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In which Vlad Taltos confronts the Left Hand of the Jhereg…and discovers the game has more players than he thought

Vlad Taltos, short-statured, short-lived human in an Empire of tall, long-lived Dragaerans, has always had to keep his wits about him. Long ago, he made a place for himself as a captain of the Jhereg, the noble house that runs the rackets in the great imperial city of Adrilankha. But love, revolution, betrayal, and revenge ensued, and for years now Vlad has been a man on the run, struggling to stay a step ahead of the Jhereg who would kill him without hesitation.

Now Vlad's back in Adrilankha. The rackets he used to run are now under the control of the mysterious "Left Hand of the Jhereg"--a secretive cabal of women who report to no man. His ex-wife needs his help. His old enemies aren't sure whether they want to kill him, or talk to him and then kill him. A goddess may be playing tricks with his memory. And the Great Weapon he's carrying seems to have plans of its own…

Picking up directly where Issola left off, Dzur gives us Vlad Taltos at his best--swashbuckling storytelling with a wry and gritty edge.

• Sales Rank: #1732007 in Books
• Published on: 2006-08-08
• Released on: 2006-08-08
• Original language: English
• Number of items: 1
• Dimensions: 8.56" h x 1.03" w x 5.72" l,
• Binding: Hardcover
• 285 pages

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71 of 71 people found the following review helpful.
More a snack than a feast
By Jonathan A. Turner
_Dzur_ is about two-thirds of a Vlad novel. It's got a lot of fabulous dialogue, some sumptuous descriptive writing, and the welcome return of some old friends. What it doesn't have is much in the way of plot.

I was really looking forward to this one. Vlad used to be a small cog in the big machine of Adrilankha. Then he was a desperate refugee. Now he's back in Adrilankha, but no longer as a bit player. Now, he's a power to be reckoned with.

But _Dzur_ doesn't really show much of a change in Vlad, in Adrilankha, or in the relationship between them. Brust could have set the tale in Vlad's early life, before his exile, without many alterations. It's as though Brust, having made Vlad into a big cheese, is trying to explain it all away so that he doesn't have to tell a different kind of story.

Furthermore, having set up the conflict in the opening chapter, Brust follows with a surprisingly low-key plot. Vlad walks around and talks to people a lot. There's only one bit of action, which lasts about a page. The emotional intensity is very low (something that could have been different if Cawti had any major role to play; she appears, vanishes, and comes back for a brief epilogue). And Vlad's ultimate solution to his problem is something he really could have done around chapter 3. All that walking and talking in the middle of the book contributes very little to the end.

If you're new to the series, DO NOT start here. If you like Vlad, on the other hand, you'll probably enjoy reading this novel. It's, well, Vlad-like. (I particularly enjoyed meeting Kragar again.) But don't be surprised if you're hungry again an hour later.

37 of 37 people found the following review helpful.
I wanted more from this book
By wysewomon
There are quite a few things to like in this, the 10th volume of Steven Brust's Vlad Taltos series. Like that it IS a book in the Vlad Taltos series. And that it takes the reader with interest in Dragaeran events one step closer to the end of a story arc that I suspect will require 8 more books. Not to mention the action and the snappy dialog.

But I felt the bill of fare was just a little too lean. In previous volumes, Brust has managed to balance action and process to a good effect. Here, I often felt left out of the loop. Several times, Vlad made connections that were never explained to my satisfaction, or said something like "the pieces fell into place," without ever saying what the pieces were or how they fit. This bothered me. Since I've never before had trouble following Vlad's reasoning, I mostly ended up feeling that information was withheld to no good purpose, except maybe to move the story along to the more active bits. But since I didn't have the information, the active bits didn't have the impact they could have.

I had a hard time understanding why Vlad got involved in the situation in the first place. This was mainly because his feelings for Cawti at this point in his history were mainly left unexplored. Several times Vlad himself, as narrator, mentioned something from his past and then declined to go into detail. This annoyed me. Even though I've read all the books in this series and understood what he was referring to, I felt hearing some of Vlad's own perspective would not have come amiss.

A couple plot devices seemed misplaced. The subplot about the Demon Goddess served mainly to distract from the main doings of the book. I got the sense of, "this is going to be relevant later and it has to go somewhere..." I wish it had had more bearing on the matter at hand. Also, as much as I enjoy seeing Kiera the Thief, her appearance in this volume seemed largely gratuitous.

Each chapter is preceded, as others have mentioned, with portions of a description of Vlad's long-awaited meal at Valabar's. Brust has used this interweaving technique to great efect before, notably in _Taltos_. Here, it seemed out of place. There was no clear connection between the meal and the rest of the story. Also, the descriptions of the food were so loving and lavish that it made the action seem rather uninteresting in comparison.

Until Chapter 15, I was a little bored by this book. After that, things started happening and got more interesting.

In the end, I was glad to read another Vlad novel, but I felt strongly that this was a book not really meant to stand alone, but best taken in context as a a transitional point of the series. As such, a reader new to the series should not start here.

12 of 12 people found the following review helpful.
Not a literary feast
By cfc
As a huge fan of Brust and the Vlad Taltos series, I eagerly awaited this sequel to Issola. Unfortunately, this was perhaps the first in the entire series where I found myself disappointed.

Most of the disappointment centers around the plot. For the life of me, I still can't figure out why Cawti needed Vlad to bail her out - bail her out of what? We never really find out why the Jhereg returning to South Adrilankha to plague the easterners is a problem for her. It comes across as a rather thin plot device for Cawti to reveal the secret she's been hiding from Vlad since he left.

Aside from the plot weaknesses, there are the problems with the characterizations. After building up the estrangement between Cawti and Vlad for what, 2-3 books now?, their meeting comes across as emotionally flat and rather pointless.

Brust lays down some good hints of things to come. I'm hoping he can actually propel his characters forward with a story that holds together a little better in the next outing.

Three stars only because it's Brust and Vlad.

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An uproarious new novel in the tradition of Robert Asprin and Terry Pratchett!

For someone who's immortal, Never Dead Ned manages to die with alarming frequency--he just has the annoying habit of rising from the grave. But this soldier might be better dead than face his latest assignment.

Ogre Company is the legion's dumping ground--a motley, undisciplined group of monsters whose leaders tend to die under somewhat questionable circumstances. That's where Ned's rather unique talents come in. As Ogre Company's newly appointed commander, Ned finds himself in charge of such fine examples of military prowess as a moonstruck Amazon, a very big (and very polite) two-headed ogre, a seductively scaly siren, a blind oracle who can hear (and smell) the future, a suicidal goblin daredevil pilot, a walking tree with a chip on its shoulder, and a suspiciously goblinesque orc.
Ned has only six months to whip the Ogre Company into shape or face an even more hideous assignment, but that's not the worst of his problems. Because now that Ned has found out why he keeps returning from dead, he has to do everything he can to stay alive. . . .

In the Company of Ogres does for fantasy, what A. Lee Martinez's previous novel, Gil's All Fright Diner, did for horror--and elves and goblins may never be the same!

• Sales Rank: #1039742 in Books
• Brand: Brand: Tor Books
• Published on: 2006-08-08
• Released on: 2006-08-08
• Original language: English
• Number of items: 1
• Dimensions: 8.22" h x .96" w x 5.46" l, .70 pounds
• Binding: Paperback
• 352 pages

Features

• Used Book in Good Condition

From Publishers Weekly
If the members of Terry Pratchett's Night Watch and Robert Asprin's Phule's Company were conscripted into Mary Gentle's Grunts, the result would be something like this caustic genre-parodying second novel from Martinez (Gil's All-Fright Diner). Never Dead Ned is an accountant whose only talent is self-resurrection. Chosen to lead the notorious Ogre Company, Ned ingratiates himself by dying before the senior officers can finish conspiring to kill him, and comes back to life just in time to be caught up in a battle with Rucka, the world's most powerful demon. Martinez loves turning conventions upside-down: Ned is unbearably uncharismatic, Rucka is 19 inches tall, the wizard Belok is allergic to magic. That makes the predictable elements-the self-sacrificing supernatural guardian, the inevitable love triangle, Ned's world-changing destiny-seem even more hackneyed, somewhat diminishing the power and fun of the "gotchas." Once Martinez learns to strike that balance, he'll be a humorist to be reckoned with.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Never Dead Ned has died 49 times but can't seem to stay dead. Afraid of death, anyway, he found a safe niche as an accountant for Brute's Legion. Upper management transfers him to command Ogre Company, the legion's dumping ground. He has one advantage over previous commanders: no matter what accident befalls, he comes back alive. And then he finds out why he never stays dead, after which he has to go to any length not to die again. That's harder than it seems when commanding such stellar specimens as a two-headed ogre, an orc who's oversensitive about looking like a goblin, a daredevil pilot goblin (and the not very trainable rocs he flies), a siren, a temperamental Amazon, and an oracle who hears and smells the future. Still, he has six months to whip Ogre Company into shape. Oh, for the love of Ned! Martinez's follow-up to Gil's All-Fright Diner (2005) is as joyfully fast paced and funny. Ogre Company tweaks fantasy cliches most excellently. Regina Schroeder
Copyright © American Library Association. All rights reserved

Review
"[A] terrific debut. . . . Fans of Douglas Adams will happily sink their teeth into this combo platter of raunchy laughs and ectoplasmic ecstasy."--Publishers Weekly (starred review) on Gil's All Fright Diner

"[A] laugh-out-loud comic fantasy that should appeal to fans of Terry Brooks's Landover novels."--Library Journal on Gil's All Fright Diner

"Do you know a young man twelve to seventeen years old who hates reading? Does he love gory subjects, especially when action-packed sex, danger, horror, and fantasy are included? Then this is the book for him!"--Voices of Youth Advocates on Gil's All Fright Diner

"Delightfully droll, this comic romp will be a crowd-pleaser."--Booklist on Gil's All Fright Diner

"It's an appetizing snack perfect for devouring quickly over a hot cop o' joe."--Fangoria on Gil's All Fright Diner

"If there's any justice in this world, Martinez is already working on a sequel to star Duke, Earl, Cathy, and the ghost of a plucky little dog."--Analog Science Fiction and Fact on Gil's All Fright Diner

"It's horror both humorous and grisly, a twisted take on small-town America and buddy adventures."--Locus on Gil's All Fright Diner

"A supernatural concoction spicier and tastier than a bowl of Texas red. . . . The funniest book you ever read about the undead, the occult, and Armageddon."--The Decatur Daily, Alabama, on Gil's All Fright Diner

"Can a vampire find true love with a ghost? Can a teenage witch open the gates of Hell? Anything can happen in Martinez's wacky debut."--Charlaine Harris, bestselling author of Dead to the World on Gil's All Fright Diner

Most helpful customer reviews

18 of 20 people found the following review helpful.
"And we don't want another @$$hole! We want Ned!!!"
By Church of The Flaming Sword
He may not be as famous as Stephen King or John Grisham, but A. Lee Martinez is a writer to watch. His first novel _Gil's All Fright Diner_ is a hilarious romp that combines pseudo-Lovecraftian menace with Joe R. Lansdale styled blue collar humor. So I waited and waited for his next novel _In the Company of Ogres_ to arrive at my local Barnes and Noble. The wait was worth it.

While _GAFD_ pretty well parodized horror, _ItCoO_ parodizes fantasy. I'm not really a fantasy fan (nothing against it, it's just not for me), but I couldn't resist giving Martinez another chance even if the genre is one I don't normally read. Even though I consider myself much more of a horror fan, I found _ItCoO_ to be the more enjoyable of the two. It's funnier and has a more complex and thought out plot.

The main character here is an average person named Never Dead Ned, a man who is unexceptional in every way except for the fact that he dies repeatedly, and comes back to life shortly after. He's a soldier with a perfectly average job of balancing the books for Brute's Legion. Just when he finds his niche in accounting, he is immediately transferred to Ogre Company. Ogre Company is a rowdy band of orcs, goblins, trolls, elves, treefolk, humans, and obviously ogres. It also happens to be the most undisciplined, and hardest drinking, unit in the whole Legion. He now has six short months to whip these sad sacks into fighting shape. This task is further complicated by the fact that Ned isn't that great of a soldier himself.

However, his poor military bearing is not his only problem. Every Commander before him has perished in clandestine circumstances. And once he learns the reason for his multiple deaths and resurrections, he has to try harder than ever to stay alive for not only himself - but the whole universe. Once he learns this secret, he is pursued by a vengeful wizard and a power-hungry pint-sized demon.

Having read a couple of interviews of Martinez, he says that his two novels are not so humor fiction as they are fiction with humorous elements. Be that as it may, I found both books extremely funny. Let me give you a couple of examples of the humor you'll find in _ItCoO_. There is a blind oracle, who claims he can't read minds, who can somehow answer questions even before the whole question has been uttered. This would of course create a paradox. The second is an instance in which the morning bugler can't put enough oomph, pizzazz, or shebang into the morning wakeup call. That's just two examples. There's much more where that came from.

As it happens so often, I find myself playing the waiting game again. Martinez has a third novel due out sometime in 2007 entitled _The Nameless Witch_. There's not I can tell you here, except that the humor will take a more subtle direction. Yet if one truly likes an author, one appreciates the fact the author has to do different things now and then.

BRING ON THE THIRD BOOK!!! AND THE FOURTH!!! AND THE FIFTH!!! AND...

6 of 7 people found the following review helpful.
One of the best comedy/fantasy novels I've ever read
By Carla
I called Gil's All Fright Diner an excellent debut novel in my review of that book, and it is. But In The Company of Ogres is simply an excellent novel, period.

A passive main character is exceedingly difficult to write and keep interesting, but Mr. Martinez handled it with great aplomb. The other characters are equally intriguing, from the suicidal, yet perpetually cheerful goblins to the two-headed ogre who is always exceedingly polite with itself. Like Gil's, Mr. Martinez throws many fantasy conventions to the wind and creates a world that is both unique and familiar.

Even if you aren't a huge fan of fantasy fiction, In The Company of Ogres is a wonderful tale sure to delight anyone.

1 of 1 people found the following review helpful.
Written Under the Influence
By Michael Riedlinger
The following review originally appears on myspace.com/dorkgasmllc

A. Lee Martinez wears the influence of pop-culture on his sleeve. In his first novel, Gil's All Fright Diner , he names his protagonists after the song Duke of Earl, and in In the Company of Ogres, Martinez takes this a step further. Think of them as Easter Eggs for the Gen-X reader. Ogre twins Martin and Lewis, a tree-warrior who is not allowed to call himself an "Ent", and even the walking hut of legendary Baba-Yaga all are dropped in for flavor and texture in his second novel. Finally, we have a fantasy-writer who hasn't forgotten that his readers live in the real world!

The story follows a lovable loser who finds himself in charge of rag-tag group of misfits. Though he would rather be an accountant than a soldier, Ned is ordered to whip Ogre Company into shape within six months or face being turned into a mindless berserker. Martinez complicates this situation by giving his hero a propensity for resurrection and a pair of relentless super-villains who want to harness that power for themselves. Were this strictly a fantasy novel, much of the meat of this story would likely be a build up to some great final battle that critics would inevitably see as a Christ allegory, but in this authors hands, it is more like Stripes with swords.

In fact, the entire book feels like the best episodes of M*A*S*H* dressed up in the trappings of a traditional fantasy world. To say "traditional fantasy" is somewhat misleading, however, as no archetype is safe from the gleeful pen of Mr. Martinez. While he uses creature-types familiar to fans of fantasy, he twists them into objects of comedy gold. Ogres, Amazons, Goblins and Demons all look as we might imagine, but Martinez grants them a depth typically reserved for the subjects of BBC comedies. As Ned discovers who he is and why he cannot stay dead, the secondary characters all evolve in unpredictably humorous ways.

Martinez weaves the construction of this fictional universe he has created into his characters and, as such, we get the impression of a world as complicated as our own, but infinitely funnier. While he does not go far enough for us to consider In the Company of Ogres a satire, Martinez certainly takes a few potshots at bureaucracy, sexism, and racism. The story and its humor are very straight forward, and Martinez is obviously attempting to entertain us, not berate us with politics.
My only complaint about this novel is its brevity. While this keeps in tenor with the author's previous work, it still leaves a sense of promises unfulfilled. Like an interrupted act of coitus, there is a sense that what we got was good, but there could be so much more. Beneath the jokes and action lays a world full of intriguing characters and a mythology with which Martinez only teases us. The only fathomable reason not to extend the world of Never Dead Ned into a series is to avoid further comparison to writers like Robert Aspirin or Douglas Adams. In fact, the potential is there for a collection of books more akin to Terry Pratchett's Discworld series, where the mythology continues in each installment even if the characters do not. Alas, Mr. Martinez is still a young writer, and any extension of this universe will have to wait.

Like a good popcorn movie for smart people, In the Company of Ogres sets out to give us a few thrills and giggles and accomplishes it swimmingly. Don't look too deeply for meaning, but pick up the book anyway for its entertainment value and see if you can spot all the fantasy and pop-culture references the author makes. You might burn through it in a day or so, but it is the kind of book you go back and reread on a lark. I also would not be surprised if we saw this adapted as an animated series or even a motion picture down the road, so grab it now and your "early adopter" status will be secure.

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* Download PDF The Dragon's Lair (The Lost Journals of Ven Polypheme), by Elizabeth Haydon

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Barely one day after fulfilling his second mission for King Vandemere as Royal Reporter of the land of Serendair, young Charles Magnus Ven Polypheme—known as Ven—is off on another adventure. To keep them safe from the wrath of the Thief Queen, whose rage at their escape from the Gated City knows no bounds, the king sends Ven and his friends on an important mission.

Their journey takes them across a wondrous land filled with marvels—and danger. For the mission the king entrusts to Ven is a delicate one: to discover the cause of a dispute between two warring kingdoms—and the answer leads Ven straight into the lair of a very angry dragon….

Fans of The Floating Island and The Thief Queen’s Daughter—both chosen as Book Sense Children’s Picks—will love this third enchanting adventure in The Lost Journals of Ven Polypheme series by bestselling author Elizabeth Haydon.

• Sales Rank: #1562857 in Books
• Brand: Starscape
• Published on: 2008-07-08
• Released on: 2008-07-08
• Original language: English
• Number of items: 1
• Dimensions: 8.12" h x 1.21" w x 6.11" l, 1.00 pounds
• Binding: Hardcover
• 352 pages

From School Library Journal
Grade 5–9—In this addition to the series, Ven and his friends go on a quest to escape the Thief Queen and stop a dragon from destroying Nain settlements. Amariel, a merrow (or mermaid) who once saved Ven's life, reluctantly agrees to join in the quest. This decision proves dangerous when Ven loses her cap and must race against time to find it before Amariel turns human forever. Though not a stand-alone, the book has a richly drawn fantasy world, distinct characterizations, and a fast pace that will inspire readers to check out The Floating Island (2006) and The Thief Queen's Daughter (2007, both Tor). Peppered with energetic sketches and excerpts from Ven's journals, this unique book will appeal to a broad range of readers.—Kim Ventrella, Ralph Ellison Library, Oklahoma City, OK
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Haydon not only maintains the dazzling action, convincing characterizations, and vigorous world building of the first book, but also carefully paves the way for further installments in the Lost Journals of Ven Polypheme series. Another surefire winner.”--Booklist on The Thief Queen’s Daughter “This first-rate novel will have wide appeal.”--School Library Journal on The Thief Queen’s Daughter “A delightful epic fantasy that will attract a readership both older and younger than the target audience.”--Booklist, starred review, on The Floating Island
“Haydon spins a story both warm and thrilling.”--Publishers Weekly on The Floating Island

About the Author

Little is known for sure about reclusive documentarian Elizabeth Haydon. She is an expert in dead languages and holds advanced degrees in Nain Studies from Arcana College and Lirin History from the University of Rigamarole. She is now at a dig site where a fourth journal by Ven Polypheme has been found.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Scarnag's Lair!
By Summer Paulus
The Dragon's Lair is the third book of Elizabeth Haydon's new series for young adults, The Lost Journals of Ven Polypheme. The story opens up with Ven helping Char gather the food that is being dropped-off at The Crossroads Inn when a farmer helps him unload. The farmer turns out to be King Vandemere from the Castle of Elysian in disguise, who warns Ven that the Thief Queen is out to capture him and his friends. Understanding the warning of the King, who advises Ven to take his friends and run beyond the Great River, he agrees with his advice and a plan that he assigns him and is greeted by the King's forester, Tuck, a Lirinved (the in-between) who will guide them and protect them from the Thief Queen and her spies, huge flocks of Ravens that hunt them wherever they go.
Meanwhile, the Kingdom of the Nain and Lirin are against each other, threatening to disrupt in war. Even worse, a Dragon by the name of Scarnag is terrorizing the Nain to get back his treasure that was taken from him by the Nain. It is up to Ven to avoid the dragon and find out what exactly was stolen, and to trade with the Lirin/Nain to get something that King Vandemere wants, even if it may cost him the throne!
When Ven heads back to Kingston with Tuck, he sets-out to get Amariel to come along with him, the Merrow that saved him from the Fire Pirates. He is also greeted by Madam Sharra, who gives him one of the cards of her deck that is tucked-away in Black Ivory, a dragon scale from the Primeval Wyrm spoken of in The Symphony of Ages series and the first book of the War of the Known World trilogy (Requiem for the Sun/The Assassin King).
This is a nice treat for any of the legions of fans for the Symphony of Ages, which is a World Wide Bestseller series, but is also a nice introduction and "sugar-coated flavor," for any one younger who are just experiencing Elizabeth Haydon's enchanting world for the first time. I highly recommend this book to anyone, young or old, who enjoy a good story, or who enjoyed J.K.Rowling's Harry Potter series or J.R.R.Tolkien's Lord of the Rings trilogy.
I acclaim Haydon as the best fantasy author of this age, don't let her books slip you by! And if you read some of Haydon's Lost Journals, than try her Symphony's on for size if you haven't already! Elizabeth Haydon is right up there with the best fantasy authors known to date!

2 of 2 people found the following review helpful.
Fun for Young Adults (and oldies as well!)
By Cheese
I loved the first two, but this one is even better!

I have been a fan of EH since I read the Symphony of the Ages books, and thought I would try 'The Floating Island' on a whim to read to my 9 year old. We did and he loved it and so did I. Ven's struggles with events, with his friends, and with his enemies make for great dinner table (or School Room) discussions. She even has suggested topics for discussion in the back of all three.

These are fun, fast moving books. They can be read individually, but it is wonderful to read together - many events are inter-related and build on each other. Fun to read aloud and very entertaining.

2 of 2 people found the following review helpful.
Great books
By Katrina Blackwell
I have read all three of the lost journals books and really enjoyed them. I am looking forward to reading more books from Elizabeth Haydon. I want my children to read the books as well she includes many lessons to learn. Brilliant writing!

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>> PDF Ebook Tolkien: A Look Behind the Lord of the Rings, by Lin Carter

PDF Ebook Tolkien: A Look Behind the Lord of the Rings, by Lin Carter

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Tolkien: A Look Behind the Lord of the Rings, by Lin Carter

PDF Ebook Tolkien: A Look Behind the Lord of the Rings, by Lin Carter

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Lin Carter introduces readers to Tolkien's epic trilogy then takes them on a scholarly yet populist journey through the massive web of myths and legends that Tolkien drew on for both imagery and themes during his life's work. Carter's book places Tolkien's trilogy in the context of world mythology and legend and is a tribute to Tolkiens power of assimilation and original vision. It is the ideal introduction to the background of the LORD OF THE RINGS for the legions of new fans.

• Sales Rank: #15181542 in Books
• Published on: 2004-02
• Original language: English
• Dimensions: 1.00" h x 1.00" w x 1.00" l,
• Binding: Hardcover

About the Author
If JRR Tolkien was the single author most responsible for the existence of Fantasy as a modern publishing genre then the single editor and critic with the same claim was Lin Carter. His tireless advocacy of both modern fantasy writers and their historical forbears as the first editor on the Ballantine Adult Fantasy series was hugely influential.

Most helpful customer reviews

13 of 13 people found the following review helpful.
A fine survey of background literature to Tolkien's books
By A Customer
Contrary to the opinion of the reviewer below, who indicates an inability to remember what was read (which says quite a bit all by itself, doesn't it?), this book does its job admirably well. A popularized account of the literature behind the literature which Tolkien left for us, this book takes us through the wide range of mythic and legendary material from various historical periods in Europe & nearby regions which lie at the source of J.R.R. Tolkien's greatest fantasy works (The Hobbit and The Lord of the Rings) and which influenced the great fantasist, himself. Not a book for scholars but apparently too erudite for some readers of Tolkien's works, this book takes us on a quickie survey of the legends and linguistic antecedents which influenced and captured Tolkien's fancy. At the same time it gives us a fairly educated survey of the history of fantasy literature itself. The book is meant to be entertaining for those who love to understand what they are reading -- though it's no fantasy itself, which is perhaps what our disappointed reviewer expected. Or perhaps this person was seeking the inside dope on Tolkien and his times. Whatever. At the least, this is a good source for those who want to understand the history of this type of literature and who want to go farther than just reading the material. It was for me. And it took me farther than I'd expected. Afterwards, you can go on to many of the sources themselves. This book tells you what they were and, often enough, where to find them. --- Stuart W. Mirsk

11 of 12 people found the following review helpful.
Tolkien? Where?
By Robert Beveridge
Lin Carter, Tolkien: A Look Behind the Lord of the Rings (Ballantine, 1969)
availability: out of print

Forget the title. Carter's book has about as much to do with Lord of the Rings as Silence of the Lambs actually has to do with lambs. They get mentioned now and again, but are really quite unnecessary to what's going on.

Carter's interesting little tome is actually more of an encapsulated history of fantasy literature up to the time of Tolkien-- the sources from which Tolkien got his ideas. LOTR serves as a convenient linchpin and a good jumping-off point, but Carter is truly in his own when he's discussing the Elder Edda or the epics of Homer and his contemporaries, and tracing how the stories got from the ancient texts into Tolkien's hands. It leaves behind a wealth of wonderful reading material for the interested fantasy reader to track down (assuming most of it can be found; Carter laments that many of the works of which he speaks have been lost to the ages), and this is its chief strength. As for weaknesses... well, there really aren't any. Carter spends too much time summing up LOTR when he could be telling us about Egyptian legends, and he makes a number of guesses about things in LOTR, since The Silmarillion hadn't been published yet (and for all its annoyances, The Silmarillion did answer a whole lot of questions about the First Age), but it's impossible to count that against Carter and still remain fair. I'd just liked to have seen more of the old stuff, and less of the new. ***

7 of 7 people found the following review helpful.
A fine introduction to both Tolkien & classic fantasy
By William Timothy Lukeman
This was one of the first books to delve into Tolkien's now-classic tale, and in many ways, it's still one of the best. By exploring the roots of both Tolkien's work & the fantasy genre overall, Carter provides much-needed perspective ... to say nothing of having introduced an entire generation of fantasy readers & future fantasy writers to the masters of the field. I still recall the excitement of learning about Lord Dunsany & Wiliiam Morris for the first time, and my appetite for their work was whetted by the brief samples Carter so tantalizingly provided to his readers!
The entire Ballantine Adult Fantasy series so wonderfully developed & edited by Carter can be seen as an outgrowth of this seminal work; for that reason alone, it's deserving of praise. But it's also enjoyable & informative reading on its own merits. Carter wrote at the height of the intial Tolkien craze & much of that exhilaration & delight is reflected here. His prose is deceptively easy-going & always accessible: he's clearly writing about a living man & his living work, not the ponderous monument so many writers have since made of him. Yes, there are more detailed (and more accurate) books about Tolkien, but this one truly conveys the pleasures of masterful & classic fantasy. Recommended!

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~~ Download PDF The Testament, by Eric Van Lustbader

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The new international thriller from the New York Times bestselling author of The Bourne Legacy

Braverman Shaw--"Bravo" to his friends--always knew his father had secrets. But not until Dexter Shaw dies in a mysterious explosion does Bravo discover the enormity of his father's hidden life as a high-ranking member of the Order of Gnostic Observatines, a sect founded by followers of St. Francis of Assisi and believed to have been wiped out centuries ago. For more than eight hundred years, the Order has preserved an ancient cache of documents, including a long-lost Testament attributed to Christ that could shake Christianity to its foundations. Dexter Shaw was the latest Keeper of the Testament--and Bravo is his chosen successor.

Before Dexter died, he hid the cache where only Bravo could find it. Now Bravo, an accomplished medieval scholar and cryptanalyst, must follow the esoteric clues his father left behind. His companion in this quest is Jenny Logan, a driven young woman with secrets of her own. Jenny is a Guardian, assigned by the Order to protect Bravo, or so she claims. Bravo soon learns that he can trust no one where the Testament is concerned, perhaps not even Jenny . . .

Another secret society, the Knights of St. Clement, originally founded and sponsored by the Papacy, has been after the Order's precious cache since the time of the Crusades. The Knights, agents and assassins, will stop at nothing to obtain the treasure. Bravo has become both a target and a pawn in an ongoing war far larger and more deadly than any he could have imagined.

• Sales Rank: #1717414 in Books
• Published on: 2006-09-05
• Released on: 2006-09-05
• Original language: English
• Number of items: 1
• Dimensions: 9.55" h x 1.53" w x 6.33" l,
• Binding: Hardcover
• 480 pages

From Publishers Weekly
Bestseller Lustbader (The Bourne Legacy) jumps on the Da Vinci Code bandwagon with this high-octane but familiar tale of yet another lost gospel that would rock the Catholic world. This time, the secret for which the faithful are not prepared is that Jesus was restored to life by "The Quintessence," the mysterious fifth element, rather than by divine assistance. Competing secret factions, of course, pursue this substance, with its promise of eternal life, plus a fragment of the Testament of Jesus Christ, which confirms its existence. The cloak-and-dagger war draws in Bravo Shaw, a medieval scholar whose father was a secret member of the centuries-old Order of the Gnostic Observatines before the repressive Knights of St. Clement murdered him. With the help of Jenny Logan, another Gnostic Observatine agent, Bravo dodges death and betrayal every few pages. Dan Brown fans who like their thrillers dressed up with research and ingenious puzzles won't find much of that here, but the action-packed story will keep them turning the pages anyway. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
After Braverman "Bravo" Shaw's father dies unexpectedly (and under very suspicious circumstances), Bravo discovers that Dad was a member of an ancient and secret religious order charged with guarding a document, allegedly written by Christ himself--yes, it's another of those artifacts that could tear apart Christianity. Bravo, a cryptanalyst and medieval-history expert, teams up with a young woman who claims to be a member of the order, and together they attempt to find Christ's testament. One more shameless rip-off of The Da Vinci Code? Not quite. For hard-core fans of the -religious-historical thriller, there is just (barely) enough originality here to make the story palatable. Van Lustbader's characters aren't exactly the same as Brown's, and the plot doesn't unfold precisely the way Brown's does, so if you're consumed with Christian conspiracy theories, you're likely to focus on what's new and ignore the many similarities between the two books. And with genre veteran Van Lustbader a card-carrying member of the plotcentric school, there are no worries about complex characters getting in the way of the action. David Pitt
Copyright © American Library Association. All rights reserved

Review
"Eric Van Lustbader proves again that he is the master of the smart thriller. In The Testament, Lustbader takes on the oldest, newest, and biggest issue the world faces today--religious extremism--and he does it with skill, insight, and energy. A terrific read, well written, well researched, and well worth your time."--Nelson DeMille, New York Times bestselling author of Night Fall on The Testament "The Testament is a riveting tale of secret sects, religious miracles, and medieval history that blends seamlessly with today's political issues. Paced liked the wind, intelligent, and engrossing--The Testament is Eric Van Lustbader at the very top of his game."--Steve Berry, New York Times bestselling author of The Templar Legacy "One of the great thriller authors--the writer who gave us The Ninja--returns with a lightning-paced novel that reinvents the genre. His many fans will rejoice to see that Lustbader is back and at the top of his form."--Joseph Finder, New York Times bestselling author
 "Lustbader remains a fine choice to fill Ludlum's large shoes, and he has delivered a work worthy of the Bourne legacy."--USA Today on The Bourne Legacy

"Paced liked the wind, intelligent, and engrossing--The Testament is Eric Van Lustbader at the very top of his game."
(Steve Berry, New York Times bestselling author of The Templar Legacy)

"One of the great thriller authors returns with a lightning-paced novel that reinvents the genre."
(Joseph Finder, New York Times bestselling author)

"A terrific read, well written, well researched, and well worth your time."
(Nelson DeMille, New York Times bestselling author of Night Fall)

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By LJay
What can I say had me hooked from the first page, couldn't put it down.

31 of 35 people found the following review helpful.
I hate writing bad reviews
By N. Gargano
I am a fan of Mr. Van Lustbader and I hate writing a bad review for this book, but I just was so surprised at how much I didn't like it, I thought it only fair to other book buyers to share my opinion.

The story felt forced, the characters were cardboard cutouts, I actually found myself laughing out loud at some of the conversations, scenes and instances as they unfolded. I am not sure if Mr. Van Lustbader felt the need to jump into the mass of "Da Vinci Code" books or really felt like he had a story he wanted to tell, but this book is awful. The premise seemed so interesting, and if done well, maybe would have been a good book.

I gave it two instead of one, just for the fact that, well, I don't know why, I just gave an extra star for effort I guess, after all it is Eric Van Lustbader, but if you have to read it, wait for paper. My apologies to the author.

11 of 11 people found the following review helpful.
Been there, done that
By mrliteral
The bad news about Eric Van Lustbader's novel The Testament is that there's nothing that's really good about it. The good news - if you could call it that - is it could be worse. As it is, it's a by-the-numbers thriller that has been done better many times.

The hero of the Testament is Braverman "Bravo" Shaw, who, as the story begins, is about to be told an important secret by his father Dexter. Bravo opts to wait a few hours, during which time Dexter's killed and Bravo's sister Emma is injured. Dexter, however, has left behind a series of puzzles that will reveal his secrets. Early on, this leads him to Jenny Logan who clues Bravo in what's going on.

It turns out that Dexter had a key role in a centuries-old group called the Order of the Gnostic Observatines, a group that split from the Catholic Church and is now considered heretical. The Church has its own organization, the Knights of St. Clement, which is out to destroy the Order. Dexter has passed on his title of Keeper to Bravo, which will give the son access to some important, arcane texts that could negatively affect the Church. Jenny is a Guardian, part of the security wing of the Order.

Both together and separately, Jenny and Bravo solve Dexter's puzzles and dash around the U.S. and Europe closing in on the hidden documents, while members of both groups pursue them (the Order happens to have some bad guys in it too), leading to an inevitable showdown between the heroes and the villains.

On the one hand, this is a competently written thriller, but there's a definite been-there-done-that feel to the whole thing. Lustbader doesn't even seem to be trying to write a good novel here. The plot is an obvious reworking of The Da Vinci Code, but it's a pale shadow of that best-selling novel. There isn't a plot twist that can't be seen a mile off: as soon as Jenny is introduced, you know she's going to be the love interest, and I could tell that Bravo's best friend was going to secretly be the head bad guy (I'm not spoiling anything here; it is revealed relatively early in the book). The characters are cookie-cutter, and Lustbader doesn't even seem to care enough to get basic facts correct: for example, at one point, he can't even do math correctly, having 54 - 42 equaling 8.

The best I can say about the Testament is that it is a testament to my fortitude to stick through a completely formulaic book, one which was a page turner only because I wanted it over with. If this was a minor, no-name author, I'd probably give the book two stars, but Lustbader is an established author who should put forth a better effort. Instead of reading this one-star fare, you're better off re-reading The Da Vinci Code or some classic Ludlum novel.

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The tale of Bluebeard, reenvisioned as a dark fable of faith and truth

1843 is the "last year of the world," according the Elias Fitcher, a charismatic preacher in the Finger Lakes district of New York State. He's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end.

Vernelia, Amy, and Catherine Charter are the three young townswomen whose father falls under the Reverend Fitcher's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled in turn by the fiery preacher. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, Vern soon learns the extent of her husband's dark side. It's rumored that he's been married before, though what became of those wives she does not know. Perhaps the secret lies in the locked room at the very top of the house―the sin-gle room that the Reverend Fitcher has forbidden to her.

Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird," this dark fantasy is set in New York State's "Burned-Over District," at its time of historic religious ferment. All three Charter sisters will play their part in the story of Fitcher's Utopia: a story of faith gone wrong, and evil coun-tered by one brave, true soul.

• Sales Rank: #2142294 in Books
• Published on: 2003-12-01
• Released on: 2003-12-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .89" w x 5.50" l, 1.09 pounds
• Binding: Paperback
• 400 pages

From Publishers Weekly
In the latest addition to the Fairy Tale Series created by Terri Windling, fantasy author Frost (Tain; Lyrec) provides a fresh and highly readable spin on the classic Bluebeard tale, setting his version in New York's Finger Lakes district during the 1830s. Charismatic preacher Elias Fitcher, the Bluebeard figure, has set up a utopian community that prays and works while awaiting the end of the world prophesied for 1843. Into this hotbed of religious fervor comes the Charter family from the nearby town of Jeckyll's Glen. The father and stepmother succumb to Fitcher's mesmerizing preaching, but it is the three daughters-Vernelia, Amy and Catherine-who listen to household spirits and end up, each in turn, marrying Fitcher, then vanishing, except for Catherine, the youngest. In order to survive, Catherine must use her wits and the understanding passed on from her sisters. Exploring such adult themes as lust, masochism and desire, Frost neatly counterbalances the underlying threads of wifely curiosity and disobedience with the growing awareness of true evil in Fitcher, the elements that have made the fairy tale such a timeless story. Some readers may want to save Windling's introduction, which traces the historical legend through its roots in folklore to the narrative of Frenchman Charles Perrault, for last, in order to enjoy the novel for its own sake.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
Swept up in the Rev. Elias Fitcher's apocalyptic predictions, the Charter family moves to upstate New York to await the final days as the gatekeepers of Fitcher's mansion, Harbinger House. When Fitcher chooses Vernelia as his bride, younger sisters Amy and Kate envy her happiness until events hint at a sinister purpose behind Fitcher's marriage and an even darker secret at the heart of Harbinger House. Frost's contribution to the popular "Fairy Tale" series, created and edited by Terry Windling, takes a unique approach to the horrific tale of Bluebeard, setting a seemingly cautionary tale about the dangers of curiosity against the messianic fervor of the mid-19th century. The author of The Pure Cold Light blends dark fantasy and social commentary in an intriguing tale that belongs in most libraries. Highly recommended.
Copyright 2002 Reed Business Information, Inc.

From Booklist
In this superb retelling of Bluebeard, the bloody essentials remain intact: a wealthy man with a string of former wives, a mysterious key the latest wife is forbidden to use, a room with a lock the key fits into, the young wife's overwhelming curiosity and horrifying discovery, and the dispatching of the wicked husband. The main difference is Frost's chillingly realistic Bluebeard figure. Fitcher is the megalomaniacal, charismatic leader of a religious cult in the early 1800s--a cruel, controlling serial murderer who has seduced hordes with his last-days doctrine, including the stepmother of three beautiful daughters. Her religious fervor leads her to take her family to the Fitcher's secluded haven, where a community of true believers awaits the last day. As soon as he sees them, Fitcher knows he must have all three daughters and stepmother, too. The story proceeds to its bloody end by means of a wonderfully updated plot and intriguing details. Well-researched and extremely well-written, including the fascinating introduction on the origins of the Bluebeard tale. A ripping good read. Paula Luedtke
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

11 of 11 people found the following review helpful.
The Brides of Death
By Kelly (Fantasy Literature)
A widower, with a little help from his cold-hearted new wife, has fallen under the spell of Elias Fitcher, an apocalyptic preacher who predicts the world will end within the year. Packing up all his earthly belongings, and his three daughters--romantic Vernelia, neurotic Amy, and practical, skeptical Kate--he and his wife move to a tiny village in upstate New York to await the end of days. There, the charming, charismatic, and utterly horrifying Fitcher takes a shine to Vernelia, and sweeps her off her feet in a whirlwind courtship.

It says on the very cover that it's a Bluebeard story, so I'm not spoiling much to say that Vernelia goes mysteriously missing, and Fitcher then marries Amy. When Amy, too, vanishes, it's up to Kate to find out what has happened and stop Fitcher's horrible spree. There's a storm brewing, of course, and the plot goes from atmospherically creepy to nail-biting as the storm rises to fever-pitch. I could have sworn I heard thunder when I discovered Kate's middle name, when she stood up to him as no one had previously done, when she raced against time to stop him from adding her to his collection. Does she survive? Read and see.

Gregory Frost here gives us an unforgettable rendition of one of our darkest fairy tales, a heroine to root for, and a truly terrifying villain. An added bonus is Terri Windling's introduction. Her introductions are always a treat, but she's getting even better, as evidenced first by the fascinating one for White as Snow, and now by the essay she wrote for this novel. She points out, most interestingly, that Perrault's famous version blames Bluebeard's murders on his wives' curiosity and disobedience, but that the older version give us heroines, like Kate, who save themselves by their willingness to question authority and look for answers.

8 of 8 people found the following review helpful.
A fairy tale for grown-ups.
By Bill Kent
The Bluebeard legend sliced, diced and transplanted to the 19th century in the "burned-over land," that section of upstate New York from which were born the Mormons, Seventh Day Adventists and other modern religious cults. Frost takes this somewhat forbidding fantasy landscape to the edge of gothic horror for a tale that is really about female empowerment: how long will we suffer from monstrous evil before SOMEBODY fights back? The fight is worth the wait, and the gruesome details leading to it. Clever readers will see that Frost is using the story to analyze why it is that the intolerance and xenophobic hatred that powers the mindless fanaticism of an era that, for all its historical trappings, seems curiously contemporary. For fans of Frost's short but very accomplished body of work, this novel is a definite joy. Frost is writing at the peak of his powers: literate, intelligent fantasy doesn't get much better than this.

7 of 7 people found the following review helpful.
Yet another grand re-visioning of a classic fairy tale.
By Stephen Richmond
Terri Windling's Fairy Tale Series never disappoints. Author Frost here creates a vivid and accurate, if bleakly creepy milieu for his take on Bluebeard. The millennial fervor of mid-19th century America is fascinating in itself and Frost elucidates as he entertains. His characterizations are apt, although I was at first discomifited by his descriptions of the sexual de-flowering of his three protagonists; eventually, it all fits and is entirely appropriate. The story of Bluebeard has always been an ugly for me and it's no less so in this re-telling. Some very engaging and aptly retro prose.

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>> Ebook Download The Science Fiction Hall of Fame, Volume Two A: The Greatest Science Fiction Novellas of All Time Chosen

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The Science Fiction Hall of Fame, Volume One, honored the best of science fiction's early short stories. This volume is the definitive collection of the best science fiction novellas written between 1929 to 1964 and contains eleven great classics. There is no better anthology that captures the birth of science fiction as a literary field.

Published in 1973 to honor novellas that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame introduced tens of thousands of young readers to the wonders of science fiction and was a favorite of libraries across the country.

This volume contains the following:

Introduction by Ben Bova
"Call Me Joe" by Poul Anderson
"Who Goes There?" by John W. Campbell, Jr.
"Nerves" by Lester del Rey
"Universe" by Robert A. Heinlein
"The Marching Morons" by C. M. Kornbluth
"Vintage Season" by Henry Kuttner and C. L. Moore
". . . And Then There Were None" by Eric Frank Russell
"The Ballad of Lost C'Mell" by Cordwainer Smith
"Baby Is Three" by Theodore Sturgeon
"The Time Machine" by H. G. Wells
"With Folded Hands" by Jack Williamson

• Sales Rank: #1432979 in Books
• Brand: Tor Books
• Published on: 2004-12-01
• Released on: 2004-11-11
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.15" h x 1.78" w x 6.19" l, 1.40 pounds
• Binding: Hardcover
• 544 pages

Features

• Used Book in Good Condition

Review
“Libraries can toss out worn collections of partly good/partly poor and buy this volume of the crème de la crème.” ―Library Journal

About the Author
A six-time winner of the Hugo Award, a former editor of Analog, former editorial director of Omni, and past president of the National Space Society and the Science Fiction Writers of America, Ben Bova is the author of more than a hundred works of science fact and fiction. He lives in Florida.

Most helpful customer reviews

40 of 40 people found the following review helpful.
A great second volume
By T. Simons
I first picked up the original printing of the first volume of thisanthology when I was a small child, around ten years old, and the first story in it ("A Martian Oddyssey") was so good that I put the book back down and didn't read the rest of it for another year because I was afraid none of the other stories in there could possibly be as good.

The second two volumes took me years to track down; II B I managed to find in a sale of discards from my school library; II A I didn't find at all until Amazon came along.

The conceit of this series is that the Science Fiction Writers of America picked the best short stories, novellas, and novels from before the Nebula Awards were commenced in 1965, and published them as a hall-of-fame anthology. Volume 1 collected the short stories and volume II (A and B) collected the novellas -- essentially, one stop volumes of all the "Nebula Emeritus" books, the sci-fi that professional SF writers of the sixties felt had most influenced and impacted them up to that point.

As such, this series is perfect for two groups of people: people who are completely ignorant of sci fi, and people who want to gain a better critical understanding of sci fi and its history as a genre. You can't find a better starting place, because these are the stories that the great modern SF writers started on, so by reading these, you'll understand more about what modern writers are doing, and you'll have the opportunity to experience the tropes first hand, from the stories that coined them, not in later knockoffs.

This volume (II A) I prefer slightly less than I and II B, if only because by the time I'd found it, I was older and had read some of the stories elsewhere and seen the tropes before, so it didn't have quite the same glow to it as the other two did, read in childhood; I also feel a couple of the stories in here aren't quite up to the same level as the rest. Still, there are some definite essentials -- "Universe" was the first generation-ship story, "Who Goes There?" is the source story for John Carpenter's film _The Thing_, The Marching Morons is an early version of the conceit in Idiocracy, etc.

Probably the best benefit of these volumes is that they'll give you a general familiarity with the big names of Golden Age SF, so that you'll know who you like and don't and whose works you want to find more of. If you're looking to expand your knowledge of Golden Age era SF, this series is an excellent place to start, and you'll probably find yourself tracking down most of the other works by most of these authors. I would, however, point you to Volume 1 first, especially if you're new to the genre.

This volume contains:

Call Me Joe by Poul Anderson
Who Goes There? by John W. Campbell Jr.
Nerves by Lester Del Rey
Universe by Robert A. Heinlein
The Marching Morons by C.M. Kornbluth
Vintage Season by Henry Kuttner and C. L. Moore
. . . And Then There Were None by Eric Frank Russell
The Ballad of Lost C'Mell by Cordwainer Smith
Baby is Three by Theodore Sturgeon
The Time Machine by H.G. Wells
With Folded Hands by Jack Williamson

47 of 51 people found the following review helpful.
Landmarks of Science Fiction
By G. Styles
You'd never guess from looking at the bookstore shelves today, but collections of short works like these used to be the mainstay of science fiction. Tor Books deserves kudos for bringing this collection of classic novellas from sf's Golden Age back into print, and in hardcover, too, with Volume 2B presumably still to come.

The novella, longer than a short story, shorter than a full novel, is the ideal length for science fiction, providing enough room for an author to present an idea and work through all its implications, without the padding that often seems obligatory for marketing purposes today.

This book includes key works by some of the field's biggest names from the 1940s and 50s. Most will probably be new to anyone who started reading science fiction after the 1980s, including Campbell's "Who Goes There", filmed twice as "The Thing" but much creepier in print, and Lester del Rey's "Nerves", which pre-dated Three Mile Island and Chernobyl by decades.

While the science may have dated, these are still terrific stories.

0 of 0 people found the following review helpful.
Three Stars
By M V Anderson
Probably better than good but I've read so much Sci-Fi that most of it is old hat.

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> Fee Download Calculating God, by Robert J. Sawyer

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An alien shuttle craft lands outside the Royal Ontario Museum in Toronto. A six-legged, two-armed alien emerges and says, in perfect English, "Take me to a paleontologist."

In the distant past, Earth, the alien's home planet, and the home planet of another alien species, all experienced the same five cataclysmic events at the same time (one example: the meteor that wiped out the dinosaurs). Both alien races believe this proves the existence of God: i.e., he's obviously been playing with the evolution of life on each of these planets. From this provocative launch point, Sawyer tells a fast-paced, morally and intellectually challenging story of ambitious scope and touching humanity. Calculating God is SF on a grand scale.
Calculating God is a 2001 Hugo Award Nominee for Best Novel.

• Sales Rank: #165809 in Books
• Brand: Sawyer, Robert J.
• Published on: 2009-03-03
• Released on: 2009-03-03
• Original language: English
• Number of items: 1
• Dimensions: 8.22" h x .93" w x 5.49" l, .66 pounds
• Binding: Paperback
• 336 pages

Amazon.com Review
Creationists rarely find sympathy in the ranks of science fiction authors--or fans, for that matter. And while Robert J. Sawyer doesn't exactly make peace with evangelicals on the issue, Calculating God has to be one of the more thoughtful and sympathetic SF portrayals you'll find of religion and intelligent design. But that should come as no surprise from this crafty Canadian: in the Nebula Award-winning Terminal Experiment, Sawyer speculated on what would happen if hard evidence were ever found for the human soul; in Calculating God, he turns science on its head again when earth is invaded by theists from outer space.

The book starts out like the setup for some punny science fiction joke: An alien walks into a museum and asks if he can see a paleontologist. But the arachnid ET hasn't come aboard a rowboat with the Pope and Stephen Hawking (although His Holiness does request an audience later). Landing at the Royal Ontario Museum in Toronto, the spacefarer (named Hollus) asks to compare notes on mass extinctions with resident dino-scientist Thomas Jericho. A shocked Jericho finds that not only does life exist on other planets, but that every civilization in the galaxy has experienced extinction events at precisely the same time. Armed with that disconcerting information (and a little help from a grand unifying theory), the alien informs Jericho, almost dismissively, that "the primary goal of modern science is to discover why God has behaved as he has and to determine his methods."

Inventive, fast-paced, and alternately funny and touching, Calculating God sneaks in a well-researched survey of evolution science, exobiology, and philosophy amidst the banter between Hollus and Jericho. But the book also proves to be very moving and character-driven SF, as Jericho--in the face of Hollus's convincing arguments--grapples with his own bitter reasons for not believing in God. --Paul Hughes

From Publishers Weekly
Sawyer (Flashforward; Factoring Humanity), a Canadian, is one of contemporary SF's most consistent performers. His new novel concerns the appearance at the Royal Ontario Museum in Toronto of a spiderlike alien paleontologist named Hollus. The alien has come to Earth to study the five great extinction events that have hit our planet over the eons, the best known being the asteroid collision that wiped out the dinosaurs. When the museum's head paleontologist, Tom Jericho, consults with the alien, he is shocked to discover that Hollus has proof that her own planet and that of another alien race suffered a similar series of five catastrophic events at virtually the same times as Earth did. More surprising still to a 21st-century disciple of Darwin like Jericho, both alien races see this synchronicity, along with other scientific evidence, as proof of the existence of God. Much of the novel is relatively cerebral, as Jericho and Hollus argue over the scientific data they've gathered in support of God's existence, but Sawyer excels at developing both protagonists into full-fledged characters, and he adds tension to his story in several ways: Jericho has terminal cancer, which gives him a personal stake in discovering the truth of the alien's claims, and lurking in the background are a murderous pair of abortion clinic bombers who have decided that the museum's Burgess Shale exhibition is an abomination that must be destroyed. Finally, there's the spectacular, if not entirely prepared for, climax in which God manifests in an unexpected manner. This is unusually thoughtful SF. (June) FYI: Sawyer's The Terminal Experiment won the 1995 Nebula Award for Best Novel.
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Diagnosed with lung cancer, paleontologist Thomas Jericho expects to die within the year. What he doesn't expect is the appearance of a spiderlike alien in his museum seeking confirmation from Earth's prehistoric past of the existence of God. The author of Factoring Humanity once again demonstrates his wild talent for innovative, iconoclastic storytelling as he relates a thought-provoking, sobering, yet wryly compassionate tale of one man's discovery of timelessness even as his own time is running out. A good choice for most sf collections.
Copyright 2000 Reed Business Information, Inc.

Most helpful customer reviews

59 of 68 people found the following review helpful.
Fascinating speculations, very sympathetic main character
By B Singh
CALCULATING GOD is a terrific book. Sawyer's research is wonderful and far reaching. He has clearly gone beyond just popular science sources. The main character's struggle with cancer is the perfect subplot, for one does wonder how such injustice can exist. All Sawyer's characters come off well, alien or otherwise. I thought at first that the two fundamentalists were going to be given an unfair treatment, but they were seen being very competent at what they set out to do. And, as a Sikh, I must applaud Sawyer's use of a Sikh character in a nonstereotypical role. Very well done! I enjoyed the aliens very much, from the affable Hollus to the almost incomprehensible Wreeds. I do not know the Royal Ontario Museum, where Sawyer sets his book, but I do know the politics of other museums and what he writes has the ring of real truth about it. A fresh and welcome contrast to the ridiculous portrayal of how a museum really works in for instance THE RELIC by Preston Child. CALCULATING GOD should be enjoyed by science fiction readers (I loved it) and by those who don't read sf (my wife loved it as well).

60 of 78 people found the following review helpful.
I was promised an interesting story, I was given a cheap sermon
By Eneasz M. Brodski
This book is basically two characters talking about whether or not God exists for a few hundred pages. Unfortunately it's done extremely poorly.

The smarter character, the alien, basically recites standard apologetics for the existence of a deistic god. If you ever spent a few hours on the internet you've already heard them all. Fine-tuning argument, irreducible complexity, etc. They are presented as tested and correct by the alien's more advanced science. The author is also apparently unaware of the standard atheistic replies, displaying that he never bothered researching past the point where he could comfortably declare his own theological views justified.

The dumber character, the human, is supposed to be an atheist. He is, at best, a straw-man atheist and one is led to believe the author has never met an actual atheist in real life. His part of the conversation is to bring up the weakest possible "objections" to god's existence and then quickly capitulate that the alien is always right.

This is especially pathetic when they discuss morality, as it's glaringly obvious the author has never read a serious book of ethical philosophy in his life. Not one that was published in the last 200 years anyway. Turns out the alien's morality is always correct because they can "feel it" better than humans can.

The worst part of all this is that the atheist isn't just a strawman, he's also a Scully Skeptic. The alien (with his advanced science and measurements) basically demonstrates the existence of a god-like-being in the first 10 pages of the book. Any real atheist at this point would say "Oh, yes, the universe was created by an intelligence. This is amazing! We should try to find out more about this creator being and contact it if possible!" The evidence is absolutely irrefutable and completely solid. And the book could have been amazing from that point on. But the "atheist" has to deny god for no reason, simply so the author can lay out sophomoric apologetics for the next few hundred pages. These apologetics DO NOT MATTER in the novel's world, because you don't need them when you have actual evidence! But this isn't supposed to be an interesting sci-fi novel. This is the authors attempt at evangelizing his reader in OUR world.

Eventually the atheist is convinced by the poor, leaky arguments of modern apologetics - rather than the physical evidence given in the very first chapter - because that's what the author wants people to do in the real world.

I was promised an interesting story, I was given a cheap Sunday sermon that isn't even aimed at the educated portion of the church.

41 of 53 people found the following review helpful.
A fine book by a fine SF writer
By John S. Ryan
Those of us who have been reading science fiction for more than a couple of decades are notorious for complaining that so few modern writers in the genre live up to the old masters. Well, I'm happy to report an exception. Robert J. Sawyer writes excellent stuff, and this book seems to be as good a place as any to start (both reading and reviewing).

I tend to evaluate SF writers/books along two dimensions -- one for the techie stuff, as measured against James P. Hogan (one of my two favorite living SF writers), and one for the humaneness of the characterization and plot, as measured against Spider Robinson (my other favorite). It's hard to find anybody who does well at both; Charles Sheffield, for example, rates pretty high on the first axis but not too high on the second, and Connie Willis is approximately the reverse.

Well, Sawyer measures up well along both dimensions. His plots include both plausible extrapolations from current science and his characters are always interesting and engaging. And he writes very well; it's hard to put one of his books down once you've started it.

This one is no exception, and it's one of his more ambitious efforts to date. The plot: a non-Terran spacecraft sets down outside the Royal Ontario Museum, and an eight-legged alien (named, as it later emerges, Hollus) walks into the museum and asks to see a paleontologist.

The paleontologist on call happens to be Tom Jericho, who happens to have cancer. And when he learns that on Hollus's planet, scientists think it's just _obvious_ that the universe was designed by an intelligent God, he finds that he has to deal with his own reasons for not believing in God. ("If there were a God, cancer wouldn't exist." The Oncological Argument?)

Most of the plot is devoted to scientific and philosophical discussions between Jericho and Hollus. These are well done; Sawyer is right on the money in his characterizations both of the shortcomings of Darwinian theory and of the "fine-tuned" nature of the universe. (Check out Michael Denton's _Evolution: A Theory in Crisis_ and _Nature's Destiny_ for good discussions of all this stuff.)

Sawyer's own speculative resolution of these issues probably won't please too many traditional theists and I think it's questionable on other grounds as well. But hey, that's what speculative fiction is about, and Sawyer's speculations are veeeeeery interesting even when they're not altogether convincing. (I won't spoil things by giving away any details, but I think I can mention that the Oncological Argument does receive an answer in the end. Not a Pollyanna-ish one, either, but still a hopeful one.)

So why did I deduct a star? Partly because Sawyer's two "fundamentalist/evangelical" characters are such stereotypical caricatures, and partly because I think he rushes his ending a little.

But he's a fine writer and very much in the same class as the old masters of the genre. SF has _always_ (a) dealt with tough theological issues and (b) proposed speculative solutions that depart from both the religious and the scientific mainstream. Sawyer continues this tradition and adds lots of new twists of his own.

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