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Khai of Khem, by Brian Lumley
PDF Ebook Khai of Khem, by Brian Lumley
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From ancient Egypt to modern England,
a man searches for the woman he loves
and the man who betrayed them both!
Khai begins life in ancient Egypt as the son of Pharaoh Khasathut's chief architect. Believing Pharaoh to be a god, Khai is stunned to learn that his leader's chief desires are to deflower young virgins and achieve eternal life through the powers of his black magicians. Khai dares to raise a hand to Pharaoh and is condemned to be a slave.
Escaping, Khai flees to neighboring Kush where he earns the rank of general in the army of Queen Ashtarta . . . and a place in Ashtarta's bed. But Khai is betrayed by his best friend and Khasathut's evil magicians send his soul winging centuries into the future.
In modern England, Khai searches for the reincarnated souls of his lover and his betrayer. Khai is amazed by the modern world―television, air conditioning, and especially guns, bombs, and other weapons.
Returned to his own time, Khai uses the technologies he saw in the future to rewrite the past. But can he and Ashtarta prevent Khasathut from attaining immortality and using newly-gained alien powers to destroy all of Khem and Kush?
Like the Necroscope novels, Khai of Khem is packed with fast-paced action, hair's-breadth escapes, all-consuming love, endless horror, and, in the person of Khai himself, quick wits and bravery in the teeth of danger.
- Sales Rank: #605407 in Books
- Brand: Brand: Tor Books
- Published on: 2006-10-17
- Released on: 2006-10-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .72" w x 6.00" l, 1.05 pounds
- Binding: Paperback
- 320 pages
- Used Book in Good Condition
Review
“A youthful and super-purple blast of Egyptology. Mystic arts! Dark forces! Fans will find this classy stuff.” ―Kirkus Reviews on Khai of Khem
About the Author
Brian Lumley is the author of the bestselling Necroscope series of vampire novels.
An acknowledged master of Lovecraft-style horror, Lumley has won the British Fantasy Award and been named a Grand Master of Horror. His works have been published in more than a dozen countries and have inspired comic books, role-playing games, and sculpture, and been adapted for television.
When not writing, Lumley can often be found spear-fishing in the Greek islands, gambling in Las Vegas, or attending a convention somewhere in the US. Lumley and his wife live in England.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Two of my favorite things: Sword & Sorcery and Brian Lumley
By Benjamin
I'll preface this review by warning whoever reads it that I'm a fanboy of Brian Lumley. I understand some people do not like or appreciate Lumley, and if that is you, then you will probably not enjoy this book.
Anyways, I'm a fan of Lumley's writing style, and this is one of the better examples of it. Plus I appreciate the fact that this boom almost seems like a mashup of Robert E. Howard's "Kull", and Norman Mailer's "Ancient Evenings".
I enjoyed the story thoroughly and would recommend it.
3 of 4 people found the following review helpful.
Frantic 1980 Lumley novel - occasional vileness
By Chris Monica
Brian Lumley has always had excellent taste in literature. His work brought the proto-genre "weird tale" of the early 21st century into its later decades with modern cinematic flourishes. By 1980, Robert E. Howard and H. P. Lovecraft had been influencing him for decades. With an excellent understanding of pulp fiction in place, he blasted his way through page-after-page of super high-energy (bordering on spastic), gritty archaeological fantasy/sword and sorcery in Khai of Khem. The story seems to be something of a fever dream, with its introductory chapters thrown out almost immediately as what seems to be a different story is developed. The misdirection and time-hopping eventually reconcile, leaving a lasting taste of moments out-of-time and a long-lost world history.
For all the merits of modernizing the pulp weird tale, Lumley's upping of the the grittiness-factor for the grit-heavy 80s makes for some uncomfortable and unnecessary moments. There's some pretty vile stuff - some rape scenes that I really could have done without - which seem more like the author expurgating forbidden thoughts than devices used to say something about the characters or human condition. Suggestiveness and hinting (which all Arkham house alumni learned at one point) are out the window in favor of anatomical terms and graphic descriptions. Rape, sex and violence seem to happen constantly and interchangeably, so that the scenes that I -think- were meant to be sexy made me weary and sick. Certainly, coercing someone's emotions like this should be for some purpose other than cheap adrenaline shots? I know there's a subset of horror readers who eat flat, graphic sexual brutality for breakfast, but I am not a member of this group. If someone is going to screw with my head, it better be for a reason.
10 of 15 people found the following review helpful.
strong fantasy
By A Customer
As the son of the royal chief architect, Khai Ibizin grows up believing that the Pharaoh Khasathut, ruler of Khem, is a god until he actually meets the man as a pathetic old man who cares only for young virgins to share his bed and obtain the eternal life. Having no respect for the God that fell from his mental pedestal, Khai defies the Pharaoh and flees to nearby Kush where he meets Queen Ashtarta, who gives him sanctuary.
Ashtarta and Khai fall in love and plan to marry. However, war between her country and that of Khem is imminent. Ashtarta looks into a magic pool seeing something she does not comprehend. Khai is in a weird locale where silver birds fly humans inside their stomachs and carts with people inside their bellies move without animals amongst other strangeness. The Pharaoh's wizards have sent Khai's ka into the distant future; if not returned soon he will die. Khai's friend Manek Thotak is sent forward by Ashtarta's wizards to bring Khai's ka home. In modern day London Khai lives as Egyptologist Paul Arnott with knowledge of how weapons work.
This is a reprint of a 1980s action packed tale in which Ancient Egyptian belief elements seem genuine. The key players (a withered pharaoh, a heroic champion, a benign queen, and a sacrificing friend) are all fully developed whether they are in the "present" or in late twentieth century England. However, what makes the tale still strong is the time paradox of whether Khai's return to the past could change "future" history by bringing back modern day knowledge to Ancient Egypt.
Harriet Klausner
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