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~ Ebook Free Variable Star, by Robert A. Heinlein, Spider Robinson

Ebook Free Variable Star, by Robert A. Heinlein, Spider Robinson

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Variable Star, by Robert A. Heinlein, Spider Robinson

Variable Star, by Robert A. Heinlein, Spider Robinson



Variable Star, by Robert A. Heinlein, Spider Robinson

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Variable Star, by Robert A. Heinlein, Spider Robinson

A never-before-published masterpiece from science fiction's greatest writer, rediscovered after more than half a century.

When Joel Johnston first met Jinny Hamilton, it seemed like a dream come true. And when she finally agreed to marry him, he felt like the luckiest man in the universe.

There was just one small problem. He was broke. His only goal in life was to become a composer, and he knew it would take years before he was earning enough to support a family.
But Jinny wasn't willing to wait. And when Joel asked her what they were going to do for money, she gave him a most unexpected answer. She told him that her name wasn't really Jinny Hamilton---it was Jinny Conrad, and she was the granddaughter of Richard Conrad, the wealthiest man in the solar system.

And now that she was sure that Joel loved her for herself, not for her wealth, she revealed her family's plans for him---he would be groomed for a place in the vast Conrad empire and sire a dynasty to carry on the family business.
Most men would have jumped at the opportunity. But Joel Johnston wasn't most men. To Jinny's surprise, and even his own, he turned down her generous offer and then set off on the mother of all benders. And woke up on a colony ship heading out into space, torn between regret over his rash decision and his determination to forget Jinny and make a life for himself among the stars.
He was on his way to succeeding when his plans--and the plans of billions of others--were shattered by a cosmic cataclysm so devastating it would take all of humanity's strength and ingenuity just to survive.

  • Sales Rank: #1456935 in Books
  • Brand: Brand: Tor Books
  • Published on: 2006-09-19
  • Released on: 2006-09-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.31" w x 6.33" l,
  • Binding: Hardcover
  • 320 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Like a good Ganymedean farmer in the sky, Robinson (Callahan's Key) plants both feet firmly in Heinlein territory with this mostly credible pastiche of a Heinlein young adult novel circa 1955. Working from an unfinished outline and notes, Robinson tells the coming-of-age tale of Joel Johnston, who flees a broken romance to the new colony planet Brasil Novo 85 light-years away. Joel and his companions demonstrate the odd mixture of innocence and sexual experimentation that Heinlein employed, as Robinson captures the naïve yet advanced tone of Heinlein's future history. But the strain of a contemporary author trying to fit his sensibility about the future (in which nonaggression is a way of life, for example) into Heinlein's more notably militaristic mindset leaves its traces on the characters and plot, with some unexplained role reversals. Nostalgia for Heinlein's early work may pique interest in this posthumous collaboration, but old Heinlein hands may be disappointed that the book is incomplete, being all journey and no arrival. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
A mere glimpse at the legendary byline and Heinleinesque astronomical title may make at least older sf fans salivate. Alas, the source material is neither a lost or unfinished masterpiece but only a fifties-era outline made whole by journeyman sf scribe Robinson. No slouch at space opera himself, Robinson weaves Heinlein's guidelines into a serviceably entertaining tale of a young space explorer colonizing a new world. After discovering his fiancee and supposed fellow orphan is really a wealthy mogul's granddaughter, struggling musician Joel Johnston gets cold feet and grabs the next outbound starship. With his formative agricultural training on Ganymede, Joel has skills that come in handy tending goats and crops in preparation for landfall on Brasil Novo. Yet his vow to abandon love in favor of farming meets some surprising--and romantically intriguing--challenges. The trademark Heinlein quips, space-travel motifs, and obligatory schmaltzy romance are all here in a faithful, if technologically updated, pastiche of the late master's style and storytelling genius. Carl Hays
Copyright © American Library Association. All rights reserved

Review
"Completing a book from notes by a dead author is almost always a mistake. But Robert A. Heinlein apparently isn't really dead. He was obviously standing at the side of Spider Robinson as he wrote this book, guiding his hand. Variable Star will delight the fans of the greatest science fiction writer who ever lived, and at the same time, stays true to Spider's passionate themes of optimism, kindness, and humanity's future among the stars."--John Varley, Hugo and Nebula Award-winning author of The Persistence of Vision and Steel Beach

"I've already laughed hard and wanted to cry….This book is a delight and I love you for doing it. I love you even more for doing it so damned well. Thank you."--David Crosby, Grammy Award--winning singer/songwriter and member of The Byrds and Crosby, Stills & Nash



"Variable Star will delight the fans of the greatest science fiction writer who ever lived."
(John Varley, award-winning author of The Persistence of Vision)

"This book is a delight."
(David Crosby, Grammy Award-winning singer/songwriter)

Most helpful customer reviews

78 of 86 people found the following review helpful.
RAH, RAH, RAH - and Spider
By Patrick Shepherd
This book, like many posthumous `collaborations' that are attempts to complete an unfinished work, has both good and bad things about it.

First, yes, Heinlein's touch is definitely evident, mainly in the basic story setting and its main characters. Clearly the outline and notes that Spider worked from defined these elements unambiguously, and anyone familiar with Heinlein's work will find much here that will evoke that feeling that so many of his YA books from the fifties had. The story is very definitely set in the `Future History' line, with references to Red Planet, If This Goes On, Coventry, Time for the Stars, Starman Jones, Space Cadet, and multiple other stories. Its protagonist is, at least at the start of this book, a rather typical Heinlein older teen, a young man who starts with no clear idea of what he wants from life, and while quite intelligent has a tendency to leap without fully considering all the consequences.

But it is also true that this is Spider writing, and as such it's told in Spider's voice, with his own very distinctive style, which includes his penchant for punning, and to some extent, mysticism, neither of which Heinlein would normally touch. This is not necessarily a bad thing - I've enjoyed many of Spider's other books, and his style normally complements his story material very well. But here I found some of this a little jarring, as it simply didn't match my expectation of how Heinlein's voice would have told this story. Not that Spider either should or could have really matched Heinlein's voice - any attempt to do so would have probably been a disaster.

The objections some others have raised about Spider inserting some commentary about current events into the Future History time line (as `The Terror Wars') I found was actually fairly well done, giving a more solid basis to the rise of Nehemiah Scudder than Heinlein ever did (though this was an area that Heinlein himself avoided, as too depressing to write about). Spider does manage to create characters that I could fully believe in, and they bear a strong resemblance to what these characters would have been like under Heinlein's pen, and this does much to keep this story highly readable and enjoyable.

But I found that the direction of the plot for about the last third of this book rather upsetting, as it plays havoc with the Future History as we have come to know and love it - and this area is pure Spider, for as stated in the afterword, Heinlein's notes were incomplete, and did not include an ending. The ending that is here has both a deus-ex-machina device (but one that Heinlein himself used in one of his other stories) and a clear path to a possible sequel, as clearly there is more story to tell, if Spider (and the Heinlein estate) would so desire.

I finished this book with very mixed feelings. Yes, it's another entry into the Future History corpus; yes, it's well written, engrossing, and enjoyable; but no, it's not Heinlein, and it branches in a direction well outside the known Future History, at the very least requiring another major branch in the World-as-Myth world view. But if Spider ever does write a sequel to this, I'll be there at the bookstore waiting to buy it when it comes in.

--- Reviewed by Patrick Shepherd (hyperpat)

23 of 25 people found the following review helpful.
Don't expect Heinlein, but does have some redeeming features
By Larry Smith
First the bad news. According to the afterword, all Spider started with was 7 pages of notes (there were more, but any additional pages have been lost) and 14 3x5 cards with more notes. So the plot in broad terms is recognizably Heinleinesque, but he didn't have much to go on. But the real disappointment is that Spider's agent told him not to write the novel in a Heinlein style, but in his own. Understandable, sure. But it just doesn't feel like a Heinlein book (much less a Heinlein Juvenile, which the Publisher's Weekly semi-compares it to in their review). It has a fair amount of profanity, multiple drug references (soft, hard and alcohol) and sentences like "Damned souls condemned to yearn forever, and destroy all they touched, knowing it was pointless." As a Spider Robinson book it's OK, but he's really pushing it to include RAH's name on it (no matter how lovingly he tried to do him justice).

OK, now onto the good parts. Throughout the first, oh, half of the book (but then it peters out), Spider peppers the story liberally with RAH allusions. For example: The story starts with Joel (the hero) and Jinny (as in Mrs. Ginny Heinlein?) dancing. Afterwards, she says, "After dancing like that ... a couple really ought to get married". Sound familiar? It should. The Number of the Beast (with its own ton of allusions) starts the same way -- "After a tango like that the couple ought to get married." In both books they go to (Jinny's home) which "isn't anywhere" and (Deety's/Jake's cabin) "It's ... a nowhere place." And there are many, many more. If you're like me and have read and re-read Heinlein's works so often you've practically got them memorized, you'll have fun picking out the references. Trivia question: In Variable Star, on several occasions people use the phrase "Crave pardon." Where else in the RAH canon is this phrase used?

And did I mention a character named Solomon Short? (Presumably used by permission of David Gerrold.)

Side comment -- Kathleen Moore complains that the book's resolution is based on a deus ex machina. Well, so it is. Which is ironic, because it's essentially the same deus ex machina used at the end of Time for the Stars that she mentions. So in a way that's another allusion. And while, yes, there is a lot of Time for the Stars in this novel, it doesn't take much thought to realize that in many ways, Variable Star is closest, structurally, to The Door Into Summer.

So the bottom line is that I gave this only 3 stars. If I'd read it without knowing the author(s), this is probably how I'd rate it. Which is a shame. I wish it had been better.

16 of 18 people found the following review helpful.
Heinlein Only By Courtesy
By Jeffrey R. Ball
Anyone buying this book in the hope that even a Heinlein outline must result in a half decent novel, as I did, will be deeply dissapointed.

While I have always enjoyed Robinsons' Callahans stories, and I am eternally in his debt for his eloquent defending of Heinlein; this novel simply does not feel nor read like any form of Heinlein. Now I know that Robinson has stated clearly that he didn't try to write in the style of Heinlein,(a wise decision!), and as a Robinson novel this is sort of OK, if a bit self consciously hip for my taste, but Heinleins' name should not be on the cover.

-and the rather convenient ending seems a direct pinch from Time For The Stars. Maybe it was meant as homage, but it left a bad taste in my mouth.

I would like there to be more new Heinlein as much as the next person, but if there truly isn't any, then please,let his work stand as it is.

He gave us so very much. Let it be enough.

See all 164 customer reviews...

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