course does not run smoothly thereafter. So what's different about all that? Well, everyone in the story is a dragon, and in their society, children eat their deceased parents, and the stronger eat the weaker, for only by eating the flesh of its kind can a dragon achieve full strength and power. So therein lies the difference, and the distinction of a little masterpiece of originality. Frieda Murray
Copyright © American Library Association. All rights reserved

Review

“Utterly sui generis…It's a rare book that leaves me wishing it were twice as long, but Tooth and Claw is one such.” ―The Magazine of Fantasy and Science Fiction

“A delight. On a basic level, Tooth and Claw works much the same way that Watership Down worked…Highly recommended for anyone who loved the books of Austen, or Heyer (or Laurie Colwin's more contemporary novels, for that matter), and wishes that someone was still writing social comedies that were just as sharp and just as pleasurable.” ―Kelly Link, author of Stranger Things Happen

“Jo Walton writes with an authenticity that never loses heart.” ―Robin Hobb
“The Pride and Prejudice of the dragon world... I love this sly, witty, fast-paced, brilliant little book.” ―Jane Yolen

“Plot strands come together just as they should, with delightful triumphs, resolutions, revelations, and come-uppances.” ―Locus

Most helpful customer reviews

55 of 57 people found the following review helpful.
I only want you to marry a *certain* sort of dragon...
By David Roy
Some fantasy novels are epic, with rich plot lines, multiple characters on a quest to save the world from some hidden magic or powerful being. These books can be a lot of fun and very interesting, though often the plot overshadows the characters. Other fantasy novels are light and fluffy comedies where nothing much happens but they make you laugh your tail off.
Finally, there are those fantasy novels that really defy description. Tooth and Claw, by Jo Walton. As the dust jacket says, this is a novel that is based on the Victorian novels of Anthony Trollope. Walton takes the Victorian setting, and gives it huge twist: all of the characters are dragons. Yes, that's right. Fire-breathing (though not all of them do) lizards that can fly (though not all of them can). And, most importantly, proper fire-breathing dragons who have formed a society based on class structure, money (especially gold and treasure) and arranged marriage. Walton takes this concept and writes an intriguing story of family honour and love. It's a real treat to read.
The plot description doesn't sound very interesting. I think that's because this sort of plot usually does nothing for me. It does sound rather dull, doesn't it? I would not have read this book if I hadn't both received this as a review copy and been a big fan of Jo Walton. However, I'm glad I did, because I think it transcends the genre and becomes a nifty little (256 pages) novel in its own right. When I say "transcends the genre," I'm speaking as somebody who has not read any Victorian fiction, so Walton may be way off in her homage. However, Walton is good enough that I trust she hit it pretty good.
The conceit that dragons are living in a Victorian-style society is simply a wonderful concept that Walton does a lot with. She adds the proper-sounding customs and traditions (dowries, arranged marriages, family honour and the like), and then mixes that with touches of her own (the eating of the dead to make the rest of the family stronger, the binding of servants' wings so that they can't fly away and the ritual binding of the wings for religious figures) that simply add to the fantasy element but still blends favourably with the Victorian style. Every once in a while, you forget that you're reading a book about dragons, and then Walton will mention something about wings, flying, or the size of the dragons and you'll remember that she's talking about beasts that can reach up to 40 feet long.
Walton tells the tale with the gentleness and humour that, I imagine, most Victorian novels have. Her prose is again wonderful, making the genre conventions her own and putting her own spin on them. At times, the narrator of the piece intercedes to speak directly to the reader (something else that may be a genre technique, though I don't know), bringing a humour aside or clarifying a point that the reader may have missed. I thought this would be distracting, but it doesn't turn out to be. I would call the whole style of the book "pleasant." There are a couple of deaths, but only one through violence and even that is not vividly described. Thus, it is not a page-turner, and you have to lose yourself in the writing or already be a fan of this type of story in order to make it through. If this style bores you and you find you're not entranced by Walton's evocative writing, then even 256 pages will seem too long.
I haven't said anything about the characters yet, and that's mostly because there isn't a whole lot to say. They fit what I imagine are the genre character roles they are supposed to fit: women who are either looking for their place in society or who have already married and found their place, men who are either conceited in their status or just trying to make their way in the world as well as find a suitable woman to marry and have a clutch of dragonets with, servants who try not to be noticed (or, in the case of Daverak's servants, eaten), and local religious figures who are either soft and noble (Penn) or pushy and arrogant (Blessed Frelt). Walton does a great job with all of these characters, making us care about them and letting them stretch the bonds of their Victorian roles without losing the basics of them.
There is nothing deep or meaningful about Tooth and Claw, and nothing earth-shattering in its presentation. Instead, we get a delightful story that reminds us of old times, washing over us with a feeling of nostalgia and a quieter time. If you're a fan of Victorian novels, you'll probably like this one despite the fact it's about dragons. However, I don't think the reverse is true. I don't feel myself drawn to any other stories like this, and it's Walton's ability to bring me into the fold that makes this book a standout.
David Roy

21 of 23 people found the following review helpful.
Sick of fantasy? Rekindle the love...
By 20-Word Reviews
Scheming clergymen. Heartfelt do-gooders. Social-climbing petty nobility. And they're all scaly, semi-bipedal, twenty-plus-foot-long dragons.

I ordinarily despise fantasy tropes such as dragons, the Good/Wee/Seelie folk and the like. I'm not even sure what led me to pick up this book in the first place--maybe the fact that Ms. Walton won the John W. Campbell Award for Best New Writer, maybe the Jane Yolen blurb on the back. But good heavens, I'm certainly glad I did.

Walton's spot-on narrative style captures the things I love best about comedies of manners, whether penned by Jane Austen or Lois McMaster Bujold. Without once becoming mired in exposition, she deftly portrays a society at once wholly alien and wholly familiar. The customs may be different, the players reptilian, but the drives and conflicts and personalities ring wonderfully true. The plot is deliciously complex, every strand woven skilfully into a lip-smackingly satisfying denouement.

Thank you, Ms. Walton, for this incredibly enjoyable read! And thank you for not ending on a cliffhanger and signaling the beginning of an interminable series... though I would, very much, like to read some more about the dragons of Agornin and their friends and foes someday. Please?

11 of 13 people found the following review helpful.
Austen, Trollope, and dragons...
By Kelly Link
This book was a delight. I love Austen, Trollope, and Heyer, and I also love good fantasy novels. I've never read Walton before, but will now hunt up everything of hers that I can find -- On a basic level, Tooth and Claw works much the same way that Watership Down worked. It doesn't matter that the characters are dragons, not humans. They are perfectly believable. Walton's writing is sharp, funny, and addictive. The Austen-like mores & social politics make a perfect kind of sense for the dragons in Walton's book. Social rituals and courtesies are crucial in a society where larger dragons might otherwise eat smaller, weaker dragons. This is definitely one of the strangest books that I've read this year, but it's also one of my favorites. Highly recommended for anyone who loved the books of Austen, or Heyer (or Laurie Colwin's more contemporary novels, for that matter), and wishes that someone was still writing social comedies that were just as sharp and just as pleasurable.

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