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The Unincorporated Man is a provocative social/political/economic novel that takes place in the future, after civilization has fallen into complete economic collapse. This reborn civilization is one in which every individual is incorporated at birth, and spends many years trying to attain control over his or her own life by getting a majority of his or her own shares. Life extension has made life very long indeed.
Now the incredible has happened: a billionaire businessman from our time, frozen in secret in the early twenty-first century, is discovered and resurrected, given health and a vigorous younger body. Justin Cord is the only unincorporated man in the world, a true stranger in this strange land. Justin survived because he is tough and smart. He cannot accept only part ownership of himself, even if that places him in conflict with a civilization that extends outside the solar system to the Oort Cloud. People will be arguing about this novel and this world for decades.
- Sales Rank: #821447 in Books
- Published on: 2009-03-31
- Released on: 2009-03-31
- Original language: English
- Number of items: 1
- Dimensions: 9.58" h x 1.54" w x 6.53" l, 1.55 pounds
- Binding: Hardcover
- 496 pages
From Publishers Weekly
Fans of SF as a vehicle for ideas will devour this intriguing debut. Brilliant 21st-century tycoon Justin Cord is brought from cryogenic storage into a 24th-century society where people own stock in one another, safeguarding each other's welfare only out of economic self-interest. This is anathema to the defiantly individualistic Cord, who soon becomes a danger to the corporations that control the world and a symbol of freedom to the downtrodden penny-stock people. Cord's conversations with friends and enemies fill most of the book, alongside lectures on the mechanisms of the incorporated culture. The Kollin brothers keep the plot moving briskly despite the high proportion of talk to action. Their cerebral style will especially appeal to readers nostalgic for science fiction's early years. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Story lines involving a contemporary protagonist’s displacement to a distant future via time machines or suspended animation have been a genre staple since H. G. Wells. In this striking variation from first-time novelists Dani and Eytan Kollin, the clash between today’s cultural values and those of a vividly imagined future has never been more compelling. Justin Cord is a twenty-first-century multibillionaire who uses his fortune to cheat death by building his own suspension unit. Three centuries later, after reanimation technicians discover the unit and restore his body to pristine health, Cord awakens to a world transformed in ways he could never have imagined. As the only surviving member of civilization before the Grand Collapse, not only is he an instant celebrity, but he quickly learns that everyone is a minicorporation unto themselves. Unfortunately, there are also forces at work that will stop at nothing to make sure Cord incorporates or dies yet again—this time, permanently. The Kollin brothers’ debut captivates with unforgettable characters and an ingenious vision of the economic future. --Carl Hays
Review
“This is a bright, stimulating work that deserves a wide readership.”
--Gregory Benford, author of Beyond Human: Living with Robots and Cyborgs
“Reminiscent of Heinlein—a good, old-fashioned, enormously appealing SF yarn. Bravo!”
--Robert J. Sawyer, award-winning author of Rollback
“Fans of SF as a vehicle for ideas will devour this intriguing debut. . . . The Kollin brothers keep the plot moving briskly despite the high proportion of talk to action. Their cerebral style will especially appeal to readers nostalgic for science fiction’s early years.”
--Publishers Weekly
“A narrative with a strong, fascinating voice--the Kollin Brothers write like a younger, more innocent Heinlein; there's the same rare sense of personal freedom inexorably combined with personal responsibility. The characters are clear and appealing, but the real fascination is the human condition explored in their post-corporate nation world. It cries out for a sequel, and I'll read it eagerly!”
--Kage Baker, author of The Sons of Heaven
Most helpful customer reviews
7 of 7 people found the following review helpful.
BEST sci-fi in a long time.
By M. Quarius
Over all, I really liked the book, even though the hero/protagonist, Justin Cord is not a lovable guy. However, heroes in the classic sense (Achilles, Thesesus) are not likeable, even arrogant jerks. Modern American readers and TV and movie viewers do not understand this except perhaps in the modern concept of the anti-hero like Tony Soprano who are not heroes in the classic sense because they are fundamentally evil, but they do share the characteristic of getting the job done with power of strength and keen mind.
Somewhat a flaw is that it is not apparent whether this future world is utopian or dystopian from the point of view of the authors. I think this should be made clear to the reader early on, and should not be a matter of mystery to uncover (never clear to me from this novel until the sequel), to warrant a fifth star like H.G. Wells' The Time Machine and Ayn Rand's Atlas Shrugged.
Speaking of Atlas Shrugged, notice how ideologically opposed reviewers, once they are aware of the political theme of a book, probably only because what they are told what it is, review the book without any evidence they ever read the book like Whittaker Chambers did for Atlas Shrugged. Characters are said to be "unrealistic" and "two-dimensional" and the plot "over-arching and boring" - which is only to say the style is not what is called "naturalistic", that is to: obfuscating reality with unimportant and banal descriptions and characterizations. Some things have not changed in sixty years except to say that even best readers today have no appreciation of a classic hero who is by definition "unrealistic" and "two-dimensional."
36 of 49 people found the following review helpful.
Tor's stock drops: a plodding book with one idea
By Sitting in Seattle
The reviews are obviously polarized for this book, so I'll do what I can to give a bit of guidance from my perspective. The book features a single idea, developed superficially yet at great length. The story props up the idea but is predictable and uninteresting, featuring data dumps and flat characters. The science is mostly missing, and silly when it appears (avatars! elevator tubes! phone implants!)
If you like idea stories and are not particularly interested in plots, characters, or writing style, then it might work for you. For instance, if you like Jack McDevitt, late-series Asimov (e.g., Prelude to Foundation), or Geoffrey Landis then you might tolerate it. To be sure, they are all much better writers, but are not masters of character or style. (I suppose that's why the authors here are compared to Heinlein, but I expect Heinlein would have a short story of this one.)
However, if you want a compelling *story* or stylistic writing, I expect you will hate it. China Mieville comes to mind as someone at the polar end of the writing spectrum: chock full of ideas, sometimes maddening, but a beautiful stylist and never plodding.
Here's a simple excerpt (from p. 60) that pretty much shows every problem in a single paragraph: "Justin, the odds of the 'crash' event as you describe it are 349,120,004 to one. You have a better chance of winning the lottery ... three times in a row."
Points: (1) this comes from an exchange that does nothing to advance either the plot or the characters. (2) how can a device (who is the speaker here) communicate quotation marks ("'crash'") and why is that even necessary? (read Strunk and White) (3) why does the lottery still exist in this future? or does it? why does it matter? (4) most seriously: the cube root of the number here is approximately 704, meaning that the odds against winning the lottery *once* would be 704:1. What kind of lottery is that? If the authors make such a silly error in probability, and then put the words in the mouth of a computer, why should they be trusted to say anything interesting about science? Or about finance and the stock market?
After 73 pages (only *two* long and slow chapters!), I abandoned it as a waste of my time and will donate it to a community rummage sale. As others have said, the plot line and its resolution seem extremely predictable. Even if a surprise were in store, which I doubt, I don't care enough about either the idea or the characters to wade through the remaining 400 pages.
In short, if you like SF with hard science, plot action, or stylistic writing, skip it. OTOH, if you like yarns that expound an interesting idea at length, it might work for you.
Finally, a recommendation: if you'd like to read a series featuring economic plots and better science at a similar future time horizon, try David Louis Edelman's Jump 225 trilogy Infoquake (Jump 225 Trilogy). Edelman packs in many more ideas that develop in more interesting ways, and a good plot line.
42 of 58 people found the following review helpful.
Rand meets Heinlein, minus the talent
By Will Sargent
There are several things wrong with this book, but the first one is that it commits the unforgivable sin of bad writing. Omniscient authorial voice? Check. Characters changing their firmly held principles to meet the needs of the plot? Check. Multiple pages used to describe events off stage? Check.
When you get to the point where you realize that the protagonist -- who of course is an entirely blameless, kind and heroic multimillionare industrialist who had himself frozen and sent down a mineshaft for hundreds of years and comes back surrounded by the beautiful nurse who is secretly in love with him, the wise elder who has bowed out of a career as a cutthroat executive, and the wisecracking salt of the earth miner -- when you realize that this guy is going to win and topple the system, then the book is over. It happens a third of the way through the book. At that point, you're treated to all the various actors getting up and giving their say. But they're wrong, of course, because they're standing against the protagonist.
It is that bad. It's not even as though it's entertainingly bad. At least with Ayn Rand, you could count on the protagonist being a total misanthropic bastard who would leave his own children in the woods if it would build self-sufficiency. At least with Heinlein, you had characterization and a sense of wonder and fun that made the plot and the sexism bearable. But this is just awful. I'm actually angry that I read this, even for a book club.
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