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The tale of Bluebeard, reenvisioned as a dark fable of faith and truth
1843 is the "last year of the world," according the Elias Fitcher, a charismatic preacher in the Finger Lakes district of New York State. He's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end.
Vernelia, Amy, and Catherine Charter are the three young townswomen whose father falls under the Reverend Fitcher's hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled in turn by the fiery preacher. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, Vern soon learns the extent of her husband's dark side. It's rumored that he's been married before, though what became of those wives she does not know. Perhaps the secret lies in the locked room at the very top of the house―the sin-gle room that the Reverend Fitcher has forbidden to her.
Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird," this dark fantasy is set in New York State's "Burned-Over District," at its time of historic religious ferment. All three Charter sisters will play their part in the story of Fitcher's Utopia: a story of faith gone wrong, and evil coun-tered by one brave, true soul.
- Sales Rank: #2142294 in Books
- Published on: 2003-12-01
- Released on: 2003-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .89" w x 5.50" l, 1.09 pounds
- Binding: Paperback
- 400 pages
From Publishers Weekly
In the latest addition to the Fairy Tale Series created by Terri Windling, fantasy author Frost (Tain; Lyrec) provides a fresh and highly readable spin on the classic Bluebeard tale, setting his version in New York's Finger Lakes district during the 1830s. Charismatic preacher Elias Fitcher, the Bluebeard figure, has set up a utopian community that prays and works while awaiting the end of the world prophesied for 1843. Into this hotbed of religious fervor comes the Charter family from the nearby town of Jeckyll's Glen. The father and stepmother succumb to Fitcher's mesmerizing preaching, but it is the three daughters-Vernelia, Amy and Catherine-who listen to household spirits and end up, each in turn, marrying Fitcher, then vanishing, except for Catherine, the youngest. In order to survive, Catherine must use her wits and the understanding passed on from her sisters. Exploring such adult themes as lust, masochism and desire, Frost neatly counterbalances the underlying threads of wifely curiosity and disobedience with the growing awareness of true evil in Fitcher, the elements that have made the fairy tale such a timeless story. Some readers may want to save Windling's introduction, which traces the historical legend through its roots in folklore to the narrative of Frenchman Charles Perrault, for last, in order to enjoy the novel for its own sake.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Swept up in the Rev. Elias Fitcher's apocalyptic predictions, the Charter family moves to upstate New York to await the final days as the gatekeepers of Fitcher's mansion, Harbinger House. When Fitcher chooses Vernelia as his bride, younger sisters Amy and Kate envy her happiness until events hint at a sinister purpose behind Fitcher's marriage and an even darker secret at the heart of Harbinger House. Frost's contribution to the popular "Fairy Tale" series, created and edited by Terry Windling, takes a unique approach to the horrific tale of Bluebeard, setting a seemingly cautionary tale about the dangers of curiosity against the messianic fervor of the mid-19th century. The author of The Pure Cold Light blends dark fantasy and social commentary in an intriguing tale that belongs in most libraries. Highly recommended.
Copyright 2002 Reed Business Information, Inc.
From Booklist
In this superb retelling of Bluebeard, the bloody essentials remain intact: a wealthy man with a string of former wives, a mysterious key the latest wife is forbidden to use, a room with a lock the key fits into, the young wife's overwhelming curiosity and horrifying discovery, and the dispatching of the wicked husband. The main difference is Frost's chillingly realistic Bluebeard figure. Fitcher is the megalomaniacal, charismatic leader of a religious cult in the early 1800s--a cruel, controlling serial murderer who has seduced hordes with his last-days doctrine, including the stepmother of three beautiful daughters. Her religious fervor leads her to take her family to the Fitcher's secluded haven, where a community of true believers awaits the last day. As soon as he sees them, Fitcher knows he must have all three daughters and stepmother, too. The story proceeds to its bloody end by means of a wonderfully updated plot and intriguing details. Well-researched and extremely well-written, including the fascinating introduction on the origins of the Bluebeard tale. A ripping good read. Paula Luedtke
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
11 of 11 people found the following review helpful.
The Brides of Death
By Kelly (Fantasy Literature)
A widower, with a little help from his cold-hearted new wife, has fallen under the spell of Elias Fitcher, an apocalyptic preacher who predicts the world will end within the year. Packing up all his earthly belongings, and his three daughters--romantic Vernelia, neurotic Amy, and practical, skeptical Kate--he and his wife move to a tiny village in upstate New York to await the end of days. There, the charming, charismatic, and utterly horrifying Fitcher takes a shine to Vernelia, and sweeps her off her feet in a whirlwind courtship.
It says on the very cover that it's a Bluebeard story, so I'm not spoiling much to say that Vernelia goes mysteriously missing, and Fitcher then marries Amy. When Amy, too, vanishes, it's up to Kate to find out what has happened and stop Fitcher's horrible spree. There's a storm brewing, of course, and the plot goes from atmospherically creepy to nail-biting as the storm rises to fever-pitch. I could have sworn I heard thunder when I discovered Kate's middle name, when she stood up to him as no one had previously done, when she raced against time to stop him from adding her to his collection. Does she survive? Read and see.
Gregory Frost here gives us an unforgettable rendition of one of our darkest fairy tales, a heroine to root for, and a truly terrifying villain. An added bonus is Terri Windling's introduction. Her introductions are always a treat, but she's getting even better, as evidenced first by the fascinating one for White as Snow, and now by the essay she wrote for this novel. She points out, most interestingly, that Perrault's famous version blames Bluebeard's murders on his wives' curiosity and disobedience, but that the older version give us heroines, like Kate, who save themselves by their willingness to question authority and look for answers.
8 of 8 people found the following review helpful.
A fairy tale for grown-ups.
By Bill Kent
The Bluebeard legend sliced, diced and transplanted to the 19th century in the "burned-over land," that section of upstate New York from which were born the Mormons, Seventh Day Adventists and other modern religious cults. Frost takes this somewhat forbidding fantasy landscape to the edge of gothic horror for a tale that is really about female empowerment: how long will we suffer from monstrous evil before SOMEBODY fights back? The fight is worth the wait, and the gruesome details leading to it. Clever readers will see that Frost is using the story to analyze why it is that the intolerance and xenophobic hatred that powers the mindless fanaticism of an era that, for all its historical trappings, seems curiously contemporary. For fans of Frost's short but very accomplished body of work, this novel is a definite joy. Frost is writing at the peak of his powers: literate, intelligent fantasy doesn't get much better than this.
7 of 7 people found the following review helpful.
Yet another grand re-visioning of a classic fairy tale.
By Stephen Richmond
Terri Windling's Fairy Tale Series never disappoints. Author Frost here creates a vivid and accurate, if bleakly creepy milieu for his take on Bluebeard. The millennial fervor of mid-19th century America is fascinating in itself and Frost elucidates as he entertains. His characterizations are apt, although I was at first discomifited by his descriptions of the sexual de-flowering of his three protagonists; eventually, it all fits and is entirely appropriate. The story of Bluebeard has always been an ugly for me and it's no less so in this re-telling. Some very engaging and aptly retro prose.
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