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** Free PDF Inferno, by Ellen Datlow

Free PDF Inferno, by Ellen Datlow

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Inferno, by Ellen Datlow

Inferno, by Ellen Datlow



Inferno, by Ellen Datlow

Free PDF Inferno, by Ellen Datlow

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Inferno, by Ellen Datlow

As stated in her introduction to Inferno, Ellen Datlow asked her favorite authors for stories that would "provide the reader with a frisson of shock, or a moment of dread so powerful it might cause the reader outright physical discomfort; or a sensation of fear so palpable that the reader feels compelled to turn on the bright lights and play music or seek the company of others to dispel the fear."

Mission accomplished. Datlow has produced a collection filled with some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories' characters toil within their own hell. Winner of the Shirley Jackson Award for Best Anthology, Inferno will scare the pants off readers and further secure Ellen Datlow's standing as a preeminent editor of modern horror.

  • Sales Rank: #3079391 in Books
  • Published on: 2009-03-31
  • Released on: 2009-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .85" w x 6.00" l, .93 pounds
  • Binding: Paperback
  • 384 pages

From Publishers Weekly
Starred Review. Datlow (The Year's Best Fantasy and Horror) makes a solid claim to being the premiere horror editor of her generation with this state-of-the-art anthology of 20 new stories by some of horror fiction's best and brightest. Several outstanding selections feature imperiled children and explore the horrific potential of childhood fears, among them Glen Hirshberg's The Janus Tree, which gives a creepy supernatural spin to a poignant memoir of adolescent angst and alienation, and Stephen Gallagher's Misadventure, in which a young man's near-death experience as a child endows him as an adult with consoling insight into the afterlife. The compilation's variety of approaches and moods is exemplary, ranging from the natural supernaturalism of Laird Barron's cosmic horror tale The Forest, to the unsettling psychological horror of Lucius Shepard's The Ease with Which We Freed the Beast; the metaphysical terrors of Conrad Williams's Perhaps the Last; and the slapstick grotesquerie of K.W. Jeter's black comedy Riding Bitch. If this book can be taken as a gauge of the vitality of imagination in contemporary horror fiction, then the genre is very healthy indeed. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Datlow makes a solid claim to being the premiere horror editor of her generation.” ―Publishers Weekly (starred review) on Inferno

“One good ghost story, one truly effective tale, is usually sufficient to scare the bejesus out of a person. The Dark contains sixteen tales, enough to keep fans tossing and turning and peeking under the bed for a fortnight and then some. Watch your hackles when you read this book; Ms. Datlow and her horrormongers are out to raise them.” ―Dallas Morning News

“With all that being said, I can assure you that this is quite possibly the most literary of all anthologies I have ever read. Datlow brings together the very best of every type of classic horror stories. I cannot recommend this anthology highly enough and I appreciate horror being treated as fine as it has been in this anthology. Buy it, read it, share it.” ―The Fantasy Times

“Fans of horror fiction owe it to themselves to pick up this creepy, stylish anthology.” ―Jeff VanderMeer, SCI FI Weekly

About the Author

Ellen Datlow is a winner of two Bram Stoker Awards, seven World Fantasy Awards, and the Hugo Award for Best Editor. In a career spanning more than twenty-five years, she has been the long-time fiction editor of Omni and more recently the fiction editor of SciFi.com. She has edited many successful anthologies, including The Dark, and The Dell Rey Book of Science Fiction and Fantasy and, with Terri Windling, Fairy Reel and Coyote Road: Trickster Tales and the rest of their Fairy Tales series. She has also edited the Year's Best Fantasy and Horror series, The Green Man, and, for younger readers, The Wolf at the Door and Swan Sister. Ellen Datlow lives in Manhattan.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Nice horror stew
By D. Walls
Anthologies like this are about the only place to find horror short stories these days, which is unfortunate because I think scary short stories are pretty awesome. The perfect length to read before turning off the light at night. And reading one right before bed is like dropping a little bit of mental lsd into your dreams.

Ellen Datlow has been doing the horror thing for a couple of decades now. She's edited over 50 anthologies and won a ton of awards for doing so. The point is, if you are gonna pick somebody to take you by the hand and show you what's good in horror short fiction these days, she's the one you wanna pick.

This anthology doesn't have a theme. It's 20 stories that Datlow chose "to showcase the range of subjects imagined by a number of my favorite writers inside and outside the horror field". When I looked through the contents I saw only half a dozen or so authors whose names were familiar to me.

5 of 7 people found the following review helpful.
More, Please.
By Tubereuse
I particularly like "Bethany's Wood" by Paul Finch, "Stilled Life" by Pat Cadigan, and "An Apiary of White Bees" by Lee Thomas. Oh, that stories like these have made it into YBFH 2008. I read the Datlow-chosen stories in YBFH 2007 right after reading Inferno and was disappointed; the story by Oates, in particular, seemed misplaced: I'm a fan of the bizarre, and this one seemed pointlessly grotesque instead. But Inferno is everything I look for in modern horror! I think it's Ellen's best book so far.

0 of 0 people found the following review helpful.
A fiery collection of horror!
By RIJU GANGULY
I had been an admirer of ghost stories and the "quiet horror" (although I never used to know it under that name) ever since I started reading fiction. Violence, especially if that is described to be taking place in the commonest possible circumstances (e.g. within the four walls of a drab room occupied by a family not that different from mine), or which involves loss & pain to people who can be actually felt for in everyday life (e.g. someone's children or wife getting lost or murdered or tortured) is not preferred by me while trying to acquire that pleasing chill by going through printed words. Perhaps that is not a very literate thing to do, esp. since I have been reading horror for many-many years now. But this collection, often dealing with exactly those issues which I detest, succeeded in moving me and compelling me to read every one of them, often against my own wishes. After reading these stories, I was forced to conclude that the editor has been supremely successful in her objective: giving the readers an idea about how it really might feel while burning in the fires of own hell. I had gone through it during the reading!

The contents are:

1) Riding Bitch by K.W. Jeter
2) Misadventure by Stephen Gallagher
3) The Forest by Laird Barron
4) The Monsters of Heaven by Nathan Ballingrud
5) Inelastic Collisions by Elizabeth Bear
6) The Uninvited by Christopher Fowler
7) 13 o'clock by Mike O'Driscoll
8) Lives by John Grant
9) Ghorla by Mark Samuels
10) Face by Joyce Carol Oates
12) An Apiary of White Bees by Lee Thomas
13) The Keeper by P.D. Cacek
14) Bethany's Wood by Paul Finch
15) The Ease With Which We Freed the Beast by Lucius Shepard
16) Hushabye by Simon Bestwick
17) Perhaps the Last by Conrad Williams
18) Stilled Life by Pat Cadigan
19) The Janus Tree by Glen Hirshberg
20) The Bedroom Light by Jeffrey Ford
21) The Suits at Auderlene by Terry Dowling.

Many of these stories (among which, I would like to draw your attention towards those by Glen Hirshbirg, Lucius Shepard, Paul Finch, Laird Barron and Stephen Gallagher) have later got reprinted into different thematic anthologies and have found their individual (eminently justified) accolades. But I am, nevertheless, determined to knock-off a star from the rating, because that is the least that I can do after burning myself in INFERNO!

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