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Behemoth: Seppuku (Bk. 2), by Peter Watts
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Lenie Clarke-amphibious cyborg, Meltdown Madonna, agent of the Apocalypse-has grown sick to death of her own cowardice.
For five years (since the events recounted in Maelstrom0, she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world's Movers and Shakers had hidden from the doomsday microbe ßehemoth-and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world.
But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth- twisted, mutated, more virulent than ever-has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count.
Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made.
Redemption doesn't come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds...
ßehemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts's chilling and powerful Rifters series.
- Sales Rank: #929605 in Books
- Brand: Brand: Tor Books
- Published on: 2005-01-01
- Released on: 2004-12-09
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x 1.09" w x 5.34" l,
- Binding: Hardcover
- 304 pages
- Used Book in Good Condition
From Publishers Weekly
Starred Review. In Canadian author Watts's intense, beautifully written conclusion to his Rifters trilogy (after 2004's ßehemoth: ß-Max), Lenie Clarke, the near-psychotic, bio-engineered woman who loosed the deadly organism known as ßehemoth on an already environmentally compromised world, resurfaces from the ocean's depths to discover who's behind continuing efforts to destroy all life on Earth. Together with Lubin, a bio-engineered man who's a highly efficient killer, Clarke discovers an America that has been devastated, not just by ßehemoth but by attacks from heavily fortified, high-tech enclaves whose rulers will stop at nothing in a futile attempt to contain the out-of-control organism. Worse still, the battle is apparently being led by Achilles Desjardins, a murderous psychopath who has slipped the protective psychological programming that once kept his darker impulses under control. Aided by Taka Ouellette, a guilt-ridden, second-rate physician, Clarke and Lubin strive desperately to unravel the secrets of both ßehemoth and Seppuku, its even more dangerous mutation. Like some adrenaline-charged fusion of Clarke's The Deep Range and Gibson's Neuromancer, Watts's trilogy represents a major addition to early 21st-century hard SF.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Driven from Atlantis by the psychological disease a-max, Lenie Clarke searches for redemption on land. She and former spy Lubin hijack traveling medic Taka Oulette's mobile infirmary and discover that someone is shooting germs that the North American defense grid is destroying via containment burns. When Lenie and company get a sample, however, the germs seem to cure aehemoth, and the three start spreading them by courier. Then defense chief Achilles Desjardins shows up and tells them the germs are actually a more virulent strain of aehemoth. This is technically true, but Desjardins has reason to dissemble. Believing him, though, Lenie, Lubin, and Oulette split up to find their couriers, and Lenie finds one apparently in late-stage aehemoth, who then completely recovers. Desjardins isn't the hero Lenie had taken him to be, and still, there is hope for the world, after all. aehemoth: Seppuku lives up to the promise of aehemoth: a-Max [BKL Jl 04] and concludes the series begun in Starfish (1999) and maelstrom (2001)--perhaps, for this finale is nothing if not open-ended. Regina Schroeder
Copyright © American Library Association. All rights reserved
Review
Praise for Starfish and Maelstrom:
"I have no hesitation in recommending both books to readers interested in up-to-date science fiction with a seriously paranoid edge."--The New York Times
"Watts moves from the relentless pressure of Starfish to the frantic speed of chaos in action, never losing the tight focus on his fascinating characters in this excellent sequel to his debut novel."--Booklist [Starred Review]
"Watts has grown into a powerful hard-SF voice in the space of only two books. . . .With its worst-case-scenario setting and thoroughly compelling characters, Maelstrom delivers on all the promises hard SF has ever thought to make, bundling future science and a suspenseful story into a single thrilling package." -Locus
Praise for ßehemoth: ß-Max:
"One of the novel's most fascinating aspects is its extremely inhospitable setting, under 300 atmospheres pressure at the ocean's sunless floor. Readers will also find themselves unwillingly gripped by the simultaneously flawed and ferocious characters, shaped by a social situation bleaker than anything outside John Shirley's early novels. . . .They're uncomfortably believable, like us at our least generous moments. Finally, the writing is compelling, jittery, full of dark irony."-Publishers Weekly
Most helpful customer reviews
15 of 15 people found the following review helpful.
Satisfying conclusion to a fascinating series
By Amazon Customer
First off, for those of you haven't already read "Behemoth: B-Max" (at least) you will definitely want to do so before tackling "Behemoth: Seppuku". For reasons that the author explains in the first volume, they constitute one book that was split into two due to pressures in the publishing issue. This novel does not stand alone, and will make no sense without reading the previous volume. Furthermore, there are two other volumes in the series "Starfish" and "Maelstrom" and while each entry stands on its own fairly well, reading the books in order would definitely be the approach I would recommend.
For those of you who are new to the series, here is a brief synopsis that should tell you whether or not these books are for you. Essentially, the story arc is about evolution: human, animal and electronic. By mixing a blend of biology, computer science and chaos theory, author Peter Watts has created a near future Earth where man is simultaneously at the height of his powers and walking the knife's edge of total ecological failure. In an effort to maintain the high standard of Western living mankind has turned to deep sea geothermal power to meet their energy needs. Miles below the ocean, specially engineered humans culled from the dregs of society maintain these power plants. However, what no one could have expected was that they would encounter an organism that would unleash an apocalypse. Part hard science-fiction, part post-apocalyptic, the first two books represent a genuinely original voice in the genre.
For those of you who have been eagerly awaiting "Seppuku" rest assured the ending is eminently satisfying. Given the two volume approach, it is difficult to offer much in the way of plot details without providing spoilers, but I can say that after the somewhat broader focus of "Maelstrom" and "B-Max" the story has gone full circle and boiled back down to the most perverse trinity of characters one is likely to find: Lenie Clarke, Ken Lubin and Achilles Desjardins. As the three engage in a power-play in which no one's motivations are clear and the fate of the world hangs in the balance, action takes precedence over thought, to sometimes disastrous effect. Nonetheless, the science and technology which has so defined this series is on ample display and is as prescient as ever.
Of particular note, I found the conclusion to be perfectly enigmatic. This is post-apocalyptic fiction, and a happy ending would have been wildly out of place, but Watts' conclusion recognizes this without being entirely bleak. In this regard, his novel owes more to "Alas, Babylon" with it's open ended conclusion, than the superb, but utterly fatalistic "On the Beach".
To say more would risk huge spoilers, so suffice it to say "Sepukku" is every bit the conclusion I was hoping for. Watts has combined hard science fiction and post-apocalyptic fiction and taken both in new and exciting directions. If you're a fan of the series, you'll be glad at the way it ends; if you're intrigued by this review, grab "Starfish" and start from the beginning.
Jake Mohlman
8 of 8 people found the following review helpful.
Behemoth
By K. Freeman
An anaerobic microbe from the deep sea may have delivered the coup de grace to an already struggling mid-21st century world.
It makes more sense to me to review the whole series when it's one story -- so here goes.
I was very surprised to find that the mass market editions of these books are out of print -- even as the final hardcover has only just been released. I can't understand why this series wouldn't get more support, because in my opinion it has everything that successful science fiction needs. Watts incorporates big, shiny ideas -- and the deep-sea biology is a wonderful original touch. The books include a high level of action and tension and, pleasantly unusually for "idea" SF, are strongly character-driven. And the characters are tormented enough for anyone.
There are flaws. At times, the plot is unclear, and while I like the pivotal role played by ignorance and misunderstanding, at times an irritating back-and-forth plot dynamic (Seppuku is a cure, no it isn't, yes it is) appears. Characterization, while overall excellent, at times seems over the top -- it's not entirely clear why *everyone* is so messed up, and the stupid bickering between the Rifters and the corporates in Atlantis left me with sympathy for neither side. I was put off by the apparent indifference of the characters to the impending destruction of Earth's whole ecosystem -- but then, they're selfish and profoundly damaged people, and creating sympathy for them in the reader's mind does not seem to have been Watts' priority. I would have found the aforesaid destruction more effective had it been shown more clearly.
But, despite all these quibbles, I think this series is really good SF, and I highly recommend it.
19 of 25 people found the following review helpful.
Deeply disappointing, a major creative misstep
By Watches with Wolves
Unlike his excellent debut, Starfish and its first sequel, Maelstrom, this conclusion is a disappointing creative misstep on the part of its author. The chief problem with BEHEMOTH: SEPPUKU is that in spite of setting up Lenie Clarke as the heroine of the story, Clarke herself is entirely passive throughout the book, making no real decisions or actions on her own, being led by her sociopathic-but-honourable comrade Ken Lubin. She never achieves any great insight and becomes a bit player in the story.
This book feels as if the author had become so preoccupied with his Hard Science Fiction ruminations that he had forgotten that his characters had been complex, dimensional characters in the previous books, and were now merely cartoonish chess pieces wandering through a thin narrative. There are also the deeply disturbing scenes in which the villain rapes and mutilates a sympathetic supporting character that eventually feel like a gratuitous exercise in writing snuff porn with a Science discussion interweaved in them, especially when that subplot no longer links up with the main story and never reaches any real resolution.
The first two books in this series brilliantly married the Science with the complexity and pain of its damaged characters, but this book has degenerated into a dystopian cartoon that feels too much like a wallow in the [...] of sexual sadism and social pessimism. There have been brilliant dystopian Science Fiction novels in that past that earned their pessimism, like John Brunner's THE SHEEP LOOK UP. Alas, BEHEMOTH: SEPPUKU does not belong in that league.
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