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When Manuel Rodrigo de Guzmán González disappears, Wendell Apogee decides to find out where he has gone and why. But in order to figure out what happened to Manuel, Wendell must contend with parties, cockfights, and chases; an underground city whose people live in houses suspended from cavern ceilings; urban weirdos and alien assassins; immigrants, the black market, flight, riots, and religious cults.
Painted in browns and grays and sparked by sudden fires, Spaceman Blues is a literary retro-pulp science-fiction-mystery-superhero novel, the debut of a true voice of the future, and a cult classic in the making.
- Sales Rank: #1040205 in Books
- Published on: 2007-08-07
- Released on: 2007-08-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .51" w x 5.50" l, .65 pounds
- Binding: Paperback
- 219 pages
- ISBN13: 9780765316141
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Editor/writer/musician Slattery's chaotic debut takes readers on a headlong trip to the end of the world. Manuel González, a legendary New York City party animal, has disappeared and his apartment has exploded, leaving behind only the memories of his thousands of friends and enemies. His lover, Wendell Apogee, is determined to find out what happened. So are police inspectors Herman Trout and Lenny Salmon, who uncover a web of bizarre characters, from Lucas Henderson, former Lunar Temple cult member, and Arturo El Flaco Domínguez, González's worst enemy, to a washed-up '80s pop band the Marsupials. As Wendell tracks González through Darktown, the place where you find lost things, the prophecies of the apocalyptic Church of Panic begin coming true: aliens threaten to invade Earth, and Wendell must become superhero Captain Spaceman and save the planet. The story itself doesn't make much sense, but Slattery has a grand time showing off the colorful underground culture of cockfights, raves and endless intoxication that keeps things moving in his hallucinatory vision of New York. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Manuel Rodrigo de Guzmán González disappears, his apartment is consumed by an explosion, and most of the city mourns as though he's dead. The police aren't convinced, and after they question Wendell Apogee, Wendell decides to find out for himself. He doesn't foresee the madhouse things he then proceeds to do—asking questions during a cockfight that gets raided, finding an apocalyptic cult based on valid scientific evidence, going to an underground city in which the best bar is a train car hung from a cavern ceiling. He is changed forever. When aliens come for him wielding weapons from Manuel's apartment, Wendell has to shake up his ordinary life and become someone able to fight such seemingly unstoppable foes. And, wouldn't you know it, the aliens are just forerunners of something bigger and far more devastating than anyone suspected—anyone, that is, except a few who stumbled on certain evidence and created an apocalyptic cult. Spaceman Blues is a mad ride related by a pulp sensibility filtered through the nonstop freneticism of New York's subcultures, real and imagined. Schroeder, Regina
Review
“Spaceman Blues is a mad ride related by a pulp sensibility filtered through the nonstop freneticism of New York's subcultures, real and imagined.” ―Booklist
“For Fans Of: the surreal odyssey of Ralph Ellison's Invisible Man; Plan 9 from Outer Space.… For all its colorful characters and gonzo thrills, Slattery's debut is first and foremost a moving portrait of Wendell's griefs. A-” ―Entertainment Weekly
“Slattery's debut is a kaleidoscopic celebration of the immigrant experience.… Pynchon crossed with Steinbeck, painted by Dalí: impossible to summarize, swinging from the surreal to the hyper-real, a brilliantly handled, tumultuous yarn.” ―Kirkus Reviews
“The book is a marvel: funny, weird, touching, a joy to read not just for its music and its imagination, but for the generous and intelligent view of life that it offers: a view of life that is neither sentimental nor cynical, full of a certain type of hope but never blind to the miseries hope can cause. Spaceman Blues is a cousin and equal of some recent novels that have maintained my faith in the ability of fiction to simultaneously possess meaning, beauty, and vision, but it's a singular book, offering its own riffs on the joys and pains of life and its own rifts across the surface of our shared delusions and commingled dreams.” ―Matthew Cheney, Las Vegas Weekly and The Mumpsimus
“I could think of two other Toms who came to mind while reading the book: Tom Wolfe and Tom Robbins.” ―Leonard Lopate (regarding prior comparisons to Thomas Pynchon)
“Slattery's chaotic debut takes readers on a headlong trip to the end of the world.… Slattery has a grand time showing off the colorful underground culture of cockfights, raves and endless intoxication that keeps things moving in his hallucinatory vision of New York.” ―Publishers Weekly
“The book jacket describes Spaceman Blues as a ‘literary retro-pulp science-fiction-mystery-superhero novel,' and it not only lives up to the hype, but may include a genre or two more besides.… The book weaves a mixture of gritty war elements with hardboiled Hammett-like detective mystery, poetic romance reminiscent of Isabel Allende, and science fiction that brings Stanislaw Lem to mind--into something that seems fresh and compelling.” ―School Library Journal
“Spaceman Blues is a welcome Band-Aid for those still mourning the loss of Kurt Vonnegut and his uniquely wacky, satirical brand of sci-fi. There's also a touch of Paul Auster's flair for genre blending and New York mythologizing.... A strange and whimsical mash note to the city, Slattery's apocalyptome proves that this newcomer is as thoughtful and irreverent as doomsayers come. [Four stars.]” ―Time Out New York
“Early reviews of Spaceman Blues threw around the names of Pynchon, Doctorow, and Dick as stylistic touchstones. But Slattery should really be considered alongside NYC homeboys like Lethem and Shteyngart, the former for his loving tweaks of vintage pulp, the latter for his sharp immigrant comedy.… He's written a breezy, funny, formally playful book that, as apocalyptic novels go, is a helluva cheerier beach read than Cormac McCarthy's The Road, and so visual it cries out for a film treatment.” ―Will Hermes, The Village Voice
“A few here might remember me mentioning a promise to review what I thought was one of the most original novels of the year. Well, here it is.… The end of the world was never so fun.” ―Ain't It Cool News
“What a breathless, mad tornado of words! When it shakes itself awake the earth trembles and the helpless reader is dragged gladly into its light. I haven't had this much fun with a book in years.” ―Harlan Ellison®
“With prose that effortlessly glides from one surrealist scene to another, Brian Slattery proves to be not only a visionary of the absurd, but also a genuinely talented postmodern voice.” ―Michael Hearst of the band One Ring Zero (As Smart As We Are)
“It happens only very rarely--you read a book by a new author, and all you can say is ‘wow.' That was the case with Spaceman Blues: ‘Wow.' To say anything more would mean the inevitable descent into cheap clichés--‘hooked by the first paragraph,' ‘dizzying,' ‘a visionary roller-coaster ride,' ‘reminiscent, if anything, of Thomas Pynchon in its scope, its explosive imagination, the swirling, jazzy flow of the prose.' So much can and should be said about Mr. Slattery's debut--but I think I'll just stick with a simple ‘wow'--or if you prefer a visual summation, try an exclamation point on fire.” ―Jim Knipfel, author of Slackjaw
“Brian Slattery's Spaceman Blues is brilliant. It's got the edgy paranoia and secret reality plotting of the best of Phil Dick, wrapped inside a contemporary stylistic sensibility that stands proudly against Miéville or Doctorow, with a heavy leavening of Nueva York emigre culture to give the work a distinctly American voice--the brawling, postmillennial, multicultural America of twenty-first century New York. This is the transmogrification of Phillip Roth's New York by way of The Matrix and a double handful of wild-ass street drugs into something all too recognizable.” ―Jay Lake, author of Mainspring
“An extraordinary story that hovers between, beneath, above, but never in a familiar territory. But it hovers on thin margins--so much is recognizable, and yet… The thick reality of the informal economy as science fiction is one image that comes to mind. The specificity of this unsettlement becomes a way of seeing what you can otherwise not see.” ―Saskia Sassen, author of Territory, Authority, Rights: From Medieval to Global Assemblages
“Spaceman Blues is a strange new creature: apocalyptic SF with the stylistic pyrotechnics of a beat poet on speed. There is nothing else out there like it, a vaulting, twisted song of decadent and desperate parties, grief and superheroes, sex and memory, and almost incidentally, the end of the world. This book leaves a glowing handprint on the mind which will not soon fade.” ―Catherynne M. Valente, author of The Orphan's Tales: In the Night Garden
“Spaceman Blues is a brave, kinetic novel--a heady, original mixture of the surreal and the postmodern. It never stops moving and it never lets up. A spectacular new voice.” ―Jeff VanderMeer, World Fantasy Award-winning author of City of Saints and Madmen
Most helpful customer reviews
9 of 11 people found the following review helpful.
Wild Ride of Words
By Zinta Aistars
An apartment explodes, and, supposedly, Manuel González is blown to smithereens along with it. Or is he? Brian Francis Slattery's debut novel, "Spaceman Blues: A Love Song," is an explosion of words, all in bright sparks, in all directions, a flaming sky of beautiful chaos. Even when I had trouble following this surreal story, I loved reading it. It almost didn't have to make sense. Sometimes the joy of literary paint splashing on walls, Pollack if this were visual, Monk if this were musical, is enough to enthrall the audience:
"He could find another man, sweet and kind; they could retire to a house upstate with flowing windows, where the roads are framed in green and there are only the assured rhythms of farm equipment, occasional guests, the piling and melting of snow, mud in the spring, angry summers mollified by shade and wind. He could let this rage cut wrinkles into him and dissipate. He could let solace in.
"But he is here now. Subways mumble above his head, the tugboat shudders on its cables. Children swing from spindly walkways, singing songs over the thrum of music and machinery. Every second is another escape from death: it swings by, brushes your clothes, and then wheels around, cheated and livid, and you plant your feet on the crumbling rock, curl your hands into fists. Come and get me." (pg. 111)
As authorities and Wendell Apogee, González's gay lover, track him through Darktown, an underlayer of New York that serves as the dryer to lost socks, the scenes become ever more surreal, wheeling in every direction, mixing with alien life (forms and style), swimming in apocalyptic madness toward the final days on earth. No matter if you lose track of this wild path. Enjoy the dizzy ride.
Slattery is a new voice, and we have too few of those in these cautious days of publishing. Tor, the book's publisher, is to be commended for giving platform to a literary spaceman, singing his literary blues in fresh style.
~Zinta Aistars for "The Smoking Poet," Spring 2008 Issue
0 of 0 people found the following review helpful.
A literary casserole
By mrliteral
I suppose if you took a bunch of fictional genres and threw them in a blender, you might get something like Brian Francis Slattery's Spaceman Blues, an interesting if imperfect mix of science fiction, mystery, and superhero fiction, with a bit of apocalyptic fiction and romance thrown in for flavor.
The plot focuses around Manuel Rodrigo de Guzman Gonzalez, who I kept picturing as being a bit like the World's Most Interesting Man from those Dos Equis commercials. At the beginning of the novel, Manuel has disappeared, and actually the reader will mostly learn what Manuel is like through flashbacks and inferences. Manuel was a man with his finger in many pies and who touched many lives, none more so than Wendell Apogee.
"Apogee" is an appropriate surname for Wendell as his whole life orbits around Manuel, and without his center of gravity, he's been cast adrift. While others have been able to move on, Wendell can't, and goes on a quest to find his one-time lover. In the process, he will visit strange people and go to exotic places, most particularly another whole city that exists beneath New York. In the process, he will be transformed into the heroic Captain Spaceman, the only hope against the viciously super-powered Four Horsemen. It all somehow ties into aliens and a doomsday cult.
Amazingly, Slattery is able to tie all the loose ends together. Spaceman Blues is a wild ride, one that is fun and often funny, but one that may be a bit more sensation than real substance. With his distinctive style, off-beat characters and weird situations (also seen in his second novel, Liberation), Slattery has composed a unique novel, one that is enjoyable as much for its oddness as actual writing skill.
0 of 0 people found the following review helpful.
you'll likely enjoy this novel
By casm
Of all the things that I'm thankful for, one of the ones at the top of my list happens to be that I picked this up in a used bookstore for $2. Unfortunately, that was about $1.50 more than it's actually worth.
If you're a fan of self-indulgent stream-of-consciousness wankery, you'll likely enjoy this novel. If, on the other hand, you expect things from a work of fiction such as a cohesive storyline, engaging characters, and a story that draws you in, you may find it to be something of a disappointment.
Ultimately, this book is perfect for hipsters: it lacks substance and looks slightly retro, but fundamentally has no clue as to what makes the real thing great. Recommended for anyone looking to capitalise on its relative obscurity with the other skinny-jeaned patrons down at the local oh-so-indie-it-hurts coffee house, but actual fans of well-written science fiction will likely want to look elsewhere.
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